Amaryllis & Belladonna

Submitted by nonesuch on Fri, 02/25/2022 - 17:15
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DescriptionExcerpt

Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson makes her Nonesuch debut with two albums, Amaryllis and Belladonna. The two suites, which Halvorson describes as “modular and interlocking,” come in a two-LP vinyl set or as two separate CDs and digital albums, produced and mixed by John Dieterich, that Jazziz calls "some of the most accomplished writing of Halvorson’s meteoric career." Amaryllis is a six-song suite performed by a newly formed sextet of master improvisers; the Mivos string quartet joins for three of the songs, making this the largest ensemble for which Halvorson has written to date. Belladonna is a set of five compositions written for Halvorson on guitar plus the Mivos Quartet, whose parts are through-composed and augmented by Halvorson’s guitar improvisations. 

Description

Nonesuch Records released twin label debut albums, Amaryllis and Belladonna, from Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on May 13, 2022. The two suites, which Halvorson describes as “modular and interlocking,” were performed at Brooklyn’s Roulette last fall. The records, produced and mixed by John Dieterich (Deerhoof), are available as a two-LP vinyl set or as two separate CDs, and digitally. 

Amaryllis is a six-song suite performed by a newly formed sextet of master improvisers, including Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). The Mivos string quartet joins for three of the songs, making this the largest ensemble for which Halvorson has written to date. The suite showcases Halvorson’s many musical influences from jazz, experimental, new music, and beyond.

Belladonna is a set of five compositions written for Halvorson on guitar plus the Mivos Quartet: Olivia De Prato (violin), Maya Bennardo (violin), Victor Lowrie Tafoya (viola), and Tyler J. Borden (cello). It is Halvorson’s first time writing for a string quartet. Mivos’ parts are through-composed and augmented by Halvorson’s guitar improvisations.

Halverson says, “Amaryllis features some of my favorite musicians on the planet. I started writing the music in 2020, when the world slowed and most activities came to a halt, and all I had was my guitar, a pencil, some staff paper, and a computer. The pleasure of imagining what the music might sound like kept me sane during that time and gave me reason to push forward.

“Around the same time, I was listening to a lot of string quartet music. I had a few orchestration books lying around my apartment, and ample time to take composition lessons. Writing for string quartet has always been a dream of mine, but something that seemed intimidating and somehow out of reach. But with a clear schedule and endless days stretching out in front of me, it felt like the right time to finally go for it,” she continues.

“Working with the Mivos Quartet was a dream. After I composed the Belladonna record, for string quartet and guitar, I wanted to keep going, so I started adding string quartet parts to the Amaryllis sextet music, too. Hence the project ultimately circled back around to contain both groups, as a tentet,” Halverson concludes. “I liked the notion that the projects are modular—they can exist separately or come together as one large ensemble.”

Nonesuch President David Bither says, “I am so pleased to welcome Mary to Nonesuch. We first talked a number of years ago and I said to Mary, when the time comes that you have a project that would benefit from us working together, please tell me. She sent a note about nine months into the pandemic asking if that invitation was still good, and I was happy to respond that it was. For all of the remarkable music Mary has made over the past fifteen years, I think Amaryllis and Belladonna represent a next step forward for her—which is saying a great deal given the many forward steps she has taken in her career.”

Rolling Stone said, “Mary Halvorson’s guitar playing can be challenging and at times even confrontational, but it is never conventional. A fixture in avant-garde and improvisational music circles, the New York City–based guitarist is just as likely to pick out intricate, harmonically and melodically complex lines of stunning beauty as she is to unleash a violent spray of atonal, harshly distorted six-string noise.”

Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.

One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

ProductionCredits

PRODUCTION CREDITS
Produced and Mixed by John Dieterich in Albuquerque, New Mexico
Recorded September 11 & 12, 2021 at Sear Sound, New York
Engineered by Chris Allen
Mastered by Scott Hull at Masterdisk, Peekskill, New York

Paintings and Packaging Design by DM Stith

ns_album_releasedate
Album Status
Artist Name
Mary Halvorson
MusicianDetails

MUSICIANS
Mary Halvorson, guitar (1-11)
Adam O’Farrill, trumpet (1-6)
Jacob Garchik, trombone (1-6)
Patricia Brennan, vibraphone (1-6)
Nick Dunston, bass (1-6)
Tomas Fujiwara, drums (1-6)

The Mivos Quartet:
Olivia De Prato, violin (4-11)
Maya Bennardo, violin (4-11)
Victor Lowrie Tafoya, viola (4-11)
Tyler J. Borden, cello (4-11)

reissues?
new-release
Cover Art
UPC/Price
Label
2LP+MP3
Price
24.00
UPC
075597912784
Label
Amaryllis CD+MP3
Price
13.00
UPC
075597912791
Label
Belladonna CD+MP3
Price
13.00
UPC
075597910322
Label
Amaryllis 96/24 HD FLAC
Price
8.00
UPC
075597912777
Label
Amaryllis MP3
Price
7.00
UPC
075597912753
Label
Belladonna 96/24 HD FLAC
Price
7.00
UPC
075597910339
Label
Belladonna MP3
Price
6.00
UPC
075597910360

Track Listing

News & Reviews

  • Guitarist/composer Mary Halvorson makes her Nonesuch debut with two albums, Amaryllis and Belladonna, out now. The two suites come in a two-LP vinyl set or as two separate CDs and digital albums, produced and mixed by John Dieterich. "These are new landmarks in Halvorson’s already inimitable discography," exclaims the Guardian in a five-star, Jazz Album of the Month review. Amaryllis is a six-song suite performed by a newly formed sextet of master improvisers; the Mivos string quartet joins for three of the songs, making this the largest ensemble for which Halvorson has written to date; you can watch a new video for the title track here. Belladonna is a set of five compositions written for Halvorson on guitar plus the Mivos Quartet, whose parts are through-composed and augmented by Halvorson’s guitar improvisations. They celebrate the albums’ release with performances of the two suites in Brooklyn, New Hampshire, and Quebec next week.

  • Congratulations to Cécile McLorin Salvant and Mary Halvorson, who have won the Jazz Journalists Association's 2022 JJA Jazz Awards: Salvant as Female Vocalist of the Year and Halvorson as Guitarist of the Year. Kudos also to Christian McBride, who has been named Bassist of the Year.

  • About This Album

    Nonesuch Records released twin label debut albums, Amaryllis and Belladonna, from Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on May 13, 2022. The two suites, which Halvorson describes as “modular and interlocking,” were performed at Brooklyn’s Roulette last fall. The records, produced and mixed by John Dieterich (Deerhoof), are available as a two-LP vinyl set or as two separate CDs, and digitally. 

    Amaryllis is a six-song suite performed by a newly formed sextet of master improvisers, including Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). The Mivos string quartet joins for three of the songs, making this the largest ensemble for which Halvorson has written to date. The suite showcases Halvorson’s many musical influences from jazz, experimental, new music, and beyond.

    Belladonna is a set of five compositions written for Halvorson on guitar plus the Mivos Quartet: Olivia De Prato (violin), Maya Bennardo (violin), Victor Lowrie Tafoya (viola), and Tyler J. Borden (cello). It is Halvorson’s first time writing for a string quartet. Mivos’ parts are through-composed and augmented by Halvorson’s guitar improvisations.

    Halverson says, “Amaryllis features some of my favorite musicians on the planet. I started writing the music in 2020, when the world slowed and most activities came to a halt, and all I had was my guitar, a pencil, some staff paper, and a computer. The pleasure of imagining what the music might sound like kept me sane during that time and gave me reason to push forward.

    “Around the same time, I was listening to a lot of string quartet music. I had a few orchestration books lying around my apartment, and ample time to take composition lessons. Writing for string quartet has always been a dream of mine, but something that seemed intimidating and somehow out of reach. But with a clear schedule and endless days stretching out in front of me, it felt like the right time to finally go for it,” she continues.

    “Working with the Mivos Quartet was a dream. After I composed the Belladonna record, for string quartet and guitar, I wanted to keep going, so I started adding string quartet parts to the Amaryllis sextet music, too. Hence the project ultimately circled back around to contain both groups, as a tentet,” Halverson concludes. “I liked the notion that the projects are modular—they can exist separately or come together as one large ensemble.”

    Nonesuch President David Bither says, “I am so pleased to welcome Mary to Nonesuch. We first talked a number of years ago and I said to Mary, when the time comes that you have a project that would benefit from us working together, please tell me. She sent a note about nine months into the pandemic asking if that invitation was still good, and I was happy to respond that it was. For all of the remarkable music Mary has made over the past fifteen years, I think Amaryllis and Belladonna represent a next step forward for her—which is saying a great deal given the many forward steps she has taken in her career.”

    Rolling Stone said, “Mary Halvorson’s guitar playing can be challenging and at times even confrontational, but it is never conventional. A fixture in avant-garde and improvisational music circles, the New York City–based guitarist is just as likely to pick out intricate, harmonically and melodically complex lines of stunning beauty as she is to unleash a violent spray of atonal, harshly distorted six-string noise.”

    Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.

    One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

    Credits

    MUSICIANS
    Mary Halvorson, guitar (1-11)
    Adam O’Farrill, trumpet (1-6)
    Jacob Garchik, trombone (1-6)
    Patricia Brennan, vibraphone (1-6)
    Nick Dunston, bass (1-6)
    Tomas Fujiwara, drums (1-6)

    The Mivos Quartet:
    Olivia De Prato, violin (4-11)
    Maya Bennardo, violin (4-11)
    Victor Lowrie Tafoya, viola (4-11)
    Tyler J. Borden, cello (4-11)

    PRODUCTION CREDITS
    Produced and Mixed by John Dieterich in Albuquerque, New Mexico
    Recorded September 11 & 12, 2021 at Sear Sound, New York
    Engineered by Chris Allen
    Mastered by Scott Hull at Masterdisk, Peekskill, New York

    Paintings and Packaging Design by DM Stith