Rachael & Vilray

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Rachael & Vilray—the debut album by Lake Street Dive singer-songwriter Rachael Price and composer, singer, and guitarist Vilray—features ten original songs by Vilray, plus two covers from the era that inspired him: Cuban composer Pedro Junco Jr.'s 1943 "Nosotros" and Drake/Atler's "I Love the Way You're Breaking My Heart," first popularized by Peggy Lee. "The voices of acoustic duo Rachael & Vilray are magical enough on their own," says Chronogram, "but when they blend in song the results are utterly sublime." 

Description

Nonesuch Records released Rachael & Vilray—the debut album by Lake Street Dive singer-songwriter Rachael Price and composer, singer, and guitarist Vilray—on October 4, 2019. The twelve-song set features ten originals by Vilray, along with two covers from the era that inspired him: Cuban composer Pedro Junco Jr.'s 1943 "Nosotros" and Milton Drake/Louis Atler's "I Love the Way You're Breaking My Heart," first popularized by Peggy Lee.  

"It's a special kind of magic when two voices meet and immediately sound like they've never been apart," says Chronogram. "The voices of acoustic duo Rachael & Vilray are magical enough on their own, but when they blend in song the results are utterly sublime."

Price and Vilray, who began performing together in 2015, recorded the album with Lake Street Dive pianist Akie Bermiss, a rhythm section, and a small complement of horns, plus a guest performance from pianist Jon Batiste on "Go On Shining." Dan Knobler, who had worked with Lake Street Dive on the Free Yourself Up album, produced.

The duo first met in 2003 as students at the New England Conservatory of Music. Vilray formed a couple of bands with Price's soon-to-be bandmates in Lake Street Dive, Mike Calabrese and Mike "McDuck" Olson. Even then, Price recalls, he had a nimble mind and quick wit when it came to lyrics: "They would do random clicks on Wikipedia and when they found something interesting, they would write a song about it—say, the cold-blooded rat of Somalia. Vilray was able to take any subject and write excellent poetry about it, funny rhymes, and he would sing the songs. I thought he was so good—he could just apply himself to anything."

But at school, says Price, "I didn't know that Vilray and I shared a love of this particular time period of jazz. It was all I liked to listen to before I got there and everyone at school was listening to more avant garde, free stuff that I had yet to be exposed to. So I hid my love of traditional jazz music. I didn't know then that he played it perfectly."

It was more than a decade later that Price and Vilray began to collaborate. She had been on the road much of each year with Lake Street Dive and he had been developing his own solo act, just voice and guitar. Though Vilray had kept up with his composing after graduating from the conservatory, he had fallen out of performing and playing his guitar. But when he broke a finger at his day job he realized what had been lacking in his creative life:

"That slapped me awake and made me realize I only had so long on planet Earth with ten fingers. A friend ran into me on the street when I was in the cast and said to me, 'You seem really bummed.' I talked to him a little bit about not playing guitar. He said, 'I'm going to book you for a show a month or two after you are out of the cast so start thinking about the music now. Once you are out of the cast, you can reclaim that part of your life.' So I played a couple of shows at this series he was running at Bar Below Rye in Williamsburg, and Rachael came to one of them."

Price remembers that night vividly: "It was a very moving show. There was dead silence while Vilray was playing. It really tugged at my heart because I missed singing this style of music. I had never really even performed it, even though I was a jazz singer. My repertoire was from a bit later. But I was obsessed with the big band singers of the thirties and forties. I asked Vilray if he would let me do that gig with him, and then he gave me one of his songs to learn. No one knew it wasn't a standard. That got the ball rolling for him on the writing. He started sending me songs constantly. We quickly went from peppering in his songs with obscure ones from the thirties and forties to all Vilray songs."

ProductionCredits

PRODUCTION CREDITS
Produced by Dan Knobler
Recorded by Dan Knobler at Figure 8 Recording in Brooklyn, NY, March 24-31, 2019
Additional Engineering by Michael Coleman
Assistant Engineering by Nate Mendelsohn
Mixed by Dan Knobler at Goosehead Palace in Nashville, TN
Mastered by Philip Shaw Bova at Bova Lab Studio

Photography by Jonno Rattman and Matthew Edginton
Layout by Taylor Ashton

Executive Producer: Robert Hurwitz

Nonesuch Selection Number

599099

ns_album_releasedate
Album Status
Artist Name
Rachael & Vilray
MusicianDetails

MUSICIANS
Rachael Price, vocals
Vilray, vocals, guitar
Akie Bermiss, piano, organ
Tony Scherr, bass
Jason Burger, drums
Jacob Rex Zimmerman, clarinet, alto sax, horn arrangements
Mark Lopeman, tenor sax
Jon-Erik Kellso, trumpet
Joe McDonough, trombone
Jon Batiste, piano
Alec Spiegelman, clarinet, bass clarinet, alto flute

Cover Art
UPC/Price
Label
LP+MP3
Price
17.00
UPC
075597924091
Label
CD+MP3
Price
13.00
UPC
075597924107
Label
MP3
Price
9.00
UPC
075597924152
Label
88/24 HD FLAC
Price
10.00
UPC
075597924138
  • 599099

News & Reviews

  • Rachael & Vilray are on the latest episode of the PBS series Poetry in America, focused on Frank O'Hara's "Steps," from his Lunch Poems. They join host Elisa New, choreographer Mark Morris, and poets Terrance Hayes, Robert Pinsky, Todd Colby, and Eileen Myles to read and discuss the poem, an ode to New York City art and dance. You can watch the episode, which also features original music cues performed by Vilray and a band, here.

  • Rachael & Vilray bring music from their latest album, I Love a Love Song!, released earlier this year on Nonesuch, to the US West Coast and Midwest this fall and winter, beginning in California with two nights at Blue Note Napa, December 15 and 16, and a concert at The Troubadour in West Hollywood on December 18. The shows continue in February 2024 with four dates in Colorado and stops in Grand Rapids, Chicago, and Minneapolis. 

  • About This Album

    Nonesuch Records released Rachael & Vilray—the debut album by Lake Street Dive singer-songwriter Rachael Price and composer, singer, and guitarist Vilray—on October 4, 2019. The twelve-song set features ten originals by Vilray, along with two covers from the era that inspired him: Cuban composer Pedro Junco Jr.'s 1943 "Nosotros" and Milton Drake/Louis Atler's "I Love the Way You're Breaking My Heart," first popularized by Peggy Lee.  

    "It's a special kind of magic when two voices meet and immediately sound like they've never been apart," says Chronogram. "The voices of acoustic duo Rachael & Vilray are magical enough on their own, but when they blend in song the results are utterly sublime."

    Price and Vilray, who began performing together in 2015, recorded the album with Lake Street Dive pianist Akie Bermiss, a rhythm section, and a small complement of horns, plus a guest performance from pianist Jon Batiste on "Go On Shining." Dan Knobler, who had worked with Lake Street Dive on the Free Yourself Up album, produced.

    The duo first met in 2003 as students at the New England Conservatory of Music. Vilray formed a couple of bands with Price's soon-to-be bandmates in Lake Street Dive, Mike Calabrese and Mike "McDuck" Olson. Even then, Price recalls, he had a nimble mind and quick wit when it came to lyrics: "They would do random clicks on Wikipedia and when they found something interesting, they would write a song about it—say, the cold-blooded rat of Somalia. Vilray was able to take any subject and write excellent poetry about it, funny rhymes, and he would sing the songs. I thought he was so good—he could just apply himself to anything."

    But at school, says Price, "I didn't know that Vilray and I shared a love of this particular time period of jazz. It was all I liked to listen to before I got there and everyone at school was listening to more avant garde, free stuff that I had yet to be exposed to. So I hid my love of traditional jazz music. I didn't know then that he played it perfectly."

    It was more than a decade later that Price and Vilray began to collaborate. She had been on the road much of each year with Lake Street Dive and he had been developing his own solo act, just voice and guitar. Though Vilray had kept up with his composing after graduating from the conservatory, he had fallen out of performing and playing his guitar. But when he broke a finger at his day job he realized what had been lacking in his creative life:

    "That slapped me awake and made me realize I only had so long on planet Earth with ten fingers. A friend ran into me on the street when I was in the cast and said to me, 'You seem really bummed.' I talked to him a little bit about not playing guitar. He said, 'I'm going to book you for a show a month or two after you are out of the cast so start thinking about the music now. Once you are out of the cast, you can reclaim that part of your life.' So I played a couple of shows at this series he was running at Bar Below Rye in Williamsburg, and Rachael came to one of them."

    Price remembers that night vividly: "It was a very moving show. There was dead silence while Vilray was playing. It really tugged at my heart because I missed singing this style of music. I had never really even performed it, even though I was a jazz singer. My repertoire was from a bit later. But I was obsessed with the big band singers of the thirties and forties. I asked Vilray if he would let me do that gig with him, and then he gave me one of his songs to learn. No one knew it wasn't a standard. That got the ball rolling for him on the writing. He started sending me songs constantly. We quickly went from peppering in his songs with obscure ones from the thirties and forties to all Vilray songs."

    Credits

    MUSICIANS
    Rachael Price, vocals
    Vilray, vocals, guitar
    Akie Bermiss, piano, organ
    Tony Scherr, bass
    Jason Burger, drums
    Jacob Rex Zimmerman, clarinet, alto sax, horn arrangements
    Mark Lopeman, tenor sax
    Jon-Erik Kellso, trumpet
    Joe McDonough, trombone
    Jon Batiste, piano
    Alec Spiegelman, clarinet, bass clarinet, alto flute

    PRODUCTION CREDITS
    Produced by Dan Knobler
    Recorded by Dan Knobler at Figure 8 Recording in Brooklyn, NY, March 24-31, 2019
    Additional Engineering by Michael Coleman
    Assistant Engineering by Nate Mendelsohn
    Mixed by Dan Knobler at Goosehead Palace in Nashville, TN
    Mastered by Philip Shaw Bova at Bova Lab Studio

    Photography by Jonno Rattman and Matthew Edginton
    Layout by Taylor Ashton

    Executive Producer: Robert Hurwitz