Schubert: Sonata in C Minor, D. 958; Ländler, D. 790

Submitted by nonesuch on Thu, 05/29/2008 - 19:14
genre
Classical
Release Date
DescriptionExcerpt

The first of the three last sonatas, Schubert's Sonata in C Minor both encompassed the composer's previous stylistic periods and signaled a new, distinct compositional direction. Richard Goode performs the piece here, along with the composer's Ländler, based on German folk dances popular in the 19th century.

Description

The CD of this album is available to purchase at ArkivMusic.

The first of the three last sonatas, Schubert's Sonata in C Minor both encompassed the composer's previous stylistic periods and signaled a new, distinct compositional direction. Richard Goode performs the piece here, along with the composer's Ländler, based on German folk dances popular in the 19th century.

ProductionCredits

PRODUCTION CREDITS
Produced and Engineered by Max Wilcox
Recorded April 28 and 29, 1983 at the American Academy of Arts and Letters, New York City
Digital Engineer: MacDonald Moore

Design: Denise Minobe

Director: Keith Holzman

 

Nonesuch Selection Number

79064

Number of Discs in Set
1disc
ns_album_artistid
49
ns_album_id
152
ns_album_releasedate
ns_genre_1
0
ns_genre_2
0
Album Status
Available
Artist Name
Richard Goode
MusicianDetails

MUSICIANS
Richard Goode, piano

Cover Art
UPC/Price
Label
CD+MP3
Price
0.00
UPC
075597906424BUN
Label
MP3
Price
9.00
UPC
603497128761

  • Schubert: Sonata in C Minor, D. 958; Ländler, D. 790
    by
    Richard Goode

  • 79064

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Buy Now

  • About This Album

    The CD of this album is available to purchase at ArkivMusic.

    The first of the three last sonatas, Schubert's Sonata in C Minor both encompassed the composer's previous stylistic periods and signaled a new, distinct compositional direction. Richard Goode performs the piece here, along with the composer's Ländler, based on German folk dances popular in the 19th century.

    Credits

    MUSICIANS
    Richard Goode, piano

    PRODUCTION CREDITS
    Produced and Engineered by Max Wilcox
    Recorded April 28 and 29, 1983 at the American Academy of Arts and Letters, New York City
    Digital Engineer: MacDonald Moore

    Design: Denise Minobe

    Director: Keith Holzman

     

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