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Suite for Max Brown

  • 624971

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  • Jeff Parker's new album, Suite for Max Brown, is "a demonstration of how jazz mixes it up with other musics these days," says NPR's Fresh Air with Terry Gross music critic Kevin Whitehead. "Parker invokes his days as a crate-diving club DJ, a job where you can juxtapose beats from all over as long as they serve or creatively stem the flow." You can hear the review here.
     

  • Congratulations to Jeff Parker, whose new album, Suite for Max Brown, debuted at No. 1 on Billboard's Current Contemporary Jazz Chart and at No. 2 on the Contemporary Jazz Chart in the US. The album was released on January 24 via a newly formed partnership between International Anthem and Nonesuch Records. "It lives at the vanguard of new jazz music," says Pitchfork. The Los Angeles Times calls it "a transcendent set of pieces that occupy a vague terrain lit by jazz, experimental electronic music, instrumental hip-hop and genre-jumping avant-rock." Jeff Parker will tour the US in March, with shows in Los Angeles, Portland, Chicago, Philadelphia, NYC, Miami, and Knoxville's Big Ears Festival.

  • About This Album

    Composer and multi-instrumentalist Jeff Parker's Suite for Max Brown will be released on January 24, 2020 via a newly formed partnership between International Anthem and Nonesuch Records. The album, named for and dedicated to Parker's mother, features nine original songs as well as "Gnarciss," an interpretation of Joe Henderson's "Black Narcissus," and John Coltrane's "After the Rain." Parker plays the majority of the instruments on the record and also engineered most it at home or during his 2018 Headlands Center residency in Sausalito, CA. 

    The album follow's Parker's critically praised 2016 record The New Breed, which, as the composer says, "became a kind of tribute to my father who he passed away while I was making the album. It's named for a clothing store he owned when I was a kid. I thought it would be nice this time to dedicate something to my mom while she's still here to see it. Maxine Brown is her maiden name and everybody calls her Max. The picture on the cover is her when she was nineteen."

    Parker's bandmates on Suite for Max Brown, dubbed the New Breed, include pianist-saxophonist Josh Johnson; bassist Paul Bryan, who co-produced and mixed the album with Parker; piccolo trumpet player Rob Mazurek, his frequent duo partner; trumpeter Nate Walcott, a veteran of Conor Oberst's Bright Eyes; drummers Jamire Williams, Makaya McCraven, and Jay Bellerose, Parker's Berklee School of Music classmate; cellist Katinka Kleijn of the Chicago Symphony Orchestra; and his daughter Ruby Parker, who sings on the opening track.

    Parker says of his new album, "I used to deejay a lot when I lived in Chicago. I was spinning records one night and for about ten minutes I was able to perfectly synch up a Nobukazu Takemura record with the first movement of John Coltrane's A Love Supreme and it had this free jazz, abstract jazz thing going on with a sequenced beat underneath. It sounded so good. That's what I'm trying to do with Suite for Max Brown. It's got a sequenced beat and there are musicians improvising on top or beneath the sequenced drum pattern. That's what I was going for. Man vs. machine.

    "It's a lot of experimenting, a lot of trial and error," he admits. "I like to pursue situations that take me outside myself, where the things I come up with are things I didn't really know I could do. I always look at this process as patchwork quilting. You take this stuff and stitch it together until a tapestry forms."

    Parker is known to many fans as the longtime guitarist for the Chicago–based quintet Tortoise, one of the most critically revered, sonically adventurous groups to emerge from the American indie scene of the early 1990s. The band's often hypnotic, largely instrumental sound draws freely from rock, jazz, electronic, and avant-garde music, and it has garnered a large following over the course of nearly thirty years. Aside from recording and touring with Tortoise, Parker has worked as a side man with many jazz greats, including Nonesuch labelmate Joshua Redman on his 2005 Momentum album; as a studio collaborator with other composer-musicians, including Brian Blade, Meshell Ndegeocello, and fellow International Anthem artists Makaya McCraven and Rob Mazurek; and as a solo artist.

    Credits

    MUSICIANS
    Jeff Parker, drums, vocals, piano, electric piano, electric guitar, Korg MS20, sampling, editing, bass guitar, percussion, glockenspiel, sequencer, JP-08, midi strings, midi programming, pandeiro, mbira
    Ruby Parker, vocals
    Paul Bryan, bass guitar, vocals
    Josh Johnson, electric piano, alto saxophone
    Katinka Kleijn, cello
    Rob Mazurek, piccolo trumpet
    Makaya McCraven, drums, sampler
    Jay Bellerose, drums, percussion
    Nate Walcott, trumpet
    Jamire Williams, drums

    PRODUCTION CREDITS
    All arrangements by Jeff Parker
    Produced by Paul Bryan and Jeff Parker
    Engineered and edited by Jeff Parker at Headlands Center For The Arts in Sausalito, California, and at home in Altadena, California
    Engineered, edited, and mixed by Paul Bryan in Pacific Palisades, California
    Mastered by Dave Cooley at Elysian Masters, Los Angeles, California

    Design & Layout by Craig Hansen

nonesuch's picture
on November 6, 2019 - 5:14pm
genre: 
Release Date: 
Friday, January 24, 2020 (All day)
DescriptionExcerpt: 

Composer/multi-instrumentalist Jeff Parker's album Suite for Max Brown (International Anthem / Nonesuch Records)—named for and dedicated to his mother—features nine original songs plus "Gnarciss," an interpretation of Joe Henderson's "Black Narcissus," and John Coltrane's "After the Rain." Parker plays the majority of the instruments on the album. "The veteran guitarist has created an effortlessly detailed album, full of tradition and experimentation that spans generations," says Pitchfork. "It lives at the vanguard of new jazz music."

Description: 

Composer and multi-instrumentalist Jeff Parker's Suite for Max Brown will be released on January 24, 2020 via a newly formed partnership between International Anthem and Nonesuch Records. The album, named for and dedicated to Parker's mother, features nine original songs as well as "Gnarciss," an interpretation of Joe Henderson's "Black Narcissus," and John Coltrane's "After the Rain." Parker plays the majority of the instruments on the record and also engineered most it at home or during his 2018 Headlands Center residency in Sausalito, CA. 

The album follow's Parker's critically praised 2016 record The New Breed, which, as the composer says, "became a kind of tribute to my father who he passed away while I was making the album. It's named for a clothing store he owned when I was a kid. I thought it would be nice this time to dedicate something to my mom while she's still here to see it. Maxine Brown is her maiden name and everybody calls her Max. The picture on the cover is her when she was nineteen."

Parker's bandmates on Suite for Max Brown, dubbed the New Breed, include pianist-saxophonist Josh Johnson; bassist Paul Bryan, who co-produced and mixed the album with Parker; piccolo trumpet player Rob Mazurek, his frequent duo partner; trumpeter Nate Walcott, a veteran of Conor Oberst's Bright Eyes; drummers Jamire Williams, Makaya McCraven, and Jay Bellerose, Parker's Berklee School of Music classmate; cellist Katinka Kleijn of the Chicago Symphony Orchestra; and his daughter Ruby Parker, who sings on the opening track.

Parker says of his new album, "I used to deejay a lot when I lived in Chicago. I was spinning records one night and for about ten minutes I was able to perfectly synch up a Nobukazu Takemura record with the first movement of John Coltrane's A Love Supreme and it had this free jazz, abstract jazz thing going on with a sequenced beat underneath. It sounded so good. That's what I'm trying to do with Suite for Max Brown. It's got a sequenced beat and there are musicians improvising on top or beneath the sequenced drum pattern. That's what I was going for. Man vs. machine.

"It's a lot of experimenting, a lot of trial and error," he admits. "I like to pursue situations that take me outside myself, where the things I come up with are things I didn't really know I could do. I always look at this process as patchwork quilting. You take this stuff and stitch it together until a tapestry forms."

Parker is known to many fans as the longtime guitarist for the Chicago–based quintet Tortoise, one of the most critically revered, sonically adventurous groups to emerge from the American indie scene of the early 1990s. The band's often hypnotic, largely instrumental sound draws freely from rock, jazz, electronic, and avant-garde music, and it has garnered a large following over the course of nearly thirty years. Aside from recording and touring with Tortoise, Parker has worked as a side man with many jazz greats, including Nonesuch labelmate Joshua Redman on his 2005 Momentum album; as a studio collaborator with other composer-musicians, including Brian Blade, Meshell Ndegeocello, and fellow International Anthem artists Makaya McCraven and Rob Mazurek; and as a solo artist.

ProductionCredits: 

PRODUCTION CREDITS
All arrangements by Jeff Parker
Produced by Paul Bryan and Jeff Parker
Engineered and edited by Jeff Parker at Headlands Center For The Arts in Sausalito, California, and at home in Altadena, California
Engineered, edited, and mixed by Paul Bryan in Pacific Palisades, California
Mastered by Dave Cooley at Elysian Masters, Los Angeles, California

Design & Layout by Craig Hansen

Cover Art: 
Nonesuch Selection Number: 

624971

ns_album_releasedate: 
Wednesday, November 6, 2019 - 17:15
Album Status: 
UPC/Price: 
Label: 
LP+MP3
UPC: 
075597922455
Price: 
22.00
Label: 
CD+MP3
UPC: 
075597922431
Price: 
12.00
Label: 
MP3
UPC: 
075597922387
Price: 
9.00
Label: 
Limited-Edition Fusion Swirl Colored LP+MP3
UPC: 
075597921472
Label: 
FLAC
UPC: 
075597922400
Price: 
10.00
Artist Name: 
Jeff Parker
MusicianDetails: 

MUSICIANS
Jeff Parker, drums, vocals, piano, electric piano, electric guitar, Korg MS20, sampling, editing, bass guitar, percussion, glockenspiel, sequencer, JP-08, midi strings, midi programming, pandeiro, mbira
Ruby Parker, vocals
Paul Bryan, bass guitar, vocals
Josh Johnson, electric piano, alto saxophone
Katinka Kleijn, cello
Rob Mazurek, piccolo trumpet
Makaya McCraven, drums, sampler
Jay Bellerose, drums, percussion
Nate Walcott, trumpet
Jamire Williams, drums

reissues?: 
new-release
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