The Thin Blue Line [Soundtrack]
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79209
Track Listing
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11:31
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101:36
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112:08
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121:42
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130:43
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142:38
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153:25
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163:01
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174:25
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180:45
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192:46
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24:43
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201:04
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214:42
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222:54
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230:59
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242:04
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251:51
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261:07
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271:34
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281:44
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292:37
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32:09
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302:51
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313:58
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40:37
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52:38
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62:04
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71:50
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81:32
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91:48
News & Reviews
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Yola, Rhiannon Giddens, and Laurie Anderson took part in Great Performances: Grammy Salute to Music Legends, an awards ceremony and tribute concert to present the Recording Academy's Special Merit Awards on PBS. Yola performs "Up Above My Head" by Sister Rosetta Tharpe, to whom Rhiannon Giddens presents a posthumous Lifetime Achievement Award. Laurie Anderson performs "Gee-Whiz," her collaboration with Philip Glass, and presents him with the Trustees Award. You can watch it all here.
Timo Andres's performance of Philip Glass's Evening Song No. 2, from the forthcoming album, I Still Play, is now available. You can follow along in the score as Andres performs it in the new video here. Evening Song No. 2 is one of eleven new solo piano compositions by artists who have recorded for Nonesuch Records, written in honor of the label’s longtime President Bob Hurwitz as he became Chairman Emeritus in 2017, performed by Andres, Brad Mehldau, Randy Newman, and Jeremy Denk.
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About This Album
Documentarian Errol Morris reconstructs/questions the circumstances of a Dallas murder case in a film that haunts and disturbs. The Washington Post notes, "The Philip Glass score and the stylized lighting help transform the movie into an arena for the somber contemplation of the fallibility of perception."
Credits
MUSICIANS
Michael Reisman, conductor, keyboards
Wilmer Wise, Steve Burns, trumet
Sharon Moe, Tony Miranda, Ron Sell, French horn
Michael Parloff, Judith Mendenhall, flute
Sergiu Schwartz, Tim Baker, violin
Karl Bargen, viola
Chris Finckel, cello
Barbara Wilson, double bass
Gordon Gottlieb, percussion
Brian Koonin, guitarPRODUCTION CREDITS
Produced by Kurt Munkacsi
Production supervisor: Rory Johnston
Recording engineer/music, dialogue editor: Miles Green
Assistant engineer: Blaise Dupuy
Music recorded and mixed at The Living Room, New York City
Sound post-production: Russian Hill Recording, San Francisco
Re-recording mixers: Jack Leahy, Samuel Lehmer
Re-recording consultant: Randy Thorn
Sound Effects Editor: Samuel Lehmer
Additional Sound Effects: Leslie Shatz
Dialogue Editors: Jamie Kibban, James Allen
Sound Assistants: Larry Oppenheimer, Marnie Moore, Sheila McFarland
Additional Re-recording: Mel Zelniker
Mastering: Robert C. Ludwig, Masterdisk, New York City
Cover design: Janet Perr
Cover photography: Mark Lipson
Executive Producer: Robert Hurwitz
More From
Documentarian Errol Morris reconstructs/questions the circumstances of a Dallas murder case in a film that haunts and disturbs. The Washington Post notes, "The Philip Glass score and the stylized lighting help transform the movie into an arena for the somber contemplation of the fallibility of perception."
Documentarian Errol Morris reconstructs/questions the circumstances of a Dallas murder case in a film that haunts and disturbs. The Washington Post notes, "The Philip Glass score and the stylized lighting help transform the movie into an arena for the somber contemplation of the fallibility of perception."
PRODUCTION CREDITS
Produced by Kurt Munkacsi
Production supervisor: Rory Johnston
Recording engineer/music, dialogue editor: Miles Green
Assistant engineer: Blaise Dupuy
Music recorded and mixed at The Living Room, New York City
Sound post-production: Russian Hill Recording, San Francisco
Re-recording mixers: Jack Leahy, Samuel Lehmer
Re-recording consultant: Randy Thorn
Sound Effects Editor: Samuel Lehmer
Additional Sound Effects: Leslie Shatz
Dialogue Editors: Jamie Kibban, James Allen
Sound Assistants: Larry Oppenheimer, Marnie Moore, Sheila McFarland
Additional Re-recording: Mel Zelniker
Mastering: Robert C. Ludwig, Masterdisk, New York City
Cover design: Janet Perr
Cover photography: Mark Lipson
Executive Producer: Robert Hurwitz

79209
MUSICIANS
Michael Reisman, conductor, keyboards
Wilmer Wise, Steve Burns, trumet
Sharon Moe, Tony Miranda, Ron Sell, French horn
Michael Parloff, Judith Mendenhall, flute
Sergiu Schwartz, Tim Baker, violin
Karl Bargen, viola
Chris Finckel, cello
Barbara Wilson, double bass
Gordon Gottlieb, percussion
Brian Koonin, guitar