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Bright Sunny South

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News & Reviews

  • Barbican to Present "Explorations: The Sound of Nonesuch Records" Marathon Weekend, May 17 & 18, 2014

    The Barbican's 2014 marathon weekend, May 17 and 18, will celebrate Nonesuch Records in the label's 50th anniversary year. Entitled Explorations: The Sound of Nonesuch Records, this curated weekend of events includes five concerts taking place in LSO St Luke's, Guildhall School's new Milton Court Concert Hall, and the Barbican Hall, with performances from Jonny Greenwood, Kronos Quartet, Brad Mehldau, Timo Andres, Sam Amidon, Natalie Merchant, Rhiannon Giddens, Olivia Chaney, and others performing works by Greenwood, Mehldau, Andres, Steve Reich, John Adams, Philip Glass, Frederic Rzewski, Henryk Górecki, Donnacha Dennehy, and more. Satellite events will include Kronos at 40 (May 13) and Jeremy Denk (May 24) with further events to be announced.

  • Rokia Traoré, Sam Amidon, Timo Andres Make NPR Music's 100 Favorite Songs of 2013 List

    NPR Music has published the list of its 100 Favorite Songs of 2013, and featured among them are songs from three Nonesuch Records releases: Rokia Traoré's "Mélancolie," from her new album, Beautiful Africa; Sam Amidon's "My Old Friend," from Bright Sunny South; and Timo Andres's Paraphrase on Themes of Brian Eno, from Home Stretch. "What do you have to do, as a song, to win our hearts," asks NPR. "You have to sink in. You have to stop someone dead in her tracks. You need to cause that man to act a fool." These are songs that "are stamped with memories or reliably turn the temperature up or put a smile on our face every single time."

About this Album

 Nonesuch Records releases Sam Amidon’s label debut, Bright Sunny South, on May 14. Produced by Amidon with his childhood friend and longtime collaborator Thomas Bartlett (a.k.a. Doveman) and legendary English engineer Jerry Boys (Buena Vista Social Club, Vashti Bunyan, R.E.M.) and recorded in London, the record features a band made up of Bartlett and multi-instrumentalists Shahzad Ismaily and Chris Vatalaro. Jazz trumpeter Kenny Wheeler also makes a cameo. Amidon himself not only sings but also plays banjo, fiddle, acoustic guitar, and piano on the album.

Amidon describes Bright Sunny South as a “a lonesome record” and a return to the more spare sound of his 2007 self-recorded debut, But This Chicken Proved Falsehearted: “There was an atmospheric quality to my last two records; those albums are like a garden of sounds,” says Amidon, “but this one is more of a journey, a winding path. The band comes rushing in and then they disappear. It comes from more of a darker, internal space.”

A longtime admirer of Boys’ work, Amidon was particularly enamored of his recordings with Martin Carthy in the 1970s, as well as the Ali Farka Touré/Toumani Diabaté duet albums on World Circuit/Nonesuch: “Those are so beautiful. I listened to all of that. I loved the sense of documentation, the unadorned quality. Everything sounded so clear.”

The Vermont-born and raised, London-based Amidon is known for his reworking of traditional melodies into a new form. In addition to country ballads and shape-note hymns, Bright Sunny South features interpretations of traditional and contemporary songs, including Tim McGraw’s “My Old Friend” and Mariah Carey’s “Shake It Off.” The record also includes a version of “Weeping Mary,” a shape-note hymn that his parents, Peter and Mary Alice Amidon, had recorded with the Vermont-based Word of Mouth Chorus for Nonesuch Records on the 1977 disc Rivers of Delight: American Folk Hymns from the Sacred Harp Tradition

Bright Sunny South follows 2010’s critically acclaimed I See the Sign, which earned Amidon praise from SPIN for his “quirky alchemy…contrasting pretty sounds with violent lyrical undercurrents” and Pitchfork, which said, “[Amidon’s] interpretations are so singular that it stops mattering how (or if) they existed before.”

Prior to I See the Sign, which was released on the Iceland-based label Bedroom Community, Amidon released But This Chicken Proved Falsehearted (Plug Research, 2007) and All Is Well (Bedroom Community, 2008). In addition to his solo albums, Amidon has collaborated on performances pieces with musical polymath Nico Muhly, toured as part of Thomas Bartlett’s group Doveman and the Brooklyn band Stars Like Fleas, collaborated with Beth Orton, and embarked on a series of live shows with the guitarist Bill Frisell.

Credits

MUSICIANS
Sam Amidon, sing, banjo, fiddle, acoustic guitar; piano (8)
Thomas Bartlett, piano, Hammond organ, Wurlitzer, Moog synthesizer; percussion & electric guitar (11)
Shahzad Ismaily, electric & acoustic guitars, electric bass, Moog bass; drums (2); shaker egg (7)
Chris Vatalaro: drums & percussion; flute (6); a taste of the Wurli (2)

Kenny Wheeler, trumpet (2, 5)
Doug Wieselman, clarinets (11)
Tyler Gibbons, electric bass (10)

PRODUCTION CREDITS
Produced by Sam Amidon, Jerry Boys, and Thomas Bartlett
Engineered and Mixed by Jerry Boys
Recorded at Snap Recording Studios and Livingston Studios, London
“Weeping Mary” Engineered by Patrick Dillett at No Fat Studios, New York, NY
Violin and bass on “Streets of Derry” Recorded by Tyler Gibbons at Red Heart Studios, Marlboro, VT
Assistant Engineers: Ben Mclusky at Snap; Sonny at Livingston

All songs are traditional, reworked & arranged by Sam Amidon, except track 4 written by McEwan/Wiseman, arranged by Sam Amidon and Thomas Bartlett; track 8 by Cox/Carey/Austin/Dupri, arranged by Sam Amidon; track 11 by McCurry/Power, arranged by Sam Amidon and Thomas Bartlett

Design by John Gall

Executive Producer: David Bither

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