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Lily-O

  • 543642

Track Listing

News & Reviews

  • Sam Amidon will tour the UK as special guest of singer-songwriter Laura Veirs in February 2019. The tour begins in Milton Keynes on February 3 and includes stops in Norwich, Nottingham, York, Liverpool, Birmingham, Winchester, and Oxford. Amidon will perform at the EFG London Jazz Festival later this month and at Celtic Connections in Glasgow in January.

  • Just in time for the 2018 US elections, Peter and Mary Alice Amidon have shared a performance from their 1992 album, I'll Never Forget, in which a nine-year-old Sam Amidon and his brother Stefan sing Faya Rose Touré's song "Vote for Me." The Amidon brothers make the case for the younger set, encouraging those who can vote to do so on behalf of folks too young to. You can hear it here. Sam Amidon's latest album is The Following Mountain; his parents can be heard on the 1978 Nonesuch recording Rivers of Delight with the Word of Mouth Chorus.

  • About This Album

    Lily-O, a new album of reimagined folk songs by Vermont-born singer/fiddler/banjoist/guitarist Sam Amidon was released September 30 by Nonesuch Records, with the vinyl following on October 27. The album was produced by Valgeir Sigurðsson (Björk, Bonnie “Prince” Billy, Feist) and features the innovative jazz guitarist and composer Bill Frisell, along with Amidon’s other frequent collaborators, bassist Shahzad Ismaily and drummer Chris Vatalaro. 

    “'Walkin’ Boss' is one of the first songs I learned on the banjo, by playing along with a recording by Jeff Davis as a teenager,” Amidon said. “As it happens this is also the first tune that we recorded during the sessions, on a crisp October morning in Reykjavik."

    Frisell has been a hero of Amidon’s since the young Vermont native first heard the guitarist play at the Village Vanguard during a teenage visit to New York City. The two musicians stayed in touch and had their first live collaboration in 2011; not long after, Amidon began contemplating a return to Iceland to make a third album at Sigurðsson’s Greenhouse Studios. He eventually invited Frisell to join him and Sigurðsson, along with Ismaily and Vatalaro, to record what became Lily-O.

    “I decided to put us all in a room together in Reykjavik for a few days,” Amidon said. “I knew if I got Bill together with those guys they would get into a deep situation. I imagined that we would do something weird and fiddle-based, but when we got in there it just felt great to sing the songs I had gathered. Recording took about four days. I'd teach them the basic structure of the song; we'd do a few takes, and move on to a new one. There's maybe one or two overdubs but otherwise you're hearing what we played.”

    Lily-O’s ten songs are mostly traditional folk songs gathered from disparate sources and refashioned in Amidon’s signature way. The interplay between the four musicians is informed by their backgrounds in improvised music and the spontaneous nature of the sessions. As always, the central element is Amidon’s voice, which, in his deceptively understated manner, tells tales of adventure, love, violence and redemption.

    Lily-O follows four albums by Amidon including his 2013 Nonesuch debut, Bright Sunny South. 2010’s I See The Sign and 2008’s All Is Well were made for the Icelandic label Bedroom Community and featured orchestral arrangements by composer Nico Muhly. Along the way Amidon has performed worldwide in myriad contexts, collaborating with musicians such as Muhly, Thomas Bartlett/Doveman, Beth Orton and Glen Hansard. He has appeared as a guest artist on recent albums by Tune-Yards, Aoife O’Donovan and the Blind Boys of Alabama.

    Credits

    MUSICIANS
    Sam Amidon, sing, banjo, acoustic guitar; also fiddle on “Blue Mountains”
    Bill Frisell, electric guitar
    Shahzad Ismaily, electric bass; also Moog synth on “Pat Do This”
    Chris Vatalaro, drums, electronics; also flutes on “Pat Do This,” and his piano moment

    PRODUCTION CREDITS
    Produced by Valgeir Sigurðsson
    Recorded at Greenhouse Studios, Reykjavik, Iceland
    Engineered, mixed and mastered by Valgeir Sigurðsson
    Additional recording by Paul Evans at Greenhouse, and John Spiker at Studio Supreme
    Studio Manager at Greenhouse: Paul Evans
    Studio Assistant: Adrian Libyere

    Cover photograph: “Swat Valley Picnic” by Peter Smith (www.photosmithuk.com)
    Graphic design by Evan Gaffney

    All songs composed by Sam Amidon/Traditional, arranged by Sam Amidon, except track 2 composed by Sam Amidon; track 9 by Rosa Lee Watson, arranged by Sam Amidon; track 10 music by Sam Amidon/Alexander Johnson (1818), lyric by Isaac Watts (1719)

    Bill Frisell appears courtesy of Masterworks/OKeh Records

    Executive Producer: David Bither

gregg.schaufeld's picture
on July 15, 2014 - 6:15pm
Artist Name: 
Sam Amidon
Release Date: 
Tuesday, September 30, 2014 - 13:00
DescriptionExcerpt: 

Lily-O, an album of reimagined folk songs by singer/fiddler/banjoist/guitarist Sam Amidon, was produced by Valgeir Sigurðsson and features jazz guitarist/composer Bill Frisell, a longtime hero of Amidon's, along with Amidon’s other frequent collaborators, bassist Shahzad Ismaily and drummer Chris Vatalaro. The album "showcases his ability to transform music," says NPR. "Every little unexpected twist shimmers with originality ... His highly personal approach opens a window on the American past and lets us feel it like nothing else around." The New York Times calls it "hauntingly beautiful." MusicOMH calls it "gorgeous."

Description: 

Lily-O, a new album of reimagined folk songs by Vermont-born singer/fiddler/banjoist/guitarist Sam Amidon was released September 30 by Nonesuch Records, with the vinyl following on October 27. The album was produced by Valgeir Sigurðsson (Björk, Bonnie “Prince” Billy, Feist) and features the innovative jazz guitarist and composer Bill Frisell, along with Amidon’s other frequent collaborators, bassist Shahzad Ismaily and drummer Chris Vatalaro. 

“'Walkin’ Boss' is one of the first songs I learned on the banjo, by playing along with a recording by Jeff Davis as a teenager,” Amidon said. “As it happens this is also the first tune that we recorded during the sessions, on a crisp October morning in Reykjavik."

Frisell has been a hero of Amidon’s since the young Vermont native first heard the guitarist play at the Village Vanguard during a teenage visit to New York City. The two musicians stayed in touch and had their first live collaboration in 2011; not long after, Amidon began contemplating a return to Iceland to make a third album at Sigurðsson’s Greenhouse Studios. He eventually invited Frisell to join him and Sigurðsson, along with Ismaily and Vatalaro, to record what became Lily-O.

“I decided to put us all in a room together in Reykjavik for a few days,” Amidon said. “I knew if I got Bill together with those guys they would get into a deep situation. I imagined that we would do something weird and fiddle-based, but when we got in there it just felt great to sing the songs I had gathered. Recording took about four days. I'd teach them the basic structure of the song; we'd do a few takes, and move on to a new one. There's maybe one or two overdubs but otherwise you're hearing what we played.”

Lily-O’s ten songs are mostly traditional folk songs gathered from disparate sources and refashioned in Amidon’s signature way. The interplay between the four musicians is informed by their backgrounds in improvised music and the spontaneous nature of the sessions. As always, the central element is Amidon’s voice, which, in his deceptively understated manner, tells tales of adventure, love, violence and redemption.

Lily-O follows four albums by Amidon including his 2013 Nonesuch debut, Bright Sunny South. 2010’s I See The Sign and 2008’s All Is Well were made for the Icelandic label Bedroom Community and featured orchestral arrangements by composer Nico Muhly. Along the way Amidon has performed worldwide in myriad contexts, collaborating with musicians such as Muhly, Thomas Bartlett/Doveman, Beth Orton and Glen Hansard. He has appeared as a guest artist on recent albums by Tune-Yards, Aoife O’Donovan and the Blind Boys of Alabama.

ProductionCredits: 

PRODUCTION CREDITS
Produced by Valgeir Sigurðsson
Recorded at Greenhouse Studios, Reykjavik, Iceland
Engineered, mixed and mastered by Valgeir Sigurðsson
Additional recording by Paul Evans at Greenhouse, and John Spiker at Studio Supreme
Studio Manager at Greenhouse: Paul Evans
Studio Assistant: Adrian Libyere

Cover photograph: “Swat Valley Picnic” by Peter Smith (www.photosmithuk.com)
Graphic design by Evan Gaffney

All songs composed by Sam Amidon/Traditional, arranged by Sam Amidon, except track 2 composed by Sam Amidon; track 9 by Rosa Lee Watson, arranged by Sam Amidon; track 10 music by Sam Amidon/Alexander Johnson (1818), lyric by Isaac Watts (1719)

Bill Frisell appears courtesy of Masterworks/OKeh Records

Executive Producer: David Bither

Cover Art: 
Nonesuch Selection Number: 

543642

ns_album_releasedate: 
Tuesday, July 15, 2014 - 22:15
Album Status: 
UPC/Price: 
Label: 
LP+MP3
UPC: 
075597953404
Price: 
20.00
Label: 
CD+MP3
UPC: 
075597953398
Price: 
12.00
Label: 
FLAC
UPC: 
075597953657
Price: 
10.00
Label: 
MP3
UPC: 
075597954500
Price: 
9.00
MusicianDetails: 

MUSICIANS
Sam Amidon, sing, banjo, acoustic guitar; also fiddle on “Blue Mountains”
Bill Frisell, electric guitar
Shahzad Ismaily, electric bass; also Moog synth on “Pat Do This”
Chris Vatalaro, drums, electronics; also flutes on “Pat Do This,” and his piano moment

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