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  • Nonesuch Events for the Weekend of September 5–7

    John Adams's Son of Chamber Symphony receives its Scandinavian premiere in Finland ... Laurie Anderson's Homeland plays Sao Paolo, Brazil ... The Black Keys make two stops in Wisconsin ... Bill Frisell continues his two-week Village Vanguard run with Paul Motian, Joe Lovano ... Youssou N'Dour celebrates Toronto Film Fest screening with free concert ... Nicholas Payton joins Christian McBride, Mark Whitfield at NYC's Jazz Standard ... Sam Phillips begins two-week tour with two nights at Chicago's Old Town School of Folk Music ... Punch Brothers tour the Midwest ... Steve Reich's music featured in Detroit's music marathon Strange New Music II and Klangspuren 08 festival in Schwaz, Austria ... Wilco members take time for solo projects ... and more ...

  • Nonesuch Events for the Long Weekend of August 29–September 1

    Laurie Anderson brings Homeland to South America ... The Black Keys play the Minnesota State Fair in St. Paul and Bumbershoot in Seattle ... Philip Glass discusses creativity and collaboration in Brazil ... Youssou N'Dour takes documentary to Telluride Festival ... Fernando Otero explores Tango After Piazzolla with Paquito D'Rivera in Moab ... Punch Brothers play three shows out West ... Joshua Redman joins Joy of Jazz in Johannesburg ... Laura Veirs solos at the Festival de musique émergente in Québec ... Wilco close summer tour at County Laios, Ireland's Electric Picnic ... and more ...

About this Album

Nonesuch Records releases Punch, the debut album from Punch Brothers, in February, 2008. The band—composer-singer-mandolin virtuoso Chris Thile’s new venture—includes Chris Eldridge (guitar), Greg Garrison (bass), Noam Pikelny (banjo), and Gabe Witcher (fiddle). In conjunction with the release of the album, the ensemble’s first for Nonesuch, Punch Brothers will perform February 20 at Lincoln Center’s Allen Room as part of the cultural center’s 2008 American Songbook season. More tour dates will be announced shortly.

The line-up of Punch Brothers—whose name is taken from the Mark Twain short story, Punch, Brothers, Punch!—is formidable. Thile released the first of five solo albums when he was just thirteen and, by the time he was 20, he was attracting a following among pop, country, and alternative-rock audiences as a member of the Grammy Award–winning Nickel Creek. NPR’s Bob Boilen recently said “I’ve seen many musicians in my day, but my jaw dropped listening to and watching Thile play... The command he had of his instrument, from frenetically fast strumming to tasty quiet fills, it was just first-rate.”

His band-mates are among the most in-demand performers in the worlds of bluegrass, folk, and traditional music. Guitarist Chris Eldridge was a founding member of the Nashville-based Infamous Stringdusters and occasionally sits in with his dad Ben’s band, The Seldom Scene; bassist Greg Garrison has played with trumpeter Ron Miles and Leftover Salmon—along with banjo player Noam Pikelny. Pikelny he has performed and recorded as a solo artist and has collaborated with acoustic music heavyweights John Cowan and Tony Trischka. Violinist Gabe Witcher, a life-long friend of Thile’s, is a sought-after session man whose fiddle-playing has been featured on the soundtrack of films ranging from Toy Story to Brokeback Mountain.  Witcher also has recorded with a range of artists from Willie Nelson to Beck to Randy Newman and played in dobro master Jerry Douglas’ band for six years.   Thile says, “I can’t imagine being more excited about a project than I am about Punch Brothers. The possibilities are endless with these guys!”.

Punch is centered around Thile’s four-movement composition, The Blind Leaving the Blind. “I had this idea of a long-form composition that was grounded in folk music,” Thile explained, “Though much of it reads like a string quintet, there are parts that read like a jazz lead sheet. There is plenty of improvising and lots of stuff that is loosely dictated.” The album also includes four shorter compositions cowritten by Thile and his bandmates: Punchbowl, Sometimes, It’ll Happen and Nothing, Then.

The group (then known as The Tensions Mountain Boys) premiered The Blind Leaving the Blind last spring at the John Adams-curated In Your Ear Redux Festival at Carnegie Hall’s Zankel Hall. The band strived to retain the live feeling of this initial performance when it came time to record the album. “We didn’t want to do any overdubbing,” Thile expands. “Nothing was added. The studio was an amazing room…and the recording captures the beauty of that kind of room.”

Credits

MUSICIANS
Chris Thile, mandolin, lead vocals
Chris Eldridge, guitar, vocals
Greg Garrison, bass, vocals
Noam Pikelny, banjo, vocals
Gabe Witcher, fiddle, vocals

PRODUCTION CREDITS
Produced by Steven Epstein
Recording Engineer: Richard King
Assistant Engineer: Hyomin Kang
2nd Assistant Engineer: Don Goodrick
Recorded September 26—October 1, 2007 at Legacy Recording Studios, NYC
Mixed by Steven Epstein & Richard King at Legacy Recording Studios, NYC
Master created at RK Recording, Tappan NY

“The Blind Leaving the Blind” written by Chris Thile (Chris Thile Music, ASCAP). All other songs written by Chris Thile, Chris Eldridge, Greg Garrison, Noam Pikelny, and Gabe Witcher (Chris Thile Music, ASCAP; Money Baby Music, ASCAP; ggkudra music, BMI; Noam Tunes, BMI; Silver Hammer Music, ASCAP).

Chris Thile plays Elixir mandolin strings
Chris Eldridge plays John Pearse guitar strings
Noam Pikelny plays GHS banjo strings
Gabe Witcher plays Pirastro Evah Pirazzi violin strings

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