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Ruminations

  • 556491

News & Reviews

  • Pitchfork, in celebration of its 25th anniversary, has published a list of 'The 200 Most Important Artists of Pitchfork’s First 25 Years,' including Wilco, The Magnetic Fields, Conor Oberst, Fleet Foxes, and Björk.

  • The 2014 Record Store Day split vinyl 7" single on which Conor Oberst and Dawes covered each other's tunes—Oberst performing Dawes' "Million Dollar Bill" and Dawes performing the Bright Eyes song "Easy/Lucky/Free"—is now available digitally to download and stream. "As far as I’m concerned, between Bright Eyes and his solo records, Conor Oberst is one of the greatest songwriters that has played the game," says Dawes' Taylor Goldsmith. "We tried our best to make 'Easy/Lucky/Free' sound like a Dawes song and Conor did the same thing to 'Million Dollar Bill.' Happy to bring these recordings back to life."

  • About This Album

    In the winter of 2016, Conor Oberst found himself hibernating in his hometown of Omaha after living in New York City for more than a decade. He emerged with the unexpectedly raw, unadorned solo album Ruminations, available October 14, 2016, on Nonesuch Records. "I wasn't expecting to write a record," says Oberst. "I honestly wasn't expecting to do much of anything. Winter in Omaha can have a paralyzing effect on a person but in this case it worked in my favor. I was just staying up late every night playing piano and watching the snow pile up outside the window. Next thing I knew I had burned through all the firewood in the garage and had more than enough songs for a record. I recorded them quick to get them down but then it just felt right to leave them alone." 

    Oberst began publicly releasing music in 1994 at the age of 14. Those early recordings, made in Omaha on four-track cassette by Oberst and his friends, were an introduction to the work of a prodigious songwriter whose creative outpouring would soon be widely lauded. Writing and recording prolifically over the next two decades, first with his band Bright Eyes and later under his own name—and at special moments as a member of Desaparecidos and Monsters of Folk—Oberst became known, as the Los Angeles Times said, an artist who "sees the world with fresh and fearless eyes." The Times continued, "He weaves his findings into intimate songs whose melodies are as timeless as a hymnal and whose images are hauntingly poetic....He can command your attention with long narratives that have more words than a pocket dictionary, or stop you cold with a single line."

    In Nebraska last winter, songs that harked back to that earlier era unexpectedly began to take shape. Oberst went to ARC, the studio he built with his Bright Eyes bandmate and longtime friend Mike Mogis, to record that music. With the help of engineer Ben Brodin, he recorded all the songs in the span of 48 hours. The results are almost sketch-like in their sparseness, and they ultimately became the songs that comprise Ruminations. These tracks do not have the multi-layered instrumentation of the most recent Bright Eyes and solo albums: This is Oberst alone with his guitar, piano, and harmonica; the songs connect with some of the rough magic and anxious poetry that first brought him to the attention of the world, while their lyrical complexity and concerns make it obvious they could only have been written in the present.

    Credits

    MUSICIANS
    Conor Oberst, guitar, voice, harmonica, piano

    PRODUCTION CREDITS
    Recorded February 11 & 12, 2016, at ARC in Omaha, NE
    Engineered by Ben Brodin
    Mixed by Mike Mogis
    Mastered by Bob Ludwig at Gateway Mastering

    Art Direction & Design by Gary Burden and Jenice Heo for RTwerk & Co
    Cover Photo by Julia Brokaw
    Booklet cover image by Jenice Heo based on Julia Brokaw photo

    All songs written by Conor Oberst, published by Songs Music Publishing LLC O/B/O Songs MP (BMI), Bedrooms; Bedrooms and Spiders (BMI)

nonesuch's picture
on July 8, 2016 - 12:45pm
Release Date: 
Friday, October 14, 2016 (All day)
DescriptionExcerpt: 

In the winter of 2016, Conor Oberst found himself hibernating in his hometown of Omaha after living in New York City for more than a decade. He emerged with the unexpectedly raw, unadorned solo album Ruminations. Oberst went to ARC, the studio he built with his Bright Eyes bandmate and friend Mike Mogis, and, with the help of engineer Ben Brodin, recorded all the songs within 48 hours. The results are almost sketch-like in their sparseness: Oberst alone with his guitar, piano, and harmonica; the songs connect with some of the rough magic and anxious poetry that first brought him to the attention of the world, while their lyrical complexity and concerns make it obvious they could only have been written in the present.

Description: 

In the winter of 2016, Conor Oberst found himself hibernating in his hometown of Omaha after living in New York City for more than a decade. He emerged with the unexpectedly raw, unadorned solo album Ruminations, available October 14, 2016, on Nonesuch Records. "I wasn't expecting to write a record," says Oberst. "I honestly wasn't expecting to do much of anything. Winter in Omaha can have a paralyzing effect on a person but in this case it worked in my favor. I was just staying up late every night playing piano and watching the snow pile up outside the window. Next thing I knew I had burned through all the firewood in the garage and had more than enough songs for a record. I recorded them quick to get them down but then it just felt right to leave them alone." 

Oberst began publicly releasing music in 1994 at the age of 14. Those early recordings, made in Omaha on four-track cassette by Oberst and his friends, were an introduction to the work of a prodigious songwriter whose creative outpouring would soon be widely lauded. Writing and recording prolifically over the next two decades, first with his band Bright Eyes and later under his own name—and at special moments as a member of Desaparecidos and Monsters of Folk—Oberst became known, as the Los Angeles Times said, an artist who "sees the world with fresh and fearless eyes." The Times continued, "He weaves his findings into intimate songs whose melodies are as timeless as a hymnal and whose images are hauntingly poetic....He can command your attention with long narratives that have more words than a pocket dictionary, or stop you cold with a single line."

In Nebraska last winter, songs that harked back to that earlier era unexpectedly began to take shape. Oberst went to ARC, the studio he built with his Bright Eyes bandmate and longtime friend Mike Mogis, to record that music. With the help of engineer Ben Brodin, he recorded all the songs in the span of 48 hours. The results are almost sketch-like in their sparseness, and they ultimately became the songs that comprise Ruminations. These tracks do not have the multi-layered instrumentation of the most recent Bright Eyes and solo albums: This is Oberst alone with his guitar, piano, and harmonica; the songs connect with some of the rough magic and anxious poetry that first brought him to the attention of the world, while their lyrical complexity and concerns make it obvious they could only have been written in the present.

ProductionCredits: 

PRODUCTION CREDITS
Recorded February 11 & 12, 2016, at ARC in Omaha, NE
Engineered by Ben Brodin
Mixed by Mike Mogis
Mastered by Bob Ludwig at Gateway Mastering

Art Direction & Design by Gary Burden and Jenice Heo for RTwerk & Co
Cover Photo by Julia Brokaw
Booklet cover image by Jenice Heo based on Julia Brokaw photo

All songs written by Conor Oberst, published by Songs Music Publishing LLC O/B/O Songs MP (BMI), Bedrooms; Bedrooms and Spiders (BMI)

Cover Art: 
Nonesuch Selection Number: 

556491

ns_album_releasedate: 
Friday, July 8, 2016 - 11:45
Album Status: 
UPC/Price: 
Label: 
LP+MP3
UPC: 
075597944655
Price: 
19.00
Label: 
CD+MP3
UPC: 
075597944648
Label: 
96/24 HD FLAC
UPC: 
075597944693
Price: 
14.00
Label: 
FLAC
UPC: 
075597944679
Price: 
10.00
Label: 
MP3
UPC: 
075597944709
Price: 
9.00
Artist Name: 
Conor Oberst
MusicianDetails: 

MUSICIANS
Conor Oberst, guitar, voice, harmonica, piano

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