Telekinesis

Submitted by nonesuch on Wed, 09/14/2022 - 10:07
genre
Release Date
DescriptionExcerpt

This first studio recording of Tyondai Braxton's Telekinesis—an eighty-seven-piece work for electric guitars, orchestra, choir, and electronics—features the Metropolis Ensemble conducted by Andrew Cyr, the Brooklyn Youth Chorus conducted by Dianne Berkun Menaker, and chamber choir The Crossing conducted by Donald Nally performing what the Guardian calls "a superpower-themed symphony … a titanic composition." Braxton cites the Japanese manga classic Akira as a thematic guide, with its story of a young boy's discovery of his telekinetic powers and his inability to control it, leading to his own destruction.

Description

Tyondai Braxton releases Telekinesis—an eighty-seven-piece work for electric guitars, orchestra, choir, and electronics—on November 11, 2022, via New Amsterdam and Nonesuch Records. Featuring the Metropolis Ensemble conducted by Andrew Cyr, the Brooklyn Youth Chorus conducted by Dianne Berkun Menaker, and chamber choir The Crossing conducted by Donald Nally, Telekinesis is the first studio recording of the work. The Guardian calls it “a superpower-themed symphony … a titanic composition.” The album is available to pre-order here.

Telekinesis is the result of a co-commission by the Southbank Centre London and Musica Nova, Helsinki Festival. The world premiere took place on April 18, 2018, at Queen Elizabeth Hall with the BBC Concert Orchestra and BBC Singers, followed by a performance at Helsinki Festival by the Finnish Radio Symphony Orchestra. André de Ridder conducted both performances.

Braxton calls Telekinesis “the latest and largest example of intersections between my electronic music and notated music, both sonically and philosophically.” Throughout the recording and production process, Braxton sought to “create an environment where electronic instruments and acoustic instruments coexist in a place that feels balanced and organic.” To achieve that, the orchestra, choir, and electronics were tracked section by section at Oktaven Audio in Mt Vernon, New York from August 2021 to March 2022 by engineer Ryan Streber. This allowed for a hyper-detailed mix session with Seth Manchester at Machines with Magnets in Pawtucket, RI. As a studio recording, the mix recreates how an orchestra would be placed (with some exceptions) but is exaggerated in its width and in the closeness and depth of certain instruments surrounding the listener.

Braxton says: “As a science fiction and horror fan, the initial idea was to write an opera based on the Japanese manga masterpiece Akira, although over time, I realized I was more interested in the story as an invisible thematic guide rather than something more literal. Among a number of storylines in Akira is the idea that a young boy comes upon the ability to move objects and generate energy with his mind. Entirely enthralled with his own power and apparent limitless potential, and despite his inability to physically and mentally control this force, he launches unrestrained into its use. Ultimately, his hubris overtakes and destroys him. The power of the mind has been a compelling consideration for me and is an underlying theme in this piece.”

Tyondai Braxton, who Vice says “reminds us that the roots of today's experimental music can be located in part in the wrenching reaction to the 20th century classical canon,” has been writing and performing music under his own name and collaboratively, under various group titles, since the mid-1990s. He is the former front man of experimental rock band Battles, whose debut album Mirrored was both a critical and commercial success. Braxton has composed commissioned pieces for ensembles such as the Bang on a Can All Stars, Alarm Will Sound, Brooklyn Rider, and Third Coast Percussion. In 2012, he collaborated with Philip Glass during the ATP I'll Be Your Mirror festival. He has also performed his orchestral work Central Market with the Los Angeles Philharmonic, London Sinfonietta, BBC Symphony Orchestra, and New York’s Wordless Music Orchestra, and he wrote and performed on several tracks on Dirty Projectors’ 2017 self-titled album. His 2015 Nonesuch debut, HIVE1, was praised by NPR Music for its “playfulness—the feeling that experimenting with sound is a joyful game.” Braxton followed that release with the 2016 five-song EP Oranged Out, proceeds from which supported the work of Everytown for Gun Safety, and released three new tracks—“Dia,” “Phonolydian,” and “Multiplay—this past winter. Braxton was appointed to Princeton University’s Music Composition faculty as an Assistant Professor of Music, starting in the fall 2022 semester.

Metropolis Ensemble is a flexible professional chamber orchestra based in NYC led by Andrew Cyr. The Grammy-nominated ensemble has commissioned over 400 new works and produced hundreds of performances and site-specific projects with a broad range of artists, including Timo Andres on his 2013 Nonesuch album, Home Stretch. Nominated for a Grammy Award in 2010, Metropolis Ensemble has garnered international recognition for its many studio recordings. Cyr, who founded the Ensemble in 2016, has led premiere performances at venues ranging from Cité de la Musique (Paris, FR), Hamer Hall (Melbourne, AU), and Radio City Music Hall.

Brooklyn Youth Chorus is a Grammy Award-winning ensemble that has collaborated with a range of artists including the New York Philharmonic and International Contemporary Ensemble and has served over 10,000 students in its after-school and public-school programs. Founded in 1992, Brooklyn Youth Chorus is currently involving more than 700 students in its core after-school and public-school outreach programs. It has performed on a number of Nonesuch recordings, including Cécile McLorin Salvant’s Ghost Song (2022) and John Adams’ On the Transmigration of Souls (2004), and the New Amsterdam / Nonesuch release of William Brittelle’s Spiritual America (2019). Dianne Berkun Menaker, the chorus’ founder and artistic director, is an educator, choral clinician, and creator of the Cross-Choral Training program, a holistic and experiential approach to voice and musicianship pedagogy in group settings. Most recently, she was the Associate Music Director for Euphoria by Julian Rosefeldt, commissioned by Park Avenue Armory.

The Crossing is a professional chamber choir conducted by Donald Nally and dedicated to new music. It is committed to working with creative teams to make and record new, substantial works for choir that explore and expand ways of writing for choir, singing in choir, and listening to music for choir. Many of its nearly 140 commissioned premieres address social, environmental, and political issues. With a commitment to recording its commissions, The Crossing has issued twenty-five releases, receiving two Grammy Awards for Best Choral Performance (2018, 2019) and seven Grammy nominations. Nally has commissioned over 160 works for choir, many addressing social justice. He has served as chorus master at major opera companies of the USA, UK, and Italy, and his collaborations have taken him to Stockholm, London, Osaka, Córdoba, Helsinki, Haarlem, Riga, and many US cities. Nally’s seventy-two-chapter series Rising w/ The Crossing is archived as a cultural artifact by The Library of Congress.

ProductionCredits

PRODUCTION CREDITS
Produced by Tyondai Braxton and Andrew Cyr
Recorded at Oktaven Audio, Mount Vernon, New York
Recording Dates: August 15, 2021 to March 22, 2022
Engineered by Ryan Streber
Edited by Tyondai Braxton
Mixed at Machines with Magnets by Seth Manchester
Mastered at Metropolis Mastering by Matt Colton

Album Status
Artist Name
Tyondai Braxton
Metropolis Ensemble
MusicianDetails

MUSICIANS
Tyondai Braxton, composer, electronics, celeste (aka bell piano)

Metropolis Ensemble
Andrew Cyr, conductor/artistic director
Piccolo / Flute: Yoobin Son
Clarinet / Bass Clarinet: Anton Rist
Oboe: Stuart Breczinski
Bassoon / Contrabass Bassoon: Brad Balliett
French Horn: Leelanee Sterrett
Trumpet: Christopher Coletti
Trombone: Burt Mason
Bass Trombone: George Curran
Tuba / Contra Tuba: Deandre Desir
Percussion: Victor Caccese, Terry Sweeney
Electric Guitar: Taylor Levine
Harp: Ashley Jackson
Violins: Julia Danitz, Brian Hong, Ling Ling Huang, Jennifer Liu, Sami Merdinian, Arthur Moeller, Jeffrey Myers (Concertmaster), Doori Na, Adelya Nartadjieva, Max Tan, Suliman Tekalli, Henry Wang
Violas: Jeremy Berry, Emily Brandenburg, Junah Chung, Ramón Carrero, Matthew Cohen, Halam Kim, Chieh-Fan Yiu, Cong Wu
Cellos: Laura Andrade, Audrey Chen, Estelle Choi, Samuel DeCaprio, Madeline Fayette, Michael Katz, Jia Kim, Aaron Wolff
Double Bass: Gregg August, Robert Black, Dara Bloom, Austin Lewellen, Ross Wightman, Randall Zigler

Brooklyn Youth Chorus
Dianne Berkun Menaker, conductor/artistic director
Maya Baijal, Siena Bird, Maya Chatterjee, Sadie Gesser, Stevie Kim-Rubell, Raquel Acevedo Klein, Pilar Lu-Heda, Joanna McCabe, Faith Monroe, Sicile Naddeo-Gjergji, Sylvie Oates, Jadesola Pedro, Ellie Powell, Maya Renaud-Levine, Renee Ricevuto, Tatyana Sgaraglino, Josie Shehadi, Scarlett Staiano, Clementine Vonnegut, Mariana Weaver

The Crossing
Donald Nally, conductor
Kevin Vondrak, assistant conductor
Jonathan Bradley, executive director
Nathaniel Barnett, Graham Bier, Steven Bradshaw, Matt Cramer, Micah Dingler, Andrew Fuchs, Dimitri German, Dominic German, Josh Hartman, Steven Hyder, Daniel O'Dea, Ben Perri, Daniel Schwartz, Daniel Spratlan, Jason Weisinger

reissues?
new-release
Cover Art
UPC/Price
Label
LP+MP3
Price
19.00
UPC
075597909630
Label
CD+MP3
Price
13.00
UPC
075597909623

Track Listing

News & Reviews

  • The first studio recording of Tyondai Braxton's Telekinesis—an eighty-seven-piece work for electric guitars, orchestra, choir and electronics—is due November 11 on New Amsterdam / Nonesuch Records. The album features the Metropolis Ensemble conducted by Andrew Cyr, the Brooklyn Youth Chorus conducted by Dianne Berkun Menaker, and chamber choir The Crossing conducted by Donald Nally performing what the Guardian calls "a superpower-themed symphony … a titanic composition." Braxton cites the Japanese manga classic Akira as a thematic guide, with its story of a young boy's discovery of his telekinetic powers and his inability to control it, leading to his own destruction.

  • Congratulations to Tyondai Braxton, who has been named to the faculty of the Department of Music at Princeton University. As Assistant Professor, he will be teaching both undergraduate and graduate courses beginning this fall. Braxton is joining the composition faculty, which includes Professor of Music Donnacha Dennehy. Among the other artists in Princeton’s Department of Music who have recorded on Nonesuch are Ensemble in Residence Sō Percussion, Director of Choral Activities Gabriel Crouch, and Global Scholar: Irish Studies & Music Department Iarla Ó Lionáird. 

  • About This Album

    Tyondai Braxton releases Telekinesis—an eighty-seven-piece work for electric guitars, orchestra, choir, and electronics—on November 11, 2022, via New Amsterdam and Nonesuch Records. Featuring the Metropolis Ensemble conducted by Andrew Cyr, the Brooklyn Youth Chorus conducted by Dianne Berkun Menaker, and chamber choir The Crossing conducted by Donald Nally, Telekinesis is the first studio recording of the work. The Guardian calls it “a superpower-themed symphony … a titanic composition.” The album is available to pre-order here.

    Telekinesis is the result of a co-commission by the Southbank Centre London and Musica Nova, Helsinki Festival. The world premiere took place on April 18, 2018, at Queen Elizabeth Hall with the BBC Concert Orchestra and BBC Singers, followed by a performance at Helsinki Festival by the Finnish Radio Symphony Orchestra. André de Ridder conducted both performances.

    Braxton calls Telekinesis “the latest and largest example of intersections between my electronic music and notated music, both sonically and philosophically.” Throughout the recording and production process, Braxton sought to “create an environment where electronic instruments and acoustic instruments coexist in a place that feels balanced and organic.” To achieve that, the orchestra, choir, and electronics were tracked section by section at Oktaven Audio in Mt Vernon, New York from August 2021 to March 2022 by engineer Ryan Streber. This allowed for a hyper-detailed mix session with Seth Manchester at Machines with Magnets in Pawtucket, RI. As a studio recording, the mix recreates how an orchestra would be placed (with some exceptions) but is exaggerated in its width and in the closeness and depth of certain instruments surrounding the listener.

    Braxton says: “As a science fiction and horror fan, the initial idea was to write an opera based on the Japanese manga masterpiece Akira, although over time, I realized I was more interested in the story as an invisible thematic guide rather than something more literal. Among a number of storylines in Akira is the idea that a young boy comes upon the ability to move objects and generate energy with his mind. Entirely enthralled with his own power and apparent limitless potential, and despite his inability to physically and mentally control this force, he launches unrestrained into its use. Ultimately, his hubris overtakes and destroys him. The power of the mind has been a compelling consideration for me and is an underlying theme in this piece.”

    Tyondai Braxton, who Vice says “reminds us that the roots of today's experimental music can be located in part in the wrenching reaction to the 20th century classical canon,” has been writing and performing music under his own name and collaboratively, under various group titles, since the mid-1990s. He is the former front man of experimental rock band Battles, whose debut album Mirrored was both a critical and commercial success. Braxton has composed commissioned pieces for ensembles such as the Bang on a Can All Stars, Alarm Will Sound, Brooklyn Rider, and Third Coast Percussion. In 2012, he collaborated with Philip Glass during the ATP I'll Be Your Mirror festival. He has also performed his orchestral work Central Market with the Los Angeles Philharmonic, London Sinfonietta, BBC Symphony Orchestra, and New York’s Wordless Music Orchestra, and he wrote and performed on several tracks on Dirty Projectors’ 2017 self-titled album. His 2015 Nonesuch debut, HIVE1, was praised by NPR Music for its “playfulness—the feeling that experimenting with sound is a joyful game.” Braxton followed that release with the 2016 five-song EP Oranged Out, proceeds from which supported the work of Everytown for Gun Safety, and released three new tracks—“Dia,” “Phonolydian,” and “Multiplay—this past winter. Braxton was appointed to Princeton University’s Music Composition faculty as an Assistant Professor of Music, starting in the fall 2022 semester.

    Metropolis Ensemble is a flexible professional chamber orchestra based in NYC led by Andrew Cyr. The Grammy-nominated ensemble has commissioned over 400 new works and produced hundreds of performances and site-specific projects with a broad range of artists, including Timo Andres on his 2013 Nonesuch album, Home Stretch. Nominated for a Grammy Award in 2010, Metropolis Ensemble has garnered international recognition for its many studio recordings. Cyr, who founded the Ensemble in 2016, has led premiere performances at venues ranging from Cité de la Musique (Paris, FR), Hamer Hall (Melbourne, AU), and Radio City Music Hall.

    Brooklyn Youth Chorus is a Grammy Award-winning ensemble that has collaborated with a range of artists including the New York Philharmonic and International Contemporary Ensemble and has served over 10,000 students in its after-school and public-school programs. Founded in 1992, Brooklyn Youth Chorus is currently involving more than 700 students in its core after-school and public-school outreach programs. It has performed on a number of Nonesuch recordings, including Cécile McLorin Salvant’s Ghost Song (2022) and John Adams’ On the Transmigration of Souls (2004), and the New Amsterdam / Nonesuch release of William Brittelle’s Spiritual America (2019). Dianne Berkun Menaker, the chorus’ founder and artistic director, is an educator, choral clinician, and creator of the Cross-Choral Training program, a holistic and experiential approach to voice and musicianship pedagogy in group settings. Most recently, she was the Associate Music Director for Euphoria by Julian Rosefeldt, commissioned by Park Avenue Armory.

    The Crossing is a professional chamber choir conducted by Donald Nally and dedicated to new music. It is committed to working with creative teams to make and record new, substantial works for choir that explore and expand ways of writing for choir, singing in choir, and listening to music for choir. Many of its nearly 140 commissioned premieres address social, environmental, and political issues. With a commitment to recording its commissions, The Crossing has issued twenty-five releases, receiving two Grammy Awards for Best Choral Performance (2018, 2019) and seven Grammy nominations. Nally has commissioned over 160 works for choir, many addressing social justice. He has served as chorus master at major opera companies of the USA, UK, and Italy, and his collaborations have taken him to Stockholm, London, Osaka, Córdoba, Helsinki, Haarlem, Riga, and many US cities. Nally’s seventy-two-chapter series Rising w/ The Crossing is archived as a cultural artifact by The Library of Congress.

    Credits

    MUSICIANS
    Tyondai Braxton, composer, electronics, celeste (aka bell piano)

    Metropolis Ensemble
    Andrew Cyr, conductor/artistic director
    Piccolo / Flute: Yoobin Son
    Clarinet / Bass Clarinet: Anton Rist
    Oboe: Stuart Breczinski
    Bassoon / Contrabass Bassoon: Brad Balliett
    French Horn: Leelanee Sterrett
    Trumpet: Christopher Coletti
    Trombone: Burt Mason
    Bass Trombone: George Curran
    Tuba / Contra Tuba: Deandre Desir
    Percussion: Victor Caccese, Terry Sweeney
    Electric Guitar: Taylor Levine
    Harp: Ashley Jackson
    Violins: Julia Danitz, Brian Hong, Ling Ling Huang, Jennifer Liu, Sami Merdinian, Arthur Moeller, Jeffrey Myers (Concertmaster), Doori Na, Adelya Nartadjieva, Max Tan, Suliman Tekalli, Henry Wang
    Violas: Jeremy Berry, Emily Brandenburg, Junah Chung, Ramón Carrero, Matthew Cohen, Halam Kim, Chieh-Fan Yiu, Cong Wu
    Cellos: Laura Andrade, Audrey Chen, Estelle Choi, Samuel DeCaprio, Madeline Fayette, Michael Katz, Jia Kim, Aaron Wolff
    Double Bass: Gregg August, Robert Black, Dara Bloom, Austin Lewellen, Ross Wightman, Randall Zigler

    Brooklyn Youth Chorus
    Dianne Berkun Menaker, conductor/artistic director
    Maya Baijal, Siena Bird, Maya Chatterjee, Sadie Gesser, Stevie Kim-Rubell, Raquel Acevedo Klein, Pilar Lu-Heda, Joanna McCabe, Faith Monroe, Sicile Naddeo-Gjergji, Sylvie Oates, Jadesola Pedro, Ellie Powell, Maya Renaud-Levine, Renee Ricevuto, Tatyana Sgaraglino, Josie Shehadi, Scarlett Staiano, Clementine Vonnegut, Mariana Weaver

    The Crossing
    Donald Nally, conductor
    Kevin Vondrak, assistant conductor
    Jonathan Bradley, executive director
    Nathaniel Barnett, Graham Bier, Steven Bradshaw, Matt Cramer, Micah Dingler, Andrew Fuchs, Dimitri German, Dominic German, Josh Hartman, Steven Hyder, Daniel O'Dea, Ben Perri, Daniel Schwartz, Daniel Spratlan, Jason Weisinger

    PRODUCTION CREDITS
    Produced by Tyondai Braxton and Andrew Cyr
    Recorded at Oktaven Audio, Mount Vernon, New York
    Recording Dates: August 15, 2021 to March 22, 2022
    Engineered by Ryan Streber
    Edited by Tyondai Braxton
    Mixed at Machines with Magnets by Seth Manchester
    Mastered at Metropolis Mastering by Matt Colton