“‘Dawning’ has multiple meanings for me,” composer/guitarist Yasmin Williams says of her first song on Nonesuch, featuring Aoife O’Donovan on vocals, Kafari on rhythm bones, and Nic Gareiss’ percussive dancing and provides an early peek at her new album, which the label will release in early 2024: “the dawning of my professional music career and a new love in my personal life, the dawning sky that appeared when I first started writing this song, and me smiling to myself with dawning recognition that I get to create music that I love for a living and share it with the world. This song represents a major shift in how I approach my music and expands the possibilities of what my songs can be.”

On her album Sorry I Haven’t Called, Vagabon (aka Lætitia Tamko) reinvents herself once again with the most playful and adventurous music of her career. Co-produced by Tamko and Rostam (Vampire Weekend, Haim), the album features twelve vibrant tracks she wrote and produced primarily in Germany that channel dance music and effervescent pop through her own confident sensibilities. “This record feels like what I've been working towards,” Tamko says. “It's completely euphoric.”

The Staves’ “You Held It All,” their first new music since the release of their 2021 album, Good Woman, is also the group’s first recording as the duo of Jessica and Camilla Staveley-Taylor, following their sister and bandmate Emily’s stepping back after the birth of her children. Produced by John Congleton in Los Angeles, “‘You Held It All’ is a song about understanding, and the knots we tie ourselves in when we don’t express our truth,” The Staves say, “and how much power and freedom there can be when we do.”

Composer and bandleader Darcy James Argue and his Secret Society ensemble make their Nonesuch Records debut with Dynamic Maximum Tension. The album pays homage to some of Argue’s key influences with original songs dedicated to R. Buckminster Fuller, Alan Turing, and Mae West. Cécile McLorin Salvant joins the ensemble for “Mae West: Advice.” Dynamic Maximum Tension’s eleven tracks, on two CDs, also include a response to Duke Ellington’s “Diminuendo and Crescendo in Blue,” titled “Tensile Curves,” among other originals. Grammy Nominee for Best Large Jazz Ensemble Album.

On multi-instrumentalist Yussef Dayes’ debut solo studio album, Black Classical Music, Dayes’ drum licks and Rocco Palladino’s bass are the anchors, aided by Charlie Stacey (keys/synths), Venna (saxophone), Alexander Bourt (percussion), and a host of features including: Chronixx, Masego, Jamilah Barry, Tom Misch, Elijah Fox, Shabaka Hutchings, Miles James, Sheila Maurice Grey, Nathaniel Cross, Theon Cross, and the Chineke! Orchestra—the first professional orchestra in Europe to be made up of majority Black and ethnically diverse musicians.

Wilco’s 2007 album Sky Blue Sky was released in a limited-edition two-LP, sky-blue vinyl edition. The Gold-selling album made year’s best lists from Rolling Stone, Uncut, Mojo, BBC Radio 6 Music, and more. “Near perfect,” said Spin. Featuring the band that was assembled after the release of 2004’s A ghost is born, Sky Blue Sky was the first studio album from a lineup that has remained the same to today: guitarist, singer, and principal songwriter Jeff Tweedy, bassist John Stirratt, percussionist Glenn Kotche, keyboardist Mikael Jorgensen, multi-instrumentalist Pat Sansone, and avant-jazz guitarist Nels Cline.

Portuguese fado singer Carminho's self-produced album Portuguesa, the sixth album of her career, features fourteen compositions: several of her own songs as well as those of other writers, including traditional fado songs, through which she explores various combinations within the canons, reimagining the form.

Rhiannon Giddens’ You’re the One is her third solo studio album and her first of all original songs. This collection of twelve tunes written over the course of her career bursts with life-affirming energy, drawing from the folk music she knows so deeply and its pop descendants. The album was produced by Jack Splash (Kendrick Lamar, Solange, Alicia Keys, Valerie June) and recorded with an ensemble including Giddens' closest musical collaborators from the past decade, a string section, and Miami Horns. The lone featured guest on the album is Jason Isbell on “Yet to Be.” Grammy Nominee for Best Americana Album, Best American Roots Performance ("You Louisiana Man").