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  • Caroline Shaw

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  • February 6, 2020

    Caroline Shaw’s album Orange, for which Attacca Quartet earned a Grammy Award, is due on vinyl for the first time on May 8 via New Amsterdam and Nonesuch Records. The two-LP set is pressed on double 180-gram orange vinyl and includes a printed excerpt from the score and is available to pre-order now. "Completely gorgeous in so many ways," exclaims BBC Radio 3. "It hits you everywhere, all at once." "A love letter to the string quartet," says NPR. "[W]hen you hear all the imaginative sounds on Orange, you know you're listening to the voice of a strong composer."

  • January 28, 2020

    Carnegie Hall has announced its 2020–21 concert season, and featured among the performers taking the esteemed hall's stages are a number of artists familiar to readers of the Nonesuch Journal, including Rhiannon Giddens, who is a Perspectives artist for the season, John Adams, Chris Thile, Caroline Shaw, and Kronos Quartet.

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About Caroline Shaw

  • New Amsterdam and Nonesuch Records release Pulitzer Prize–winning composer Caroline Shaw’s Orange, performed by Attacca Quartet, on April 19, 2019. Orange, which features six of Shaw’s pieces for string quartet, is the first full-length album to exclusively feature works by Shaw. It is also the first release in a new partnership between the two record labels, established with the goal of enabling contemporary American composers to realize creative ambitions that might not otherwise be achievable.

    Orange is available for pre-order now at iTunes, Bandcamp, and the Nonesuch Store, where the album track "Plan & Elevation: IV. The Orangery" may be downloaded immediately; a video for the song, directed by Tristan Cook at Dumbarton Oaks Garden, can be seen below. Nonesuch Store and Bandcamp pre-orders also come with an exclusive print of a painting created and hand-signed by Shaw and Attacca Quartet. The album will also stream at Spotify, Apple Music, and other digital service providers.

    Composer Caroline Shaw is also a singer in the Grammy Award–winning vocal ensemble Roomful of Teeth, for which she wrote the piece that won the Pulitzer Prize: Partita (she was the youngest Pulitzer recipient). She has also played violin since the age of two and been drawn to the string quartet for most of her life. She says, "It has existed for hundreds of years, but there's something kind of, for me, beautiful and ritualistic about coming back to that form. It's something familiar, and yet you can keep on opening these doors and diving down these little rabbit holes. Just the simple changes of harmony and the shape of the bass line, and how that can create a whole world."

    Shaw describes the world she built for Orange as a garden that she and Attacca Quartet are tending. She used the group's centuries-old combination of two violins (Amy Schroeder and Keiko Tokunaga), viola (Nathan Schram), and cello (Andrew Yee) to create a rich environment where traces of what has grown there before—left by Haydn, Mozart, Ravel, Bartok, Bach, Monteverdi, and Josquin—provide nourishment for new life.

    "Hints of past years' growth remain in the soil, and so the new growth has been partially shaped by the old," explains Shaw. "The colors are vivid and familiar, and the shapes of the leaves follow a pattern that you seem to know until you don't." She continues, "This album is a celebration of the simple, immediate, unadorned beauty of a natural, everyday, familiar thing."

    Hailed for "astonishing both the pop and classical music worlds" by the Guardian, Shaw's list of collaborators is vast and varied, including Kanye West, Nas, The National, Sara Bareilles, Ben Folds, Renée Fleming, Inon Barnatan, Dawn Upshaw, Sō Percussion, Gil Kalish, the Orchestra of St. Luke's with John Lithgow, the Dover Quartet, Brooklyn Rider, and more; she has also appeared on Mozart in the Jungle.

    Praised by the Strad as “stunning” and for possessing “a musical maturity far beyond its members’ years,” the internationally acclaimed Attacca Quartet is currently celebrating its sixteenth season as one of America’s premier young performing ensembles. It has served as the Quartet in Residence at the Metropolitan Museum of Art and received numerous awards, including first prize at the seventh Osaka International Chamber Music Competition, top prize and Listeners’ Choice award at the Melbourne International Chamber Music Competition, and Grand Prize Winners of the sixtieth annual Coleman Chamber Ensemble Competition. Current highlights include performing at the New York Philharmonic Nightcap Series curated by John Adams and Nadia Sirota, New York’s Lincoln Center White Lights Festival, Carnegie Hall, Gothenburg Konserthuset, Sociedad Filarmonica de Bilbao, Auditorio Nacional de Música, and Palau de la Musica.

    When describing the power of performing the works on Orange, Attacca Quartet explains that “playing and listening to Caroline Shaw’s music can turn a concert hall into your own peaceful living room. Between rehearsals and performances, we found ourselves marveling in the unassuming honesty of every passage and the profound effect it has on ourselves and our audiences.”

Caroline Shaw

Tour

Fri, Mar 13
Portland, OR
Alberta Rose Theater
Fri, Mar 13
Portland, OR
Alberta Rose Theater
Tue, Mar 24
New York, NY
Miller Theatre
Tue, Mar 24
New York, NY
Miller Theatre
Fri, Mar 27
Knoxville, TN
Fri, Mar 27
Knoxville, TN
Sat, Mar 28
Knoxville, TN
Sat, Mar 28
Knoxville, TN
Fri, Apr 3
London
Queen Elizabeth Hall, Southbank Centre
Fri, Apr 3
London
Queen Elizabeth Hall, Southbank Centre
Sun, May 3
Washington, DC
The Phillips Collection
Sun, May 3
Washington, DC
The Phillips Collection
Wed, Jan 13
New York, NY
Zankel Hall, Carnegie Hall
Wed, Jan 13
New York, NY
Zankel Hall, Carnegie Hall
Mon, Feb 8
New York, NY
The Appel Room, Lincoln Center
Mon, Feb 8
New York, NY
The Appel Room, Lincoln Center
Sat, Feb 13
New York, NY
Stanley H. Kaplan Penthouse, Lincoln Center
Sat, Feb 13
New York, NY
Stanley H. Kaplan Penthouse, Lincoln Center
Thu, Feb 18
New York, NY
David Geffen Hall, Lincoln Center
Thu, Feb 18
New York, NY
David Geffen Hall, Lincoln Center
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on January 10, 2019 - 2:12pm
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Biography (Excerpt): 

On Pulitzer Prize–winning composer Caroline Shaw's album Orange, Attacca Quartet performs six of her pieces for string quartet. The string quartet form "has existed for hundreds of years, but there's something, for me, beautiful and ritualistic about coming back to that form," says Shaw. "This album is a celebration of the simple, immediate, unadorned beauty of a natural, everyday, familiar thing."

Biography: 

New Amsterdam and Nonesuch Records release Pulitzer Prize–winning composer Caroline Shaw’s Orange, performed by Attacca Quartet, on April 19, 2019. Orange, which features six of Shaw’s pieces for string quartet, is the first full-length album to exclusively feature works by Shaw. It is also the first release in a new partnership between the two record labels, established with the goal of enabling contemporary American composers to realize creative ambitions that might not otherwise be achievable.

Orange is available for pre-order now at iTunes, Bandcamp, and the Nonesuch Store, where the album track "Plan & Elevation: IV. The Orangery" may be downloaded immediately; a video for the song, directed by Tristan Cook at Dumbarton Oaks Garden, can be seen below. Nonesuch Store and Bandcamp pre-orders also come with an exclusive print of a painting created and hand-signed by Shaw and Attacca Quartet. The album will also stream at Spotify, Apple Music, and other digital service providers.

Composer Caroline Shaw is also a singer in the Grammy Award–winning vocal ensemble Roomful of Teeth, for which she wrote the piece that won the Pulitzer Prize: Partita (she was the youngest Pulitzer recipient). She has also played violin since the age of two and been drawn to the string quartet for most of her life. She says, "It has existed for hundreds of years, but there's something kind of, for me, beautiful and ritualistic about coming back to that form. It's something familiar, and yet you can keep on opening these doors and diving down these little rabbit holes. Just the simple changes of harmony and the shape of the bass line, and how that can create a whole world."

Shaw describes the world she built for Orange as a garden that she and Attacca Quartet are tending. She used the group's centuries-old combination of two violins (Amy Schroeder and Keiko Tokunaga), viola (Nathan Schram), and cello (Andrew Yee) to create a rich environment where traces of what has grown there before—left by Haydn, Mozart, Ravel, Bartok, Bach, Monteverdi, and Josquin—provide nourishment for new life.

"Hints of past years' growth remain in the soil, and so the new growth has been partially shaped by the old," explains Shaw. "The colors are vivid and familiar, and the shapes of the leaves follow a pattern that you seem to know until you don't." She continues, "This album is a celebration of the simple, immediate, unadorned beauty of a natural, everyday, familiar thing."

Hailed for "astonishing both the pop and classical music worlds" by the Guardian, Shaw's list of collaborators is vast and varied, including Kanye West, Nas, The National, Sara Bareilles, Ben Folds, Renée Fleming, Inon Barnatan, Dawn Upshaw, Sō Percussion, Gil Kalish, the Orchestra of St. Luke's with John Lithgow, the Dover Quartet, Brooklyn Rider, and more; she has also appeared on Mozart in the Jungle.

Praised by the Strad as “stunning” and for possessing “a musical maturity far beyond its members’ years,” the internationally acclaimed Attacca Quartet is currently celebrating its sixteenth season as one of America’s premier young performing ensembles. It has served as the Quartet in Residence at the Metropolitan Museum of Art and received numerous awards, including first prize at the seventh Osaka International Chamber Music Competition, top prize and Listeners’ Choice award at the Melbourne International Chamber Music Competition, and Grand Prize Winners of the sixtieth annual Coleman Chamber Ensemble Competition. Current highlights include performing at the New York Philharmonic Nightcap Series curated by John Adams and Nadia Sirota, New York’s Lincoln Center White Lights Festival, Carnegie Hall, Gothenburg Konserthuset, Sociedad Filarmonica de Bilbao, Auditorio Nacional de Música, and Palau de la Musica.

When describing the power of performing the works on Orange, Attacca Quartet explains that “playing and listening to Caroline Shaw’s music can turn a concert hall into your own peaceful living room. Between rehearsals and performances, we found ourselves marveling in the unassuming honesty of every passage and the profound effect it has on ourselves and our audiences.”

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Facebook URL: 
https://www.facebook.com/carolineadelaideshaw
Twitter URL: 
https://twitter.com/caroshawmusic
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Tour

Fri, Mar 13
Portland, OR
Alberta Rose Theater
Fri, Mar 13
Portland, OR
Alberta Rose Theater
Tue, Mar 24
New York, NY
Miller Theatre
Tue, Mar 24
New York, NY
Miller Theatre
Fri, Mar 27
Knoxville, TN
Fri, Mar 27
Knoxville, TN
Sat, Mar 28
Knoxville, TN
Sat, Mar 28
Knoxville, TN
Fri, Apr 3
London
Queen Elizabeth Hall, Southbank Centre
Fri, Apr 3
London
Queen Elizabeth Hall, Southbank Centre
Sun, May 3
Washington, DC
The Phillips Collection
Sun, May 3
Washington, DC
The Phillips Collection
Wed, Jan 13
New York, NY
Zankel Hall, Carnegie Hall
Wed, Jan 13
New York, NY
Zankel Hall, Carnegie Hall
Mon, Feb 8
New York, NY
The Appel Room, Lincoln Center
Mon, Feb 8
New York, NY
The Appel Room, Lincoln Center
Sat, Feb 13
New York, NY
Stanley H. Kaplan Penthouse, Lincoln Center
Sat, Feb 13
New York, NY
Stanley H. Kaplan Penthouse, Lincoln Center
Thu, Feb 18
New York, NY
David Geffen Hall, Lincoln Center
Thu, Feb 18
New York, NY
David Geffen Hall, Lincoln Center
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