Caetano Veloso has won the 2009 Latin Grammy Award for Best Singer-Songwriter Album for his latest release in Brazil, Zii e Zie. The Guardian, in its four-star review of the album, describes its songs as "intimate and surprising." Caetano was also recognized for his work on a video celebrating the music of Antonio Carlos Jobim. The 10th annual Latin Grammy Awards ceremony was held last night in Las Vegas.

KEXP, 90.3, Seattle, has posted the Top Ten lists from its Specialty Shows DJs. Youssou N'Dour's Rokku Mi Rokka (Give and Take) was among the year's favorites of Jon Kertzer, the station's expert on African and Afro-Caribbean music. Caetano Veloso's Cê and Ibrahim Ferrer's Mi Sueño are on the list from Darek Mazzone, whose show covers Modern Global Music.

NPR's music programs and reviewers are turning in their lists for the Best of 2007, and a number of Nonesuch artists are among the top choices from public radio. Wilco's Sky Blue Sky tops World Cafe's list of the best albums of the year. All Things Considered's Banning Eyre has three Nonesuch albums among his Top Ten of 2007: Caetano Veloso's Cê, Sérgio and Odair Assad's Jardim Abandonado, and Youssou N'Dour's Rokku Mi Rokka (Give and Take). On the list for "Top Ten Jazz Jewels of 2007" from WDUQ is Metheny/Mehldau Quartet. And Wilco's "Hate It Here," from Sky Blue Sky, is among the best songs of the year, per KUT.

David Byrne was on hand last week for Caetano Veloso's first show at the Nokia Theatre in New York, and he's written about the experience in his blog. In this excerpt, he describes how Caetano and his band allayed any concerns about the mix of styles in pairing the new songs in a set with the familiar older favorites. Riding home on his bike after the show, Byrne passed the brand-new home of the New York Times—a towering skyscraper designed by starchitect Renzo Piano—and took the occasion to muse on the state of journalism.

Caetano Veloso closed his latest tour in Miami Saturday night, featuring the music of his album Cê. The Broward-Palm Beach New Times calls him a "tour de force," marveling at "his ability to make your stomach quiver or tears well up in the corners of your eyes throughout his career." "Caetano Veloso is arguably the most sophisticated pop artist anywhere," says the Miami Herald. "Perhaps it's that open smile, still seductive after all these years. Or perhaps it's just the fact that he is so damn good."

In the midst of a tour across the US, Caetano Veloso stopped for two nights in NYC, where he performed songs from throughout his career, focusing on his latest album, Cê, for packed crowds at the Nokia Theatre. "Lyrically, much of Cê is unabashedly carnal," says the New York Times. "Yet Mr. Veloso’s voice carries an abiding tenderness, and he sounded nearly as alluring on bitter new tunes (like 'Rocks,' a natural closer) as on vintage fare ('Sampa,' a natural singalong)."

Caetano Veloso spoke with Newsday about his new album, the rock-infused, Cê, and his long history with the genre, going back to the early days of Tropicália. "I never intended to solve the contradiction between traditional and contemporary music," he says. "Real contemporary music can use tradition in so many ways: to reaffirm aspects of it while refusing others, to create a total contrast to it, to choose the role of its savior. Or, as we Tropicálistas did, sway through all of the above."

On New York Times music critic Jon Pareles's list of events to look out for this week are concerts by Caetano Veloso and Youssou N'Dour, two "musicians who qualify as full-fledged national heroes." While they come from different continents, both "accepted the same mission: to make contemporary pop that sounds both local and global, and highly individual." And each will perform at New York's Nokia Theatre.

Caetano Veloso's tour through California in support of his album Cê began earlier this week in Pasadena, and Variety magazine reports that the singer "sounded effortlessly contemporary. Even more impressively, he did it without compromise." For Variety writer Steven Mirkin, the rocking stage show brings comparisons to Talking Heads, Lou Reed, and the Strokes.

Daily News Los Angeles recently spoke with Caetano Veloso, whom the paper calls "one of the most respected Portuguese-language poets in the world," in advance of a rare Southern California appearance last night in Pasadena. He plays tomorrow night in Santa Cruz.

Last month, the San Francisco Jazz Festival was the site of the world premiere of Glenn Kotche's Anomaly, which the composer performed together with Kronos Quartet. This month, two more Nonesuch artists join the festival's 25th anniversary celebration, when Caetano Veloso performs at the Nob Hill Masonic Center this Saturday, November 17, and Youssou N'Dour hits the stage for the festival's closing night, Friday, November 30.

As part of its new feature, Source-Outing, Spinner.com asked Caetano Veloso to name five artists and albums that would give readers a better understanding of his own music. Writer Steve Hochman, in his introduction, writes: "In nearly 40 years he's covered so much ground but with so distinct an approach at all stages that trying to characterize any particular phase or album as anything different from any other just seems pointless and wrongheaded. Some have termed his most recent release, Cê, a 'rock' album. But, really, it's simply a Caetano Veloso album, just as Miles Davis' Sketches of Spain isn't a classical-fusion album, it's Davis. Or Rubber Soul isn't a folk-rock album, it's a Beatles album."