- Margaretta Mitchell
- Margaretta Mitchell
- Margaretta Mitchell
- Deborah O'Grady
- Monday, September 23, 2013
John Adams's Saxophone Concerto Given US Premiere by Baltimore Symphony Orchestra: "Ecstatic Ride" (Baltimore Sun)
John Adams’s Saxophone Concerto received its US premiere over the weekend, with Marin Alsop conducting the Baltimore Symphony Orchestra and saxophonist Timothy McAllister, for whom the "virtuosic piece" (Washington Post) was written. The Baltimore Sun says "the score deftly fuses classical and jazz elements to create a cohesive, arresting experience ... Adams, whose style has evolved over the decades from pristine minimalism to a kind of post-Mahler richness of thematic ideas and orchestral textures, has created here a kinetic, ecstatic ride that achieves giddy heights along the way." McAllister performs the Saxophone Concerto with the St. Louis Symphony Orchestra on October 5 and 6.
- Wednesday, August 21, 2013
John Adams makes his first-ever Australian concert appearances with programs titled Adams Conducts Adams in Sydney and Melbourne. Marking his Sydney Opera House debut as conductor, Adams leads the Sydney Symphony Orchestra and saxophonist Timothy McAllister in the world premiere of his Saxophone Concerto on Thursday and Friday. Also on the program are Adams’s Violin Concerto performed by Leila Josefowicz and works by Beethoven and Respighi. Adams heads next to Melbourne to conduct the Melbourne Symphony Orchestra in an all-Adams program at Hamer Hall August 29 and 31 featuring the Australian premiere of City Noir and performances of his Violin Concerto and Short Ride in a Fast Machine.
About John Adams
"His music is both lush and austere, grand and precise. To make an analogy to two poets whose work he has set to music, it’s Walt Whitman on the one hand and Emily Dickinson on the other." —New York Times
John Adams is one of America’s most admired and respected composers. A musician of enormous range and technical command, he has produced works, both operatic and symphonic, that stand out among all contemporary classical music for the depth of their expression, the brilliance of their sound, and the profoundly humanist nature of their themes. His music has played a decisive role in turning the tide of musical aesthetics away from the theoretical principles of European modernism toward a more expansive and expressive language, so characteristic of his New World surroundings.
Born and raised in New England, Adams learned the clarinet from his father and played in marching bands and community orchestras during his formative years. He began composing at the age of ten and heard his first orchestral pieces performed while still a teenager. The intellectual and artistic traditions of New England, especially the Boston Symphony Orchestra and Harvard University, helped shape him as an artist and thinker. After earning two degrees from Harvard University, he moved to Northern California in 1971 and has ever since lived in the San Francisco Bay area.
In Hallelujah Junction: Composing an American Life, Adams's long-awaited memoir, published by Farrar, Straus, and Giroux in October 2008, the composer relates his life story, from his childhood to his early studies in classical composition amid the musical and social ferment of the 1960s, from his landmark minimalist innovations to his controversial “docu-operas" and offers a portrait of the rich musical scene of 1970s California, and of his contemporaries and colleagues, including John Cage, Steve Reich, and Philip Glass. The New York Times calls it an "absorbing book, which at times reads like a quest narrative that travels through the whole landscape of 20th-century music."
Adams taught for ten years at the San Francisco Conservatory of Music before becoming Composer in Residence with the San Francisco Symphony (1982-85) and the creator of the orchestra’s highly successful and controversial New and Unusual Music series. Several of Adams’s landmark orchestral works were written for and premiered by the San Francisco Symphony, including Harmonium (1981), Grand Pianola Music (1982), Harmonielehre (1985) and El Dorado (1992).
In 1985, Adams began a collaboration with the poet Alice Goodman and stage director Peter Sellars that resulted in two operas, Nixon in China and The Death of Klinghoffer, worldwide productions of which made them among the most performed operas in recent history. These operas were followed by three further stage works done with Sellars: the 1995 “songplay” I Was Looking at the Ceiling and Then I Saw the Sky, with libretto by June Jordan; El Niño, a multi-lingual retelling of the Nativity story composed for the celebration of the Millennium; and Doctor Atomic (2005), about J. Robert Oppenheimer and the creation of the first atomic bomb. Adams’s latest opera, A Flowering Tree, inspired by Mozart’s The Magic Flute, will premiere in November of 2006 in Vienna. Based on a folk tale from southern India, it shares similar themes with its Mozart model: youth, love, and the emergence of moral consciousness. For the Vienna premiere, Adams will conduct the Orquesta Sinfónica Simón Bolívar, the world-famous Venezuelan youth orchestra.
In 2002, Adams composed On the Transmigration of Souls for the New York Philharmonic, a work written in commemoration of the first anniversary of the World Trade Center attacks. This work received the 2003 Pulitzer Prize for Music, and the Nonesuch recording won a rare “triple crown” at the Grammys, including “Best Classical Recording”, “Best Orchestral Performance”, and “Best Classical Contemporary Composition.”
In April and May of 2003, Lincoln Center presented a festival entitled John Adams: An American Master, the most extensive festival ever mounted at Lincoln Center devoted to a living composer. International festivals of Adams’s music have been presented in London, Rotterdam, and Stockholm. He has twice been featured guest on NPR’s Fresh Air with Terry Gross and has been the subject of a New Yorker magazine profile.
In 2003, a film version of The Death of Klinghoffer, Adams’s second opera, directed by Penny Woolcock for Channel Four, was released in theaters, on television, and on DVD. The film, for which the composer conducted the London Symphony Orchestra, made its American debut at the Sundance Film Festival and went on to win several international prizes, including the Prix Italia and the Vienna TV Award for 2004.
Among other recent works are The Dharma at Big Sur, for electric violin and orchestra, inspired by literary impressions of the California landscape by such writers as Jack Kerouac, Gary Snyder, and Henry Miller, and My Father Knew Charles Ives, an evocation of Adams’s boyhood in central New Hampshire. The Nonesuch recording of these two works, featuring the composer conducting the BBC Symphony, was released in September 2006.
Adams was awarded the Centennial Medal of Harvard University’s Graduate School of Arts and Sciences “for contributions to society” during Commencement week in June 2004. In the same year he became the first ever recipient of the Nemmers Prize in Music Composition from Northwestern University.
Adams, who is the subject of three documentary films, has also served as Music Director of the Cabrillo Festival, as Artist in Association with the BBC Symphony, and as Creative Chair of the Saint Paul Chamber Orchestra. Honored with a proclamation by the governor of California for his distinguished service to the arts in his home state, he has also been awarded an honorary doctorate by Cambridge University in England as well as an honorary membership in Phi Beta Kappa.
Nonesuch Records released Adams’s Harmonielehre in 1985, and since then all of his works, both symphonic and theatrical, have appeared first on that label. A ten-CD set, The John Adams Earbox, documents his recorded music through 2000.
The John Adams Reader: Essential Writings on an American Composer, edited by Tom May and published by Amadeus Press, is a 400-page summary of writings about Adams and his music is the first full-length in-depth collection of texts dealing with more than 30 years of his creative life.
John Adams maintains an active life as a conductor, appearing with the world’s greatest orchestras, with programs combining his own works with composers as diverse as Debussy, Stravinsky, Bartòk, and Ravel to Zappa, Ives, Reich, Glass, and Ellington. As a guest conductor and as director of music festivals in the US and Europe he has appeared with orchestras that include the New York Philharmonic, the Cleveland Orchestra, the Chicago Symphony, the Concertgebouw Orchestra, and the London Symphony. As Artist in Association with the BBC Symphony Orchestra, he regularly appears with that orchestra as conductor in concerts in London’s Barbican and at the annual Albert Hall Proms concerts.
Adams is the Creative Chair for the Los Angeles Philharmonic, for whom he curated the hugely popular Minimalist Jukebox in 2006 and the West Coast/Left Coast festival in 2009. The Philharmonic gave the world premiere of Adams's City Noir during the orchestra's October 2009 Opening Night concert, which also marked the inaugural performance of its new music director, Gustavo Dudamel.
The music of John Adams is published by Boosey & Hawkes and by Associated Music Publishers.
November 19, 2012
The Metropolitan Opera’s performance of John Adams’ Nixon in China, with the composer conducting, is here on Blu-ray and DVD together in one package. The Met’s production, staged by Peter Sellars and first created by the English National Opera, stars James Maddalena as Richard Nixon, a role he originated. The performance seen here was broadcast live in movie theaters around the world as part of The Met: Live in HD on February 12, 2011, ten days after the opera received its Met premiere. "Here, on film, is the most influential American opera of the past quarter-century," says the Financial Times. "Future generations will see Nixon in China as the composer intended."
- February 21, 2014 – 07:30 pmSala Sinfónica, Auditorio Nacional de Música, Madrid,
- February 22, 2014 – 07:30 pmSala Sinfónica, Auditorio Nacional de Música, Madrid,
- February 23, 2014 – 11:30 amSala Sinfónica, Auditorio Nacional de Música, Madrid,
- April 8, 2014 – 08:00 pmWalt Disney Concert Hall, Los Angeles, CA
- April 11, 2014 – 08:00 pmWalt Disney Concert Hall, Los Angeles, CA
- April 12, 2014 – 08:00 pmWalt Disney Concert Hall, Los Angeles, CA