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  • Thursday, July 23, 2009

    Philip Glass and the Philip Glass Ensemble are teaming up with the LA Phil and the LA Master Chorale to present an all-Glass program tonight at the Hollywood Bowl, including "Spaceship," from Einstein on the Beach, described by the Los Angeles Times as "one of the most important and groundbreaking American operas in history," and a screening of the film Koyaanisqatsi, set to a new arrangement of Glass's score for the ensemble and orchestra. The Times says: "Glass's film music has helped make him perhaps the best-known classical composer of the last half-century." LA Weekly writes: "His progressions tend to be brilliantly subtle, forming, like gradated layers of color on canvas, some amazing aural paintings."

    Journal Topics: On Tour, Film
  • Wednesday, July 22, 2009

    Wilco front man Jeff Tweedy is front and center on the cover of SPIN magazine's August issue, out on newsstands this week. The issue's cover story aims to answer the question: "So why are they now on top of the world?" Says SPIN: "Since forming in 1995, Wilco have slowly risen to become the greatest small-scale success story in American rock, following the sounds they like wherever they go while deepening and expanding their audience." The magazine names the band's latest release, Wilco (the album), among the year's best so far. Why? It's "the rare rock album about acceptance. And it's fantastic."

    Journal Topics: Artist News, Reviews
  • Wednesday, July 22, 2009

    Kronos Quartet's performance in Brooklyn's Prospect Park last Thursday offered the sort of program for which the group earned once more the label "groundbreaking" in the New York Times review. The program featured works from Kronos's latest album, Floodplain, to which the Toronto Star gives a perfect four stars. "The Kronos Quartet never disappoints," exclaims the Star, "but on their latest disc they are even better than ever ... There isn't a single musical moment left wanting." The Arkansas Democrat-Gazzette gives it an A-, recommending in particular "the remarkable" album closer by Serbian-born composer Aleksandra Vrebalov.

    Journal Topics: On Tour, Reviews
  • Tuesday, July 21, 2009

    Gidon Kremer and the Kremerata Baltica's recording of the complete Mozart violin concertos is out in a two-disc set on Nonesuch today. The Scotsman says "there's magic" on this recording from the "brilliant violinist" and gives it a perfect five stars. "This double album is truly sensational," exclaims the review ... There isn't a single moment where the interest pales, or the energy saps, or Kremer fails to surprise us." New Statesman says Kremer "captures the restlessness of the young Mozart," while the Kremerata "plays with tight ensemble and gleamingly honed tone." The double-disc set is currently the CD of the Week on the UK's Classic FM Morning Show.

    Journal Topics: Album Release, Reviews
  • Tuesday, July 21, 2009

    Sara Watkins celebrated her birthday in style this year: on June 7, the night before her 28th, Sara joined the legendary singer-songwriter Steve Earle and bluegrass masters Doyle Lawson & Quicksilver in a live concert performance at the Chuck Mathena Center in Princetown, West Virginia, for public radio's Mountain Stage. Now you can hear Sara's birthday-eve performance, with brother Sean on guitar, streaming online at npr.org.

    Journal Topics: On Tour, Radio
  • Tuesday, July 21, 2009

    Wilco's US tour behind their latest Nonesuch release, Wilco (the album), is due to wrap up this week, with a European tour slated to begin next month, after a set outside Detroit tonight and the 10,000 Lakes Festival in Minnesota on Thursday. Prior to the concerts, the Detroit Free Press talks to Nels Cline about his "head-spinning guitar pyrotechnics" and the Star Tribune talks to Jeff Tweedy about the new record and what's to come. GQ says of last Saturday's show in upstate New York that "the band has never sounded better." Buffalo News says Sunday's set in nearby Lewiston "was simply awesome ... Wilco is certainly the most interesting US band of its generation."

    Journal Topics: On Tour, Reviews
  • Tuesday, July 21, 2009

    Christina Courtin is set to perform at L.A.'s Largo at the Coronet tonight. The Los Angeles Times says of her recently released Nonesuch debut that it "is highly polished but still retains a sense of individuality." LAist says "you can't help but be drawn in by her expressive voice, and the 10 tracks reveal a seasoned artist. This may be her first record, but she's developed a confidence, a writing style and a playfulness that many singer/songwriters don't achieve until later in their careers." Her hometown paper, the Buffalo News says: "Like so many of the best records of its type—Joni Mitchell’s midperiod efforts come to mind, as does Norah Jones’ debut—Christina Courtin works its magic on the listener subversively, and over time."

    Journal Topics: On Tour, Reviews
  • Monday, July 20, 2009

    Disfarmer, Bill Frisell's latest Nonesuch release, is out now. The Times (UK) gives it four stars. "Frisell’s filmic themes summon up the ghosts of a lost America. The results are gently beautiful." The BBC calls it "quietly impressive ... a patchwork quilt sewn with empathy, warmth and a sense of weary pathos. The result is a subtle, but moving experience. Jazz Times describes the album as "26 majestic, melodic vignettes evoking bygone honkytonks and tumbleweed towns ... Like a great film score, Disfarmer's success rests on a great motif."

    Journal Topics: Album Release
  • Monday, July 20, 2009

    The Low Anthem continues to tour the US behind their recent Nonesuch debut, Oh My God, Charlie Darwin, returning to their home state of Rhode Island on August 1 to play the inimitable Newport Folk Festival, celebrating its 50th year. "There is nothing typical about Rhode Island Americana group The Low Anthem," writes Audiophile Audition, which gives the new album four stars, citing the "exquisite acoustics,""naturalistic feeling," and "direct and honest" approach of its recording.

    Journal Topics: On Tour, Reviews
  • Friday, July 17, 2009

    Richard Goode enjoys the fruits of his artistic direction at Marlboro Music ... Amadou & Mariam play SoCal with Coldplay ... Laurie Anderson, Lou Reed perform at the Palace for Manchester Fest ... The Black Keys conquer Colorado ... David Byrne takes a Roman (work) holiday ... Shawn Colvin goes solo, joins Jackson Browne ... Christina Courtin's close to home in NYC ... Bill Frisell joins the McCoy Tyner Quintet in Italy ... The Low Anthem opts for Ottawa Blues Fest ... Brad Mehldau, Joshua Redman's trios cross paths at Nice Jazz Fest ... Oumou Sangare closes US tour with Béla Fleck ... Chris Thile premieres mandolin concerto at Interlochen ... Allen Toussaint sees Spain, London ... Rokia Traoré tours UK's Larmer Tree Fest ... Dawn Upshaw, Gilbert Kalish light up Elora Fest ... Wilco plays Portland, Maine, upstate New York ... and more ... 

    Journal Topics: On Tour, Reviews, Weekend Events
  • Friday, July 17, 2009

    Bill Frisell's latest album, Disfarmer, is out now. The Observer gives it four stars, finding it done "brilliantly" by "guitar maestro" Frisell. The Independent gives it four stars as well, calling Frisell "not just the outstanding jazz guitarist of his era but also the most diversely prolific," following, as the album does, his recent "sublime compilation" of Folk Songs. Four more stars from the Evening Standard, describing Frisell's soundscape as "a peaceful world where the twin streams of jazz and country-and-western meet in gentle confluence." The Boston Phoenix sees Frisell as "one of jazz's great impressionists" and Disfarmer "the perfect subject for one of his audio mini-movies."

    Journal Topics: Album Release, Reviews
  • Friday, July 17, 2009

    Amadou & Mariam's tour with Coldplay comes to Carson, California, tomorrow night. MTV has named their album Welcome to Mali among the Top 10 albums of the year so far. On the album, "the duo make breathtakingly beautiful, undeniably inspired music," says MTV. "[I]t's music for all seasons and all people." LA Weekly calls it "a wonderfully engaging blur of unexpected influences." The San Diego Union Tribune says that "few who listen will be able to resist." The Dallas Observer sees them likely to transcend the "world music" label, their music "capable of transforming unsuspecting English-speaking audiences into dancing throngs of joy."

    Journal Topics: On Tour, Reviews