"The framework in the song is a love affair, but it can happen in any kind of connection," Rhiannon Giddens says of her song "Don't Call Me Names." "The real story was accepting my inner strength and refusing to continue being gas-lit and held back; and refusing to keep sacrificing my mental health for the sake of anything or anyone ... When I listen to it, the anger that I felt then now is the anger I feel at my entire country being gas-lit, held back, and sacrificed. We have to keep saying NO to toxic behavior, no matter how small or large the stage, and keep saying it nice and loud.”

"We recorded 'Nazareth' in one take on a field recorder sat outside the studio in the summer of 2018," say the Staves of the track. "The sun was shining and the birds were singing. We tried recording it in the studio but just kept coming back to this version. It seemed to have the magic.  The song was intended to be in the spirit of an Irish blessing or a kind of a prayer, asking to be kept safe—but it pretty quickly became a more personal and introspective lyric. Moments of glory quickly faded. Worrying, trying. How we mean everything and nothing at the same time. To everyone, to no one."

Lianne La Havas's self-titled, third album spans the arc of a relationship. "What plays a big role in the album is the idea of the life cycle of plants and nature—equating this journey with a seasonal thing that blooms, thrives, goes away, and comes back even stronger," she says. Its musical references are as varied as Milton Nascimento, Joni Mitchell, Jaco Pastorious, Al Green, and Destiny’s Child. In keeping with the album's intimate feel, everyone who contributed is a trusted collaborator, including longtime songwriting ally Matt Hales, co-producer Beni Giles, and guest co-producer Mura Masa.