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Big Science (reissue)

  • 130428

News & Reviews

  • Laurie Anderson has received the Award of Merit for Achievement in Performing Arts from the Association of Performing Arts Presenters (APAP). The 60th Annual APAP Awards Ceremony and Luncheon took place in NYC on Monday as part of APAP|NYC 2017, the association's 60th annual conference of performing arts professionals. "These recipients inspire and motivate our field to continue to grow and change," APAP President and CEO Mario Garcia Durham says of the honorees, "showing the strength and influence the arts can have in our communities, schools and cultural landscapes, and how important and influential the arts can be."

  • Laurie Anderson's 2015 film Heart of a Dog receive its Criterion Collection release on Blu-Ray and DVD today. Features on the special-edition release include a high-definition digital master, a new conversation between Anderson and coproducer Jake Perlin, and footage of her 2016 Concert for Dogs, plus an essay by film critic Glenn Kenny. The soundtrack, which contains the full audio recording of the film, including all music and spoken text, is out on Nonesuch.

  • About This Album

    **NOTE** The initial run of Laurie Anderson's Big Science reissue on compact disc contained a slight problem in the mastering that has now been resolved. On track 2, "Big Science,” the introduction to the song was missing the first of two wolf howls. If you purchased one of the CDs that contains the "dropped" wolf howl, please return it (disc only!) to Nonesuch Records, 1633 Broadway, New York, NY 10019, ATTN: Big Science Reissue Exchange, with a return address, and we will send you the revised version.

    “Laurie Anderson is the most compelling performer from New York City's bohemian art scene to land a recording contract since Patti Smith signed with Arista some six years ago. Big Science, Anderson's eerie aural collage of a debut album, communicates … her astonishing intensity.” —Stephen Holden, Rolling Stone (June 10, 1982)

    Nonesuch Records released the re-mastered 25th anniversary edition of Laurie Anderson’s debut album Big Science on July 17, 2007. This newly expanded and enhanced edition of the album includes liner notes written by Anderson, the classic video for the surprise 1981 hit single “O Superman,” and the original B-side track “Walk the Dog”.

    In the early 1980s Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged.

    While working on her now-legendary seven-hour performance art/theater piece United States, Part I–IV, which premiered over two nights at the Brooklyn Academy of Music (BAM) in 1983, she cut the spare “O Superman (For Massenet)”, an electronic-age update of nineteenth century French operatic composer Jules Massenet’s aria “O Souverain,” for the tiny New York City indie label 110 Records. In the UK, DJ John Peel picked up a copy of this very limited edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1. The exposure resulted in an unlikely number two hit, lots of attention in the American press, and a worldwide deal with Warner Bros. Records.

    At the time of its original release, the NME wrote of Big Science, "There’s a dream-like, subconscious quality about her songs which helps them work at deeper, secret levels of the psyche." With instrumentation ranging from tape loops to found sounds to bag pipes, Big Science anticipated the tech-savvy beats, anything-goes instrumentation and sample-based nature of much contemporary electronic and dance music.

    Anderson was able to articulate in these songs, most of which were adapted from United States, the social/political anxiety she perceived in American society, as well as a longing for safety and emotional connection. The themes of Big Science include images of planes falling out of the sky (“From the Air”), the simultaneously comforting and sinister embrace of technology (“O Superman”), and the failure of men and women to speak in the same language (“The It Tango”).

    Visit the Big Science microsite at laurieanderson.com for more.

    Credits

    MUSICIANS
    Laurie Anderson, vocals (1-11), vocoder (1, 6, 8), Farfisa (1, 7, 8), OBXa (1, 8, 9), percussion (1), electronics (1, 4, 6), sticks (2), violin (3, 5, 7, 11), keyboards (5), marimba (8, 9), wood blocks (11), claps (5, 8, 9), whistling (7)
    Roma Baran, Farfisa bass (1), glass harmonica (2), sticks (2), claps (5, 8, 9), Farfisa (6, 11), Casio (6), accordion (7), whistling (7), vocoder (11), tenor whistle (11)
    Bill Obrecht, alto sax (1)
    Peter Gordon, clarinet, tenor sax (1)
    David Van Tieghem, drums (1, 3, 7), RotoToms (2, 8, 9), timpani (2), marimba (4), percussion (7)
    Perry Hoberman, bottles (2), sticks (2), claps (5, 8, 9), flute (6, 7, 11), saxophone (6, 11), piccolo (7), backup vocals (7), walkie talkies (11), soprano whistle (11)
    Rufus Harley, bagpipes (3)
    Chuck Fisher, alto & tenor saxophones (7)
    Richard Cohen, B-flat & E-flat clarinets, bass clarinet, bassoon, bari saxophone (7)
    Ungar, backup vocals (7)
    Paranormals (7): Madeline Vester, Gerhard Rozhek, Coretta Atteroc, Shelley Karson
    George Lewis, trombones (8)
    D. Sharpe, drums (11)
    Brady, dogs

    PRODUCTION CREDITS
    Produced by Laurie Anderson & Roma Baran
    Assistant Producer: Perry Hoberman
    Engineer: Leanne Ungar
    Technical Consultant & Systems Design: Bob Bielecki
    Recorded at The Lobby, New York, NY
    Mixed at The Hit Factory, New York, NY
    Assistant Engineer: Jon Smith
    Additional tracks recorded at The Hit Factory with Bob Musso, assistant;
    Skyline Studios with Arthur Payson, assistant; Sorcerer Sound with Al Fierstein, assistant
    Tracks 6, 11: Roma Baran, engineer; mixed at The Lobby
    Additional engineering for reissue: Vivian Stoll
    Remastered by Greg Calbi at Sterling Sound, New York, NY

    All words and music by Laurie Anderson © 1982 Laurie Anderson, Difficult Music (BMI)

    “O Superman” video:
    Director: Josh White
    Art Director: Perry Hoberman
    Concept: Laurie Anderson
    Music Director: Roma Baran
    Sign Language Coach: Jane Comfort

    Original Art Direction: Perry Hoberman
    Original Design: Cindy Brown
    Reissue Design: Barbara deWilde
    Front cover photo: Greg Shifri

nonesuch's picture
on May 29, 2008 - 7:14pm
Artist Name: 
Laurie Anderson
Release Date: 
Tuesday, July 17, 2007 - 04:00
DescriptionExcerpt: 

Anderson’s debut, re-mastered and expanded in 2007 for its 25th anniversary, foresaw the future, mixing performance art, pop, and electronics, most hauntingly on “O Superman.” “Her work,” notes the New York Times, “is unlike anything else in music.”

Description: 

**NOTE** The initial run of Laurie Anderson's Big Science reissue on compact disc contained a slight problem in the mastering that has now been resolved. On track 2, "Big Science,” the introduction to the song was missing the first of two wolf howls. If you purchased one of the CDs that contains the "dropped" wolf howl, please return it (disc only!) to Nonesuch Records, 1633 Broadway, New York, NY 10019, ATTN: Big Science Reissue Exchange, with a return address, and we will send you the revised version.

“Laurie Anderson is the most compelling performer from New York City's bohemian art scene to land a recording contract since Patti Smith signed with Arista some six years ago. Big Science, Anderson's eerie aural collage of a debut album, communicates … her astonishing intensity.” —Stephen Holden, Rolling Stone (June 10, 1982)

Nonesuch Records released the re-mastered 25th anniversary edition of Laurie Anderson’s debut album Big Science on July 17, 2007. This newly expanded and enhanced edition of the album includes liner notes written by Anderson, the classic video for the surprise 1981 hit single “O Superman,” and the original B-side track “Walk the Dog”.

In the early 1980s Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged.

While working on her now-legendary seven-hour performance art/theater piece United States, Part I–IV, which premiered over two nights at the Brooklyn Academy of Music (BAM) in 1983, she cut the spare “O Superman (For Massenet)”, an electronic-age update of nineteenth century French operatic composer Jules Massenet’s aria “O Souverain,” for the tiny New York City indie label 110 Records. In the UK, DJ John Peel picked up a copy of this very limited edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1. The exposure resulted in an unlikely number two hit, lots of attention in the American press, and a worldwide deal with Warner Bros. Records.

At the time of its original release, the NME wrote of Big Science, "There’s a dream-like, subconscious quality about her songs which helps them work at deeper, secret levels of the psyche." With instrumentation ranging from tape loops to found sounds to bag pipes, Big Science anticipated the tech-savvy beats, anything-goes instrumentation and sample-based nature of much contemporary electronic and dance music.

Anderson was able to articulate in these songs, most of which were adapted from United States, the social/political anxiety she perceived in American society, as well as a longing for safety and emotional connection. The themes of Big Science include images of planes falling out of the sky (“From the Air”), the simultaneously comforting and sinister embrace of technology (“O Superman”), and the failure of men and women to speak in the same language (“The It Tango”).

Visit the Big Science microsite at laurieanderson.com for more.

ProductionCredits: 

PRODUCTION CREDITS
Produced by Laurie Anderson & Roma Baran
Assistant Producer: Perry Hoberman
Engineer: Leanne Ungar
Technical Consultant & Systems Design: Bob Bielecki
Recorded at The Lobby, New York, NY
Mixed at The Hit Factory, New York, NY
Assistant Engineer: Jon Smith
Additional tracks recorded at The Hit Factory with Bob Musso, assistant;
Skyline Studios with Arthur Payson, assistant; Sorcerer Sound with Al Fierstein, assistant
Tracks 6, 11: Roma Baran, engineer; mixed at The Lobby
Additional engineering for reissue: Vivian Stoll
Remastered by Greg Calbi at Sterling Sound, New York, NY

All words and music by Laurie Anderson © 1982 Laurie Anderson, Difficult Music (BMI)

“O Superman” video:
Director: Josh White
Art Director: Perry Hoberman
Concept: Laurie Anderson
Music Director: Roma Baran
Sign Language Coach: Jane Comfort

Original Art Direction: Perry Hoberman
Original Design: Cindy Brown
Reissue Design: Barbara deWilde
Front cover photo: Greg Shifri

Cover Art: 
Nonesuch Selection Number: 

130428

Number of Discs in Set: 
1disc
ns_album_artistid: 
144
ns_album_id: 
669
ns_album_releasedate: 
Tuesday, July 17, 2007 - 04:00
ns_genre_1: 
0
ns_genre_2: 
0
Album Status: 
UPC/Price: 
Label: 
CD+MP3
UPC: 
075597998856BUN
Price: 
13.00
Label: 
MP3
UPC: 
075597996647
Price: 
10.00
MusicianDetails: 

MUSICIANS
Laurie Anderson, vocals (1-11), vocoder (1, 6, 8), Farfisa (1, 7, 8), OBXa (1, 8, 9), percussion (1), electronics (1, 4, 6), sticks (2), violin (3, 5, 7, 11), keyboards (5), marimba (8, 9), wood blocks (11), claps (5, 8, 9), whistling (7)
Roma Baran, Farfisa bass (1), glass harmonica (2), sticks (2), claps (5, 8, 9), Farfisa (6, 11), Casio (6), accordion (7), whistling (7), vocoder (11), tenor whistle (11)
Bill Obrecht, alto sax (1)
Peter Gordon, clarinet, tenor sax (1)
David Van Tieghem, drums (1, 3, 7), RotoToms (2, 8, 9), timpani (2), marimba (4), percussion (7)
Perry Hoberman, bottles (2), sticks (2), claps (5, 8, 9), flute (6, 7, 11), saxophone (6, 11), piccolo (7), backup vocals (7), walkie talkies (11), soprano whistle (11)
Rufus Harley, bagpipes (3)
Chuck Fisher, alto & tenor saxophones (7)
Richard Cohen, B-flat & E-flat clarinets, bass clarinet, bassoon, bari saxophone (7)
Ungar, backup vocals (7)
Paranormals (7): Madeline Vester, Gerhard Rozhek, Coretta Atteroc, Shelley Karson
George Lewis, trombones (8)
D. Sharpe, drums (11)
Brady, dogs

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