Big Science

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Release Date
DescriptionExcerpt

Anderson’s debut, re-mastered and expanded in 2007 for its 25th anniversary, foresaw the future, mixing performance art, pop, and electronics, most hauntingly on “O Superman.” “Her work,” notes the New York Times, “is unlike anything else in music.”

Description

“Laurie Anderson is the most compelling performer from New York City's bohemian art scene to land a recording contract since Patti Smith signed with Arista some six years ago. Big Science, Anderson's eerie aural collage of a debut album, communicates … her astonishing intensity.” —Stephen Holden, Rolling Stone (June 10, 1982)

Nonesuch Records released the re-mastered 25th anniversary edition of Laurie Anderson’s debut album Big Science on July 17, 2007. This newly expanded and enhanced edition of the album includes liner notes written by Anderson, the classic video for the surprise 1981 hit single “O Superman,” and the original B-side track “Walk the Dog”.

In the early 1980s Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged.

While working on her now-legendary seven-hour performance art/theater piece United States, Part I–IV, which premiered over two nights at the Brooklyn Academy of Music (BAM) in 1983, she cut the spare “O Superman (For Massenet)”, an electronic-age update of nineteenth century French operatic composer Jules Massenet’s aria “O Souverain,” for the tiny New York City indie label 110 Records. In the UK, DJ John Peel picked up a copy of this very limited edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1. The exposure resulted in an unlikely number two hit, lots of attention in the American press, and a worldwide deal with Warner Bros. Records.

At the time of its original release, the NME wrote of Big Science, "There’s a dream-like, subconscious quality about her songs which helps them work at deeper, secret levels of the psyche." With instrumentation ranging from tape loops to found sounds to bag pipes, Big Science anticipated the tech-savvy beats, anything-goes instrumentation and sample-based nature of much contemporary electronic and dance music.

Anderson was able to articulate in these songs, most of which were adapted from United States, the social/political anxiety she perceived in American society, as well as a longing for safety and emotional connection. The themes of Big Science include images of planes falling out of the sky (“From the Air”), the simultaneously comforting and sinister embrace of technology (“O Superman”), and the failure of men and women to speak in the same language (“The It Tango”).

ProductionCredits

PRODUCTION CREDITS
Produced by Laurie Anderson & Roma Baran
Assistant Producer: Perry Hoberman
Engineer: Leanne Ungar
Technical Consultant & Systems Design: Bob Bielecki
Recorded at The Lobby, New York, NY
Mixed at The Hit Factory, New York, NY
Assistant Engineer: Jon Smith
Additional tracks recorded at The Hit Factory with Bob Musso, assistant;
Skyline Studios with Arthur Payson, assistant; Sorcerer Sound with Al Fierstein, assistant
Tracks 6, 11: Roma Baran, engineer; mixed at The Lobby
Additional engineering for reissue: Vivian Stoll
Remastered by Greg Calbi at Sterling Sound, New York, NY

All words and music by Laurie Anderson © 1982 Laurie Anderson, Difficult Music (BMI)

“O Superman” video:
Director: Josh White
Art Director: Perry Hoberman
Concept: Laurie Anderson
Music Director: Roma Baran
Sign Language Coach: Jane Comfort

Original Art Direction: Perry Hoberman
Original Design: Cindy Brown
Reissue Design: Barbara deWilde
Front cover photo: Greg Shifrin

Nonesuch Selection Number

130428

Number of Discs in Set
1disc
ns_album_artistid
144
ns_album_id
669
ns_album_releasedate
ns_genre_1
0
ns_genre_2
0
Album Status
Artist Name
Laurie Anderson
MusicianDetails

MUSICIANS
Laurie Anderson, vocals (1-11), vocoder (1, 6, 8), Farfisa (1, 7, 8), OBXa (1, 8, 9), percussion (1), electronics (1, 4, 6), sticks (2), violin (3, 5, 7, 11), keyboards (5), marimba (8, 9), wood blocks (11), claps (5, 8, 9), whistling (7)
Roma Baran, Farfisa bass (1), glass harmonica (2), sticks (2), claps (5, 8, 9), Farfisa (6, 11), Casio (6), accordion (7), whistling (7), vocoder (11), tenor whistle (11)
Bill Obrecht, alto sax (1)
Peter Gordon, clarinet, tenor sax (1)
David Van Tieghem, drums (1, 3, 7), RotoToms (2, 8, 9), timpani (2), marimba (4), percussion (7)
Perry Hoberman, bottles (2), sticks (2), claps (5, 8, 9), flute (6, 7, 11), saxophone (6, 11), piccolo (7), backup vocals (7), walkie talkies (11), soprano whistle (11)
Rufus Harley, bagpipes (3)
Chuck Fisher, alto & tenor saxophones (7)
Richard Cohen, B-flat & E-flat clarinets, bass clarinet, bassoon, bari saxophone (7)
Ungar, backup vocals (7)
Paranormals (7): Madeline Vester, Gerhard Rozhek, Coretta Atteroc, Shelley Karson
George Lewis, trombones (8)
D. Sharpe, drums (11)
Brady, dogs

reissues?
reissues
Cover Art
UPC/Price
Label
CD+MP3
UPC
075597998856BUN
Label
MP3
Price
9.00
UPC
075597996647
Label
LP+MP3
Price
17.00
UPC
075597918038
  • 130428

Track Listing

News & Reviews

  • "For some five decades, artist and musician Laurie Anderson has been redefining cultural boundaries," says PBS NewsHour host Amna Nawaz. "In a new album, she's now exploring the story of an earlier woman who reached for the heights." Anderson spoke about that album, Amelia, and more with NewsHour senior arts correspondent Jeffrey Brown. "The stories you tell yourself about who you are and what you want, those are stories to help you live," she says. "If you don't have those suddenly, it's terrifying. I mean, you will keep living ... but it's the story that keeps you going." You can watch their conversation here.

  • "Airplanes, and flying, is a recurring imagery in Laurie Anderson's music ever since her unexpected crossover hit 'O Superman' back in 1981," John Schaefer, host of WNYC's New Sounds, says of his guest. "She often takes a quizzical look at technology and flight has been no exception." Anderson was on the show to talk with Schaefer about her new album, Amelia, which tells the story of Amelia Earhart's last flight. She also joined Schaefer and others at WNYC's centennial celebration in Central Park's SummerStage, where she performed live with the band Sexmob. You can hear both here.

  • About This Album

    “Laurie Anderson is the most compelling performer from New York City's bohemian art scene to land a recording contract since Patti Smith signed with Arista some six years ago. Big Science, Anderson's eerie aural collage of a debut album, communicates … her astonishing intensity.” —Stephen Holden, Rolling Stone (June 10, 1982)

    Nonesuch Records released the re-mastered 25th anniversary edition of Laurie Anderson’s debut album Big Science on July 17, 2007. This newly expanded and enhanced edition of the album includes liner notes written by Anderson, the classic video for the surprise 1981 hit single “O Superman,” and the original B-side track “Walk the Dog”.

    In the early 1980s Anderson was already respected as a conceptual artist and composer, adept at employing gear both high-tech and homemade in her often violin-based pieces, and she was a familiar figure in the cross-pollinating, Lower Manhattan music-visual art-performance circles from which Philip Glass and David Byrne also emerged.

    While working on her now-legendary seven-hour performance art/theater piece United States, Part I–IV, which premiered over two nights at the Brooklyn Academy of Music (BAM) in 1983, she cut the spare “O Superman (For Massenet)”, an electronic-age update of nineteenth century French operatic composer Jules Massenet’s aria “O Souverain,” for the tiny New York City indie label 110 Records. In the UK, DJ John Peel picked up a copy of this very limited edition 33⅓ RPM 7” and spun the eight-minute-plus track on BBC Radio 1. The exposure resulted in an unlikely number two hit, lots of attention in the American press, and a worldwide deal with Warner Bros. Records.

    At the time of its original release, the NME wrote of Big Science, "There’s a dream-like, subconscious quality about her songs which helps them work at deeper, secret levels of the psyche." With instrumentation ranging from tape loops to found sounds to bag pipes, Big Science anticipated the tech-savvy beats, anything-goes instrumentation and sample-based nature of much contemporary electronic and dance music.

    Anderson was able to articulate in these songs, most of which were adapted from United States, the social/political anxiety she perceived in American society, as well as a longing for safety and emotional connection. The themes of Big Science include images of planes falling out of the sky (“From the Air”), the simultaneously comforting and sinister embrace of technology (“O Superman”), and the failure of men and women to speak in the same language (“The It Tango”).

    Credits

    MUSICIANS
    Laurie Anderson, vocals (1-11), vocoder (1, 6, 8), Farfisa (1, 7, 8), OBXa (1, 8, 9), percussion (1), electronics (1, 4, 6), sticks (2), violin (3, 5, 7, 11), keyboards (5), marimba (8, 9), wood blocks (11), claps (5, 8, 9), whistling (7)
    Roma Baran, Farfisa bass (1), glass harmonica (2), sticks (2), claps (5, 8, 9), Farfisa (6, 11), Casio (6), accordion (7), whistling (7), vocoder (11), tenor whistle (11)
    Bill Obrecht, alto sax (1)
    Peter Gordon, clarinet, tenor sax (1)
    David Van Tieghem, drums (1, 3, 7), RotoToms (2, 8, 9), timpani (2), marimba (4), percussion (7)
    Perry Hoberman, bottles (2), sticks (2), claps (5, 8, 9), flute (6, 7, 11), saxophone (6, 11), piccolo (7), backup vocals (7), walkie talkies (11), soprano whistle (11)
    Rufus Harley, bagpipes (3)
    Chuck Fisher, alto & tenor saxophones (7)
    Richard Cohen, B-flat & E-flat clarinets, bass clarinet, bassoon, bari saxophone (7)
    Ungar, backup vocals (7)
    Paranormals (7): Madeline Vester, Gerhard Rozhek, Coretta Atteroc, Shelley Karson
    George Lewis, trombones (8)
    D. Sharpe, drums (11)
    Brady, dogs

    PRODUCTION CREDITS
    Produced by Laurie Anderson & Roma Baran
    Assistant Producer: Perry Hoberman
    Engineer: Leanne Ungar
    Technical Consultant & Systems Design: Bob Bielecki
    Recorded at The Lobby, New York, NY
    Mixed at The Hit Factory, New York, NY
    Assistant Engineer: Jon Smith
    Additional tracks recorded at The Hit Factory with Bob Musso, assistant;
    Skyline Studios with Arthur Payson, assistant; Sorcerer Sound with Al Fierstein, assistant
    Tracks 6, 11: Roma Baran, engineer; mixed at The Lobby
    Additional engineering for reissue: Vivian Stoll
    Remastered by Greg Calbi at Sterling Sound, New York, NY

    All words and music by Laurie Anderson © 1982 Laurie Anderson, Difficult Music (BMI)

    “O Superman” video:
    Director: Josh White
    Art Director: Perry Hoberman
    Concept: Laurie Anderson
    Music Director: Roma Baran
    Sign Language Coach: Jane Comfort

    Original Art Direction: Perry Hoberman
    Original Design: Cindy Brown
    Reissue Design: Barbara deWilde
    Front cover photo: Greg Shifrin