Track ListingClick tracks with speaker icon to listen
|1||Ham and Cheese (listen to full-length track)||2:20|
|2||The Farmer and the Duck||5:36|
|3||I Wasn't Talking to You||6:51|
|4||G-22 (listen to full-length track)||2:47|
|5||Just as Well||4:23|
|8||Slow Song for a Dog||3:10|
|9||Fence Post in the Front Yard||5:23|
|10||This Is Not the Pig||0:27|
|11||This Is the Pig||4:09|
News & Reviews
- Wednesday, April 23, 2014
Stanford Live 2014–15 Season Includes Chris Thile & Edgar Meyer, Toumani Diabaté, Emmylou Harris, Kronos Quartet, Brad Mehldau
Stanford Live has announced its 2014–15 season, and featured among the performers taking the stage at Bing Concert Hall are a number of artists familiar to readers of the Nonesuch Journal: Chris Thile & Edgar Meyer, Toumani Diabaté & Sidiki Diabaté, Emmylou Harris, Kronos Quartet, and Brad Mehldau Trio, as well as the world premiere of a new piece by John Adams and a celebration of the work of Stephen Sondheim.
- Friday, February 7, 2014
Chris Thile kicks off a month-long US solo tour with two performances in Arizona this weekend, followed by stops in Santa Barbara, San Francisco, Davis, Santa Monica, Nashville, and Dallas. Thile then joins fellow mandolinist Mike Marshall for three Pacific Northwest duo shows before he and his fellow Punch Brothers tour together in March. Tickets for several recently announced Nickel Creek concerts this spring are on sale now.
About this Album
Nonesuch releases the first recording collaboration by bassist Edgar Meyer and mandolinist Chris Thile, Edgar Meyer and Chris Thile. The album features 12 original compositions by the duo, who have been performing together sporadically for the past several years. Included with the deluxe edition of the album is a 50-minute DVD featuring performances, rehearsals, and behind-the-scenes conversations with the two musicians.
Meyer and Thile began playing together eight years ago, and began performing live as a duo in 2003. Thile calls Meyer his “hero” and goes on to say, “Edgar is one of the biggest influences on my musical life, and now I’m in a duo with him and writing songs with him. This was my dream. I always wondered what it would be like to be playing music this hard.”
The respect and admiration is mutual. Meyer says, “Chris is unique. I can’t think of another musician with his combination of abilities. When Chris came on the scene and we actually realized what he was doing and what he was capable of and what he would be doing, it was a wonderful feeling that the next generation was going to take things well beyond what we had imagined.”
He continues, “You know, it’s not obvious to everybody, but mandolin and bass can be an excellent instrumentation. I like the way they interact dynamically and the way they contrast each other and don’t get in each other’s space.”
Throughout a lifetime of performing and composing, Edgar Meyer has turned the double bass into a modern virtuoso instrument that is equally at home in classical music and in the American vernacular. In 1994, Meyer became the first bassist to win the Avery Fisher Prize. He is also a recipient of the prestigious MacArthur Foundation “Genius” Award and three Grammy Awards. Meyer has found devoted audiences through a vast range of projects, from his own double bass concertos that he continues to perform regularly to recital collaborations with Emanuel Ax and Amy Dorfman and performance and recording projects with artists including Joshua Bell, Yo-Yo Ma, Bela Fleck, Zakir Hussain, Mark O’Connor, Sam Bush, Jerry Douglas, Mike Marshall, and many others. The New Yorker calls him “the most remarkable virtuoso in the relatively unchronicled history of his instrument.”
Widely regarded as one of the most interesting and inventive musicians of his generation, mandolinist Chris Thile has elevated his instrument from its origins as a relatively simple folk and bluegrass instrument to the sophistication and brilliance of the finest jazz improvisation and classical performance. NPR’s Bob Boilen said of him, “I’ve seen many musicians in my day, but my jaw dropped listening to and watching Thile play … The command he had of his instrument, from frenetically fast strumming to tasty quiet fills, it was just first-rate.” Thile’s newest venture, Punch Brothers, is composed of five young and fiercely talented musicians—Thile, Gabe Witcher (fiddle), Chris Eldridge (guitar), Noam Pikelny (banjo), and Greg Garrison (bass). Its music spans many genres. As the San Francisco Chronicle asks, “Why didn’t someone think about mixing bluegrass, jazz and classical music together sooner? Chris Thile … is doing it with his new outfit, Punch Brothers, and the result is totally mind-blowing.” The band’s Nonesuch debut, Punch, was released in 2007.
Edgar Meyer, bass
Chris Thile, mandolin
Recorded by Dave Sinko at Edgar's house
Mixed by Edgar Meyer, Chris Thile, and Dave Sinko at Edgar's house and Studio 5, Nashville
Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, Maine
All compositions written and produced by Edgar Meyer and Chris Thile (Boosey & Hawkes/Chris Thile Music/Bug Music)
Photography by Michael Wilson
Design by Barbara deWilde
Executive Producer: Robert Hurwitz