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Bass & Mandolin

  • 544735

Track Listing

News & Reviews

  • A 2020 update to Chris Thile's song "Thank You, New York," featuring Gaby Moreno, from his 2017 album Thanks for Listening, is the setting for choreographer Justin Peck's new piece, which the New York City Ballet premiered. The performance, choreographed and directed by Peck, with cinematography by Jody Lee Lipes, is the culmination of NYCB's five-week digital fall season. You can watch the piece, featuring dancers Christopher Grant, Sara Mearns, Georgina Pazcoguin, and Taylor Stanley filmed at several locations around NYC, along with an interview with Peck and Lipes, here.

  • While many of us can't go out to take in great live music, here are some events taking place online to enjoy while staying home this weekend: Sam Amidon plays in Dublin's National Concert Hall marathon livestream; Devendra Banhart performs in Planned Parenthood benefit; Tyondai Braxton contributes to Semibreve festival online; Jeremy Denk gives a recital from Caramoor; k.d. lang takes part in The 519 Community Centre virtual gala; Gaby Moreno leads an Acoustic Festival on Facebook; and Chris Thile launches his masterclass series. Off line and in person, Brad Mehldau tours Europe, and Laurie Anderson leads a NYC voter activation parade with RuckUS.

  • About This Album

    Grammy Award Winner: Best Contemporary Instrumental Performance

    Nonesuch releases the second recording collaboration by bassist Edgar Meyer and mandolinist Chris Thile—Bass & Mandolin—on September 9, 2014. The album features ten original compositions by the two artists, who have been performing together sporadically for more than a decade and made their recording debut as a duo with 2008’s Edgar Meyer & Chris Thile, which the Washington Post, among others, praised, saying “Thile and Meyer are most enthralling when they pass a melody back and forth, fingers flying.” Meyer also plays piano on the album and Thile plays guitar.

    Meyer and Thile began playing together 15 years ago, and began performing live as a duo in 2003. Thile says, “We have grown a lot as a collaborative entity between our first recording and now, at least partially due to our work together on The Goat Rodeo Sessions collaboration with Yo-Yo Ma and Stuart Duncan. As collaborators, we’ve found a warmer voice to share.” Meyer adds, “Chris is comfortable with all kinds of improvising, with lots of different musical feelings and rhythmic feelings. With him I can do anything I want. I can just be a bass player or I can play the melody. There are not many people with whom I have so much common ground. We can get to the bottom of things very quickly.”

    Throughout a lifetime of performing and composing, Edgar Meyer has turned the double bass into a modern virtuoso instrument that is equally at home in classical music and in the American vernacular. In 1994, Meyer became the first bassist to win the Avery Fisher Prize. He is also a recipient of the prestigious MacArthur Foundation “Genius” Award and four Grammy Awards. Meyer has found devoted audiences through a vast range of projects, from his own double bass concertos that he continues to perform regularly to recital collaborations with Emanuel Ax and Amy Dorfman and performance and recording projects with artists including Joshua Bell, Yo-Yo Ma, Bela Fleck, Zakir Hussain, Mark O’Connor, Sam Bush, Jerry Douglas, Mike Marshall, and many others. The New Yorker calls him “the most remarkable virtuoso in the relatively unchronicled history of his instrument.”

    MacArthur Fellow Chris Thile is the founding member of Punch Brothers, which a Boston Globe reviewer recently called “the tightest, most impressive live band I have ever seen.” The group’s three Nonesuch releases are Punch, Antifogmatic, and Who’s Feeling Young Now? and a fourth is slated for an early 2015 release. Thile’s other Nonesuch releases include a duet album of traditional bluegrass songs with guitarist Michael Daves, Sleep with One Eye Open, and a prominent role in the T Bone Burnett–produced soundtrack to the Coen brothers’ film Inside Llewyn Davis. Thile recently collaborated with Yo-Yo Ma and Meyer for the double Grammy Award–winning album The Goat Rodeo Sessions. As a soloist, he has released five albums—most recently the highly praised Bach: Sonatas and Partitas, Vol. 1—and performed extensively as a duo with fellow eminent mandolinist Mike Marshall. He spent 15 years as a member of the Grammy Award–winning, multi-platinum selling Nickel Creek, which reunited this year for its highest-charting album to date, A Dotted Line (Nonesuch). Thile has also collaborated with a pantheon of bluegrass innovators including Béla Fleck, Dolly Parton, Jerry Douglas, and Sam Bush.

    Credits

    MUSICIANS
    Chris Thile: mandolin, guitar
    Edgar Meyer: bass, piano

    PRODUCTION CREDITS
    Produced by Chris Thile & Edgar Meyer
    Recorded January-February and April, 2014, by Dave Sinko at Skywalker Sound, Marin County, CA
    Assistant Engineer: Dann Thompson
    Mixed by Richard King
    Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

    Photography: David McClister, Andrew Paynter
    Design: John Gall

    All songs by Chris Thile & Edgar Meyer except “Friday,” by Edgar Meyer

gregg.schaufeld's picture
on July 15, 2014 - 6:35pm
Release Date: 
Tuesday, September 9, 2014 - 13:00
DescriptionExcerpt: 

Bass & Mandolin, the second recording collaboration by bassist Edgar Meyer and mandolinist Chris Thile, features ten original compositions by the two artists, who have been performing together sporadically for more than a decade and made their recording debut as a duo with 2008’s Edgar Meyer & Chris Thile. Meyer also plays piano on the album and Thile plays guitar. Grammy Award Winner: Best Contemporary Instrumental Performance.

Description: 

Grammy Award Winner: Best Contemporary Instrumental Performance

Nonesuch releases the second recording collaboration by bassist Edgar Meyer and mandolinist Chris Thile—Bass & Mandolin—on September 9, 2014. The album features ten original compositions by the two artists, who have been performing together sporadically for more than a decade and made their recording debut as a duo with 2008’s Edgar Meyer & Chris Thile, which the Washington Post, among others, praised, saying “Thile and Meyer are most enthralling when they pass a melody back and forth, fingers flying.” Meyer also plays piano on the album and Thile plays guitar.

Meyer and Thile began playing together 15 years ago, and began performing live as a duo in 2003. Thile says, “We have grown a lot as a collaborative entity between our first recording and now, at least partially due to our work together on The Goat Rodeo Sessions collaboration with Yo-Yo Ma and Stuart Duncan. As collaborators, we’ve found a warmer voice to share.” Meyer adds, “Chris is comfortable with all kinds of improvising, with lots of different musical feelings and rhythmic feelings. With him I can do anything I want. I can just be a bass player or I can play the melody. There are not many people with whom I have so much common ground. We can get to the bottom of things very quickly.”

Throughout a lifetime of performing and composing, Edgar Meyer has turned the double bass into a modern virtuoso instrument that is equally at home in classical music and in the American vernacular. In 1994, Meyer became the first bassist to win the Avery Fisher Prize. He is also a recipient of the prestigious MacArthur Foundation “Genius” Award and four Grammy Awards. Meyer has found devoted audiences through a vast range of projects, from his own double bass concertos that he continues to perform regularly to recital collaborations with Emanuel Ax and Amy Dorfman and performance and recording projects with artists including Joshua Bell, Yo-Yo Ma, Bela Fleck, Zakir Hussain, Mark O’Connor, Sam Bush, Jerry Douglas, Mike Marshall, and many others. The New Yorker calls him “the most remarkable virtuoso in the relatively unchronicled history of his instrument.”

MacArthur Fellow Chris Thile is the founding member of Punch Brothers, which a Boston Globe reviewer recently called “the tightest, most impressive live band I have ever seen.” The group’s three Nonesuch releases are Punch, Antifogmatic, and Who’s Feeling Young Now? and a fourth is slated for an early 2015 release. Thile’s other Nonesuch releases include a duet album of traditional bluegrass songs with guitarist Michael Daves, Sleep with One Eye Open, and a prominent role in the T Bone Burnett–produced soundtrack to the Coen brothers’ film Inside Llewyn Davis. Thile recently collaborated with Yo-Yo Ma and Meyer for the double Grammy Award–winning album The Goat Rodeo Sessions. As a soloist, he has released five albums—most recently the highly praised Bach: Sonatas and Partitas, Vol. 1—and performed extensively as a duo with fellow eminent mandolinist Mike Marshall. He spent 15 years as a member of the Grammy Award–winning, multi-platinum selling Nickel Creek, which reunited this year for its highest-charting album to date, A Dotted Line (Nonesuch). Thile has also collaborated with a pantheon of bluegrass innovators including Béla Fleck, Dolly Parton, Jerry Douglas, and Sam Bush.

ProductionCredits: 

PRODUCTION CREDITS
Produced by Chris Thile & Edgar Meyer
Recorded January-February and April, 2014, by Dave Sinko at Skywalker Sound, Marin County, CA
Assistant Engineer: Dann Thompson
Mixed by Richard King
Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

Photography: David McClister, Andrew Paynter
Design: John Gall

All songs by Chris Thile & Edgar Meyer except “Friday,” by Edgar Meyer

Cover Art: 
Nonesuch Selection Number: 

544735

ns_album_releasedate: 
Tuesday, July 15, 2014 - 22:30
Album Status: 
UPC/Price: 
Label: 
CD+MP3
UPC: 
075597953749
Label: 
FLAC
UPC: 
075597953701
Price: 
11.00
Label: 
MP3
UPC: 
075597953817
Price: 
10.00
Artist Name: 
Chris Thile
Edgar Meyer
MusicianDetails: 

MUSICIANS
Chris Thile: mandolin, guitar
Edgar Meyer: bass, piano

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