News & Reviews
- Friday, April 26, 2013
New Orleans Jazz Fest 2013 Kicks Off; Includes The Black Keys, Dr. John, Joshua Redman, Allen Toussaint
The 2013 New Orleans Jazz & Heritage Festival, aka Jazz Fest, gets under way today as the first of two consecutive weekends of music unfolds. Included among this weekend's performers are Joshua Redman with his Quartet and New Orleans native sons Dr. John and Allen Toussaint. The Black Keys help close out the festival next weekend. Also in New Orleans this weekend is Fatoumata Diawara, who performs at the House of Blues.
- Tuesday, April 23, 2013
Festival d'Été de Québec Line-Up Includes The Black Keys, Emmylou Harris, Dr. John, Amadou & Mariam, Fatoumata Diawara
The line-up for the 2013 Festival d’été de Québec, which runs July 4 to 14, has been announced and includes performances from The Black Keys on the Plains of Abraham and Emmylou Harris & Rodney Crowell at Parc de la Francophonie, as well as free sets from Dr. John, Amadou & Mariam, and Fatoumata Diawara at Place Metro in Place d’Youville.
About this Album
“Rare as it is to come across a band in its prime, at the flaming maximum of its powers, there's no mistaking it when it happens: A sense of inevitability, of necessity even, converges with a sense of surprise, and a fierce, ancient gladness. Wednesday night at Avalon, Ohio's Black Keys reminded a packed house what it means to be on.” —Boston Globe
The Black Keys' Nonesuch debut, Magic Potion, was released in September 2006 on CD and on vinyl. The LP was pressed on 180-gram vinyl and includes instant-download album MP3s.
Childhood friends Dan Auerbach (guitar/vocals) and drummer Patrick Carney (drums) were mowing lawns in Akron when they made their first, self-released, record, 2002’s The Big Come Up; they embarked on their first tour that year, after being fired from their day jobs. Following enthusiastic responses from audiences and critics, the two men decided to remain unemployed so they could devote all of their time to their music. They practiced and toured relentlessly, then released their second album, Thickfreakness (their first on Fat Possum), in 2003. Later that year, they moved into an abandoned tire factory and set up their own rehearsal and recording studio, where they made 2004’s highly praised Rubber Factory—named for their unique space. Entertainment Weekly called Rubber Factory one of the best albums of the year, saying of The Black Keys, “They revive the notion that rock & roll should be murky and mysterious, a stumble into a dark alley late at night,” while The New Yorker said, “Direct, consistent, powerful, and loud, the record is one of the best rock releases of the year.” (The band’s final Fat Possum record, an EP of Junior Kimbrough covers called Chulahoma, was released this spring.)
The Black Keys live shows are fast becoming legendary among fans and critics alike. The Washington Post described the sound at a recent DC show as, “A giant crashing that is louder and fuller and grimmer than a drummer and guitarist alone should be able to produce,” and went on to say that “Auerbach is a ferociously talented guitarist whose leads bristle and burn as if the guitar were a molten mass. And Carney wails on his drums as if he were taking part in an anger management therapy exercise. The pair’s concert is as much a show of force as it is a musical performance.”
The Black Keys are Dan Auerbach and Patrick Carney
Produced and recorded by The Black Keys at The Audio Eagle Nest, Akron, OH
Mastered at Magnetic North by Chris Keffer
All songs written by The Black Keys, McMoore McLesst Publishing (BMI), administered by Chrysalis Music
Artwork and design by Michael Carney
This album is available from Nonesuch in the United States and Canada only.