"Let's Rock"

Submitted by nonesuch on Thu, 04/18/2019 - 13:33
Release Date
DescriptionExcerpt

The Black Keys' ninth studio album, "Let's Rock" is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney's early days as a band. "When we're together we are The Black Keys, that's where that real magic is," says Auerbach, "and always has been since we were sixteen." "The record is like an homage to electric guitar," says Carney. "We took a simple approach and trimmed all the fat like we used to." 

Description

The Black Keys' ninth studio album, "Let's Rock," was released June 28, 2019, via Easy Eye Sound / Nonesuch Records. The long-awaited album, the band's first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney's early days as a band. Auerbach says, "When we're together we are The Black Keys, that's where that real magic is, and always has been since we were sixteen." 

"Let's Rock" was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson. "The record is like a homage to electric guitar," says Carney. "We took a simple approach and trimmed all the fat like we used to."

Rolling Stone named "Lo/Hi" a "Song You Need to Know" and said, "the Keys have officially returned, louder than ever" and the New York Times calls the song "the kind of garage-boogie stomp that the band never left behind." The band's recent interview with Zane Lowe about the new album can be heard here.

Formed in Akron, Ohio in 2001, The Black Keys have released eight studio albums: their debut The Big Come Up (2002), followed by Thickfreakness (2003) and Rubber Factory (2004), along with their releases on Nonesuch Records, Magic Potion (2006), Attack & Release (2008), Brothers (2010), El Camino (2011), and, most recently, Turn Blue (2014). The band has won six Grammy Awards and headlined festivals including Coachella, Lollapalooza, and Governors Ball.

Since their last album together, both Auerbach and Carney have been creative forces behind a number of wide-ranging artists:

Dan Auerbach formed the Easy Eye Sound record label, named after his Nashville studio, in 2017, with the release of his second solo album, Waiting on a Song. Since its launch, Easy Eye Sound has become home to a wide range of artists including Yola, Shannon & The Clams, Dee White, Shannon Shaw, Sonny Smith, Robert Finley, and The Gibson Brothers; it also has released the posthumous album by Leo Bud Welch as well as previously unreleased material by Link Wray.

Patrick Carney has produced and recorded new music with artists such as Calvin Johnson, Michelle Branch, Damns of the West, Tobias Jesso, Jr., Jessy Wilson, Tennis, Repeat Repeat, Wild Belle, Sad Planets, Turbo Fruits, and more. He also created the theme music for the Netflix TV show BoJack Horseman with his late uncle, Ralph Carney.

ProductionCredits

PRODUCTION CREDITS
Produced by The Black Keys
Engineered by M. Allen Parker and Marc Whitmore
Recorded at Easy Eye Sound, Nashville, TN
Mixed by Tchad Blake
Mastered by Richard Dodd

Artwork by Michael Carney and Perry Shall
Photography by Sacha Lecca and Melinda Oswandel

Nonesuch Selection Number

591592

ns_album_releasedate
Album Status
Artist Name
The Black Keys
MusicianDetails

MUSICIANS
The Black Keys are Dan Auerbach and Patrick Carney
All Songs Performed by The Black Keys

Additional vocals by Leisa Hans and Ashley Wilcoxson

Cover Art
UPC/Price
Label
Exclusive Color LP+MP3
UPC
075597924473
Label
LP+MP3
Price
19.98
UPC
075597925005
Label
CD+MP3
Price
11.98
UPC
075597924992
Label
FLAC
Price
10.00
UPC
075597924978
Label
MP3
Price
9.00
UPC
075597924961
  • 591592

News & Reviews

  • Congratulations to all of the Nonesuch nominees for the 65th Grammy Awards: Molly Tuttle for Best New Artist and Best Bluegrass Album for Crooked Tree with Golden Highway; The Black Keys for Best Rock Album for Dropout Boogie and Best Rock Performance for "Wild Child"; Dan Auerbach for Producer of the Year, Non-Classical; Cécile McLorin Salvant for Best Jazz Vocal Album for Ghost Song and Best Arrangement, Instrumental and Vocals for "Optimistic Voices / No Love Dying"; Joshua Redman, Brad Mehldau, Christian McBride, and Brian Blade's LongGone for Best Instrumental Album; Brad Mehldau's Jacob's Ladder for Best Contemporary Instrumental Album; Punch Brothers' Hell on Church Street for Best Folk Album; Caroline Shaw & Attacca Quartet's Evergreen for Best Chamber Music/Small Ensemble Performance; Taj Mahal & Ry Cooder's GET ON BOARD for Best Traditional Blues Album; Wilco's Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition) for Best Historical Album and Best Album Notes for Bob Mehr; and Astor Piazzolla: The American Clavé Recordings. for Best Album Notes for Fernando González. 

  • The Black Keys stopped by The Kelly Clarkson Show to perform “It Ain’t Over,” from their album Dropout Boogie. You can watch it here. The band has been nominated for two Grammy Awards: Best Rock Album for Dropout Boogie and Best Rock Performance for the album track "Wild Child.” Dan Auerbach is up for Producer of the Year, Non-Classical. 

  • About This Album

    The Black Keys' ninth studio album, "Let's Rock," was released June 28, 2019, via Easy Eye Sound / Nonesuch Records. The long-awaited album, the band's first in five years, is a return to the straightforward rock of the singer/guitarist Dan Auerbach and drummer Patrick Carney's early days as a band. Auerbach says, "When we're together we are The Black Keys, that's where that real magic is, and always has been since we were sixteen." 

    "Let's Rock" was written, tracked live, and produced by Auerbach and Carney at Easy Eye Sound studio in Nashville and features backing vocals from Leisa Hans and Ashley Wilcoxson. "The record is like a homage to electric guitar," says Carney. "We took a simple approach and trimmed all the fat like we used to."

    Rolling Stone named "Lo/Hi" a "Song You Need to Know" and said, "the Keys have officially returned, louder than ever" and the New York Times calls the song "the kind of garage-boogie stomp that the band never left behind." The band's recent interview with Zane Lowe about the new album can be heard here.

    Formed in Akron, Ohio in 2001, The Black Keys have released eight studio albums: their debut The Big Come Up (2002), followed by Thickfreakness (2003) and Rubber Factory (2004), along with their releases on Nonesuch Records, Magic Potion (2006), Attack & Release (2008), Brothers (2010), El Camino (2011), and, most recently, Turn Blue (2014). The band has won six Grammy Awards and headlined festivals including Coachella, Lollapalooza, and Governors Ball.

    Since their last album together, both Auerbach and Carney have been creative forces behind a number of wide-ranging artists:

    Dan Auerbach formed the Easy Eye Sound record label, named after his Nashville studio, in 2017, with the release of his second solo album, Waiting on a Song. Since its launch, Easy Eye Sound has become home to a wide range of artists including Yola, Shannon & The Clams, Dee White, Shannon Shaw, Sonny Smith, Robert Finley, and The Gibson Brothers; it also has released the posthumous album by Leo Bud Welch as well as previously unreleased material by Link Wray.

    Patrick Carney has produced and recorded new music with artists such as Calvin Johnson, Michelle Branch, Damns of the West, Tobias Jesso, Jr., Jessy Wilson, Tennis, Repeat Repeat, Wild Belle, Sad Planets, Turbo Fruits, and more. He also created the theme music for the Netflix TV show BoJack Horseman with his late uncle, Ralph Carney.

    Credits

    MUSICIANS
    The Black Keys are Dan Auerbach and Patrick Carney
    All Songs Performed by The Black Keys

    Additional vocals by Leisa Hans and Ashley Wilcoxson

    PRODUCTION CREDITS
    Produced by The Black Keys
    Engineered by M. Allen Parker and Marc Whitmore
    Recorded at Easy Eye Sound, Nashville, TN
    Mixed by Tchad Blake
    Mastered by Richard Dodd

    Artwork by Michael Carney and Perry Shall
    Photography by Sacha Lecca and Melinda Oswandel