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The Staves have announced their first North American tour since 2017, in celebration of their new album, All Now, due March 22. The tour begins April 7 in Washington, DC, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles.
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The Staves have announced a North American tour, their first since 2017, in celebration of their new album, All Now, due March 22, 2024, on Nonesuch Records in the US. The ten-city headlining tour begins April 7 in Washington, DC, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles; details below. For all the latest, visit nonesuch.com/on-tour.
Produced by John Congleton (Sharon Van Etten, Angel Olsen), the album features the tracks “You Held It All” and "All Now," both released earlier this fall; a video for the latter, directed by James Arden and inspired by the influential British music television program Old Grey Whistle Test, can be seen here:
All Now, available to pre-order here, emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
The Staves to Tour the US in April 2024 with New Album, 'All Now'
The Staves have announced a North American tour, their first since 2017, in celebration of their new album, All Now, due March 22, 2024, on Nonesuch Records in the US. The ten-city headlining tour begins April 7 in Washington, DC, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles; details below. For all the latest, visit nonesuch.com/on-tour.
Produced by John Congleton (Sharon Van Etten, Angel Olsen), the album features the tracks “You Held It All” and "All Now," both released earlier this fall; a video for the latter, directed by James Arden and inspired by the influential British music television program Old Grey Whistle Test, can be seen here:
All Now, available to pre-order here, emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
The Staves to Tour the US in April 2024 with New Album, 'All Now'
The Staves have announced a North American tour, their first since 2017, in celebration of their new album, All Now, due March 22, 2024, on Nonesuch Records in the US. The ten-city headlining tour begins April 7 in Washington, DC, with shows in New York City, Cambridge, Toronto, Chicago, Minneapolis, Seattle, Portland, San Francisco, and Los Angeles; details below. For all the latest, visit nonesuch.com/on-tour.
Produced by John Congleton (Sharon Van Etten, Angel Olsen), the album features the tracks “You Held It All” and "All Now," both released earlier this fall; a video for the latter, directed by James Arden and inspired by the influential British music television program Old Grey Whistle Test, can be seen here:
All Now, available to pre-order here, emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts.
The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.
Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.
It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.
The Library of Congress has acquired the collection of manuscripts, instruments, costumes, video and audio recordings, and more from Kronos Quartet and its non-profit organization, Kronos Performing Arts Association. “It’s gratifying to know that Kronos’ legacy will be preserved in perpetuity alongside the manuscripts and other treasures of so many other influential musicians from the US and around the world," said KPAA Executive Director Janet Cowperthwaite. "We are perhaps even more excited to reflect upon all the musicians and scholars who will have access to these materials in years to come, informing their own work and carrying Kronos’ inspiration and influence into the future.” The Library also appointed Kronos founder, artistic director, and violinist David Harrington as the Kluge Chair in Modern Culture and inducted Kronos’ 1992 album Pieces of Africa into the National Recording Registry.
Vagabon (aka Laetitia Tamko) will support the band Crumb on tour this October. The shows begin in California—Santa Cruz, Oakland, and Sacramento—then head to Salt Lake City and Denver and on to Texas—Dallas, Houston, San Antonio, Austin, and El Paso—and Albuquerque and back to California to close out the tour in Santa Ana, San Diego, and Los Angeles.
