De Materie
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79367
Track Listing
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1-0125:29
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1-0228:47
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2-0125:54
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2-0228.04
News & Reviews
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Congratulations to all of the Nonesuch nominees for the 64th Grammy Awards: The Black Keys' Delta Kream for Best Contemporary Blues Album; Rhiannon Giddens' They're Calling Me Home with Francesco Turrisi for Best Folk Album and Best American Roots Song, for the track "Avalon"; Spike Lee's film of David Byrne's American Utopia on Broadway for Best Music Film; Louis Andriessen's The only one and Caroline Shaw's Narrow Sea for Best Contemporary Classical Composition; k.d. lang and Tracy Young's "Constant Craving (Fashionably Late Remix)" for Best Remixed Recording; and Mike Elizondo for Producer of the Year, Non-Classical, for work including Lake Street Dive's Obviously. You can hear all the nominated works here.
"They were both fearless, pushing back against the severe music that seemed to dominate the modern composition landscape during the 1960s and 1970s, the same music that was, by the way, a major part of Nonesuch’s identity during that period," writes Nonesuch Records Chairman Emeritus Bob Hurwitz, in a remembrance of composers Louis Andriessen and Frederic Rzewski. "Neither was afraid to reference vernacular music, and jazz, and popular and folk music, and most importantly, both embraced a tonal language that was out of favor at the moment they were coming of age as composers. Their music was deadly serious at times, and polemical and political, but it could be humorous, and always filled with humanity."
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About This Album
Consisting of four distinct musical essays, De Materie is and was inspired by the concept of "matter." The musical style is a synthesis of extremes, incorporating both “high” and “low” arts, a feature characteristic of Andriessen’s work. This double album features the piece in its entirety, performed by Asko|Schönberg, with members of the Netherlands Chamber Choir, and conducted by Reinbert de Leeuw. The Washington Post says it's "probably one of the most important musical works of the late 20th century."
Credits
MUSICIANS
Reinbert de Leeuw, conductor
James Doing, tenor
Susan Narucki, soprano
Gertrude Thoma, speaker
Cindy Oswin, speaker
The Netherlands Chamber Choir:
Tannie Willemstijn, Barbara Borden, sopranos
Yvonne Benschop, Ananda Goud, mezzo-sopranos
Marcel Beekman, Robert Coupe, tenors
David Barick, Hans Pootjes, baritones
Schönberg Ensemble and Asko Ensemble:
Flute: Govert Jurriaanse, Eleonore Pameijer, Carla Meijers
Oboe: Marieke Schut, Hans Cartigny
Oboe/English Horn: Remco de Vries, Theo Peeters
Bass Clarinet: Leisbeth de Jong, Erik van Deuren
Bass Clarinet/Contrabass Clarinet: Harry Sparnaay
Clarinet/Alto Saxophone: Leo van Oostrom, Corina Ewijk
Tenor Saxophone: Hens Otter
Clarinet/Tenor Saxophone: Michiel van Dijk, Adri van Velsen
Clarinet/Baritone Saxophone: Ronald Jansen Heytmajer
Horn: Peter Hoekmeijer, Christiaan Boers, Jaap van der Vliet, Mijndert Baas
Trumpet: Willem van der Vliet, Reyer Dorresteijn, Jos Verspagen Cees Doets
Trombone: Toon van Ulsen, Edwin Kruunenberg
Bass Trombone: Pete Saunders, Ben van Dijk, Peter van Klink
Tuba: Arjan Stroop
Electric Guitar: Seth Josel, Rombout Willems
Bass Guitar: Patricio Wang
Piano: Gerard Bouwhuis, Sepp Grotenhuis, Niek de Vente
Synthesizer/Piano: Gerrit Hommerson
Synthesizer: Gene Carl
Harp: Mapje Keereweer
Percussion: Arno van Nieuwenhuize, Luuk Nagtegaal, Ger de Zeeuw, Wim Vos, Ron Colbers
Violin: Jan Erik van Regteren Altena, Marijke van Kooten, Wim de Jong, Erik Kromhout
Viola: Rena Scholtens, Jan Schoonenberg
Cello: Hans Woudenberg, Taco Kooistra
Double Bass: Pieter SmithuysenPRODUCTION CREDITS
Produced by Willem Hering and Ron Ford
Recorded February 26, June 29 and 30, 1994 at Muziekcentrum Vredenburg, Utrecht, the Netherlands
Engineered and edited by Adriaan Verstijnen
“Live” sound design: Jan Panis
Production coordinator: Rosita Wouda
Middle Dutch Tutor: Jacques Kruithof
Design by David Cohen
Cover: Willem van de Velde the Younger, Fishing Boats Offshore in a Calm (c.1660), Museum of Fine Arts, Springfield, Massachusetts, James Philip Gray Collection
More From
genre:
Release Date:
Sunday, September 1, 1996 - 04:00
DescriptionExcerpt:
Consisting of four distinct musical essays, De Materie is and was inspired by the concept of "matter." The musical style is a synthesis of extremes, incorporating both “high” and “low” arts, a feature characteristic of Andriessen’s work. This double album features the piece in its entirety, performed by Asko|Schönberg, with members of the Netherlands Chamber Choir, and conducted by Reinbert de Leeuw. The Washington Post says it's "probably one of the most important musical works of the late 20th century."
Description:
Consisting of four distinct musical essays, De Materie is and was inspired by the concept of "matter." The musical style is a synthesis of extremes, incorporating both “high” and “low” arts, a feature characteristic of Andriessen’s work. This double album features the piece in its entirety, performed by Asko|Schönberg, with members of the Netherlands Chamber Choir, and conducted by Reinbert de Leeuw. The Washington Post says it's "probably one of the most important musical works of the late 20th century."
ProductionCredits:
PRODUCTION CREDITS
Produced by Willem Hering and Ron Ford
Recorded February 26, June 29 and 30, 1994 at Muziekcentrum Vredenburg, Utrecht, the Netherlands
Engineered and edited by Adriaan Verstijnen
“Live” sound design: Jan Panis
Production coordinator: Rosita Wouda
Middle Dutch Tutor: Jacques Kruithof
Design by David Cohen
Cover: Willem van de Velde the Younger, Fishing Boats Offshore in a Calm (c.1660), Museum of Fine Arts, Springfield, Massachusetts, James Philip Gray Collection
Cover Art:
Nonesuch Selection Number:
79367
Number of Discs in Set:
2discs
ns_album_artistid:
6
ns_album_id:
21
ns_album_releasedate:
Sunday, September 1, 1996 - 04:00
ns_genre_1:
0
ns_genre_2:
0
Album Status:
UPC/Price:
Label:
CD+MP3
UPC:
075597936728BUN
Price:
0.00
Label:
MP3
UPC:
603497122363
Price:
16.00
Artist Name:
Louis Andriessen
MusicianDetails:
MUSICIANS
Reinbert de Leeuw, conductor
James Doing, tenor
Susan Narucki, soprano
Gertrude Thoma, speaker
Cindy Oswin, speaker
The Netherlands Chamber Choir:
Tannie Willemstijn, Barbara Borden, sopranos
Yvonne Benschop, Ananda Goud, mezzo-sopranos
Marcel Beekman, Robert Coupe, tenors
David Barick, Hans Pootjes, baritones
Schönberg Ensemble and Asko Ensemble:
Flute: Govert Jurriaanse, Eleonore Pameijer, Carla Meijers
Oboe: Marieke Schut, Hans Cartigny
Oboe/English Horn: Remco de Vries, Theo Peeters
Bass Clarinet: Leisbeth de Jong, Erik van Deuren
Bass Clarinet/Contrabass Clarinet: Harry Sparnaay
Clarinet/Alto Saxophone: Leo van Oostrom, Corina Ewijk
Tenor Saxophone: Hens Otter
Clarinet/Tenor Saxophone: Michiel van Dijk, Adri van Velsen
Clarinet/Baritone Saxophone: Ronald Jansen Heytmajer
Horn: Peter Hoekmeijer, Christiaan Boers, Jaap van der Vliet, Mijndert Baas
Trumpet: Willem van der Vliet, Reyer Dorresteijn, Jos Verspagen Cees Doets
Trombone: Toon van Ulsen, Edwin Kruunenberg
Bass Trombone: Pete Saunders, Ben van Dijk, Peter van Klink
Tuba: Arjan Stroop
Electric Guitar: Seth Josel, Rombout Willems
Bass Guitar: Patricio Wang
Piano: Gerard Bouwhuis, Sepp Grotenhuis, Niek de Vente
Synthesizer/Piano: Gerrit Hommerson
Synthesizer: Gene Carl
Harp: Mapje Keereweer
Percussion: Arno van Nieuwenhuize, Luuk Nagtegaal, Ger de Zeeuw, Wim Vos, Ron Colbers
Violin: Jan Erik van Regteren Altena, Marijke van Kooten, Wim de Jong, Erik Kromhout
Viola: Rena Scholtens, Jan Schoonenberg
Cello: Hans Woudenberg, Taco Kooistra
Double Bass: Pieter Smithuysen
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