De Tijd
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79291
News & Reviews
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Louis Andriessen’s The only one will be released on Nonesuch Records on March 5, 2021. This world premiere performance by the Los Angeles Philharmonic was recorded live at Walt Disney Concert Hall in May 2019, conducted by LA Phil Conductor Laureate Esa-Pekka Salonen, with solo vocalist Nora Fischer. Two artistic discoveries influenced Andriessen as he wrote The only one: a collection of poems by the Flemish poet Delphine Lecompte from The animals in me, and the work of Nora Fischer, an Amsterdam–based singer known for developing dynamic creative projects that fuse classical and pop music.
Dutch conductor, pianist, and composer Reinbert de Leeuw died today, February 14, at the age of 81. De Leeuw was the conductor on all of the recordings Nonesuch Records has made of composer Louis Andriessen’s music; all but one of these were with Asko | Schönberg, the new-music ensemble of which he was a founder and the chief conductor. De Leeuw also led the ensemble in the Nonesuch recording of Steve Reich's Tehillim.
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About This Album
Dutch composer Louis Andriessen is represented on his second Nonesuch recording by De Tijd (Time), which was inspired by writings by St. Augustine. The work seeks to evoke the sound of a continuous present, an awareness of time standing still. Composed in 1981, it contains constant changes of time signature and rhythms with their own metric and instrumental identity. The layers of sounds are represented by choir; violins/flutes/organ; and pianos/vibraphones/crotales. De Tijd received its US premiere in 1991 at the Bang On A Can Festival, under the direction of Reinbert De Leeuw.
Credits
MUSICIANS
Reinbert de Leeuw, conductor
Schönberg Ensemble:
Govert Jurriaanse, Marieke Schneemann, Marie-Cécile de Wit, Nine Sligter, Ariëlle van Eysden, Peter Verduyn Lunel, Tineke van Geuns, Eveline Hagen, flute
Liesbeth de Jong, Jos Peulers, Erik van Deuren, bass clarinet
Harry Sparnaay, contrabass clarinet
Ad Welleman, Louis Lanzing, Hans van Loenen, Carl Daleboudt, Edith Post, Arjan Post, trumpet
Mapje Keereweer, Charlotte Sprenkels, harp
Patricio Wang, Rob Zeelenberg, bass guitar
Gerard Bouwhuis, Bob Zimmerman, piano
Gerrit Hommerson, Hammond organ
Michiel Weidner, cymbalon
Janneke van der Meer, Wim de Jong, Linda Ashworth, Rena Scholtens, Jan-Erik van Regteren Altena, Erik Kromhout, violin
Henk Guittart, Annette Bergman, viola
Peter Luit, Pieter Smithuysen, Harke Wiersma, Niko Ravenstijn, double bass
Percussion Group The Hague: Wim Vos, Ger de Zeeuw, Willy Goudswaard, Frans Leerdam, Murk Jiskoot, Arnold Marinissen, Victor Oskam
Members of The Netherlands Chamber Opera
Adinda de Nijs, Barbara Borden, Erica Grefe, Tannie Willemstijn, Bep Pierik, Manon Heijne, Sonja van Lier, soprano
Heleen Resoort, Myra Kroese, Ananda Goud, Yvonne Benschop, Kathrin Pfeiffer, altoPRODUCTION CREDITS
Produced and recorded by Adriaan Verstijnen
Re-mix engineer: Ben Uytjens
Recorded March 9, 1990, at Muziekcentrum Vredenburg, Utrecht, The Netherlands
Cover photograph by Ty Allison
Design by John Heiden
Executive Producer: Robert Hurwitz
More From
genre:
Release Date:
Friday, May 14, 1993 - 04:00
DescriptionExcerpt:
Dutch composer Louis Andriessen is represented on his second Nonesuch recording by De Tijd (Time), which was inspired by writings by St. Augustine. The work seeks to evoke the sound of a continuous present, an awareness of time standing still. Composed in 1981, it contains constant changes of time signature and rhythms with their own metric and instrumental identity. The layers of sounds are represented by choir; violins/flutes/organ; and pianos/vibraphones/crotales.
Description:
Dutch composer Louis Andriessen is represented on his second Nonesuch recording by De Tijd (Time), which was inspired by writings by St. Augustine. The work seeks to evoke the sound of a continuous present, an awareness of time standing still. Composed in 1981, it contains constant changes of time signature and rhythms with their own metric and instrumental identity. The layers of sounds are represented by choir; violins/flutes/organ; and pianos/vibraphones/crotales. De Tijd received its US premiere in 1991 at the Bang On A Can Festival, under the direction of Reinbert De Leeuw.
ProductionCredits:
PRODUCTION CREDITS
Produced and recorded by Adriaan Verstijnen
Re-mix engineer: Ben Uytjens
Recorded March 9, 1990, at Muziekcentrum Vredenburg, Utrecht, The Netherlands
Cover photograph by Ty Allison
Design by John Heiden
Executive Producer: Robert Hurwitz
Cover Art:
Nonesuch Selection Number:
79291
Number of Discs in Set:
1disc
ns_album_artistid:
6
ns_album_id:
23
ns_album_releasedate:
Saturday, May 1, 1993 - 04:00
ns_genre_1:
0
ns_genre_2:
0
Album Status:
UPC/Price:
Label:
CD+MP3
UPC:
075597929126BUN
Price:
0.00
Label:
MP3
UPC:
603497127160
Price:
9.00
Artist Name:
Louis Andriessen
MusicianDetails:
MUSICIANS
Reinbert de Leeuw, conductor
Schönberg Ensemble:
Govert Jurriaanse, Marieke Schneemann, Marie-Cécile de Wit, Nine Sligter, Ariëlle van Eysden, Peter Verduyn Lunel, Tineke van Geuns, Eveline Hagen, flute
Liesbeth de Jong, Jos Peulers, Erik van Deuren, bass clarinet
Harry Sparnaay, contrabass clarinet
Ad Welleman, Louis Lanzing, Hans van Loenen, Carl Daleboudt, Edith Post, Arjan Post, trumpet
Mapje Keereweer, Charlotte Sprenkels, harp
Patricio Wang, Rob Zeelenberg, bass guitar
Gerard Bouwhuis, Bob Zimmerman, piano
Gerrit Hommerson, Hammond organ
Michiel Weidner, cymbalon
Janneke van der Meer, Wim de Jong, Linda Ashworth, Rena Scholtens, Jan-Erik van Regteren Altena, Erik Kromhout, violin
Henk Guittart, Annette Bergman, viola
Peter Luit, Pieter Smithuysen, Harke Wiersma, Niko Ravenstijn, double bass
Percussion Group The Hague: Wim Vos, Ger de Zeeuw, Willy Goudswaard, Frans Leerdam, Murk Jiskoot, Arnold Marinissen, Victor Oskam
Members of The Netherlands Chamber Opera
Adinda de Nijs, Barbara Borden, Erica Grefe, Tannie Willemstijn, Bep Pierik, Manon Heijne, Sonja van Lier, soprano
Heleen Resoort, Myra Kroese, Ananda Goud, Yvonne Benschop, Kathrin Pfeiffer, alto
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