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The Art of Instrumentation: Homage to Glenn Gould

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  • Gidon Kremer, Kremerata Baltica Tour US

    Gidon Kremer and his Kremerata Baltica chamber orchestra begin a rare, six-city US tour at the 92nd Street Y's Kaufmann Concert Hall in NYC tonight, followed by performances at Davies Symphony Hall in San Francisco, Stude Concert Hall in Houston, Hill Auditorium in Ann Arbor, Harris Theater in Chicago, and Ordway Center in St. Paul. The tour program features works by Weinberg, Pärt, Britten, and Shostakovich, including his satiric comic opera Antiformal Rayok, with bass Alexei Mochalov.

  • Carnegie Hall 2014–15 Season to Include Jeremy Denk, Richard Goode, Gidon Kremer, Kronos Quartet, Audra McDonald

    Carnegie Hall has announced its 2014–15 concert season, and featured among the performers taking the esteemed hall's stages are a number of artists familiar to readers of the Nonesuch Journal, including Jeremy Denk, Richard Goode, Gidon Kremer, Kronos Quartet, and Audra McDonald, as well as an all–Steve Reich program and the New York premiere of a work by Jonny Greenwood.

About this Album

Nonesuch Records releases The Art of Instrumentation: Homage to Glenn Gould, by violinist Gidon Kremer and his Kremerata Baltica chamber orchestra, on September 25, 2012, which would have been Gould’s 80th birthday. The album comprises 11 pieces and arrangements by contemporary composers that quote from or are inspired by works, mostly by Bach, that Gould famously recorded during his career; two Arnold Schoenberg pieces also are drawn upon in one piece.

Kremer explains: “For the tenth anniversary of the Chamber Music Connects the World festival in Kronberg, Germany in 2010, I took up an idea that happens to have been voiced by a friend of mine, Robert Hurwitz, president of Nonesuch. One day, we were discussing Glenn Gould—whom Bob had known for years and with whom I had spent a long night in the studio, along with András Schiff—when Bob asked me, ‘Wouldn’t you like to arrange some of the works played by Glenn Gould for strings sometime?’

“When artistic director Raimund Trenkler asked me what could be done to make the anniversary celebration special, I knew the answer. The focus was to be on one of the greatest figures of all time—Johann Sebastian Bach—and on our times. A bridge was to be built,” Kremer continues. “The resulting program’s distant gaze extends into the realm of Bach but pays tribute at the same time to one of the greatest personae of modern interpretation, Glenn Gould. A persona, whose handwriting cannot be mistaken for anyone else’s. That is precisely what I have always valued so highly and still do—the unique.”

Kremerata Baltica was founded by Gidon Kremer in 1996 and is composed of a group of young musicians from the three Baltic States. They first performed in the violinist’s hometown of Riga, Latvia, in February 1996 and have since toured throughout the world. Kremer, who is the group’s artistic director, described the Kremerata Baltica, in an interview with the New York Times, as “a musical democracy ... open-minded, self-critical, a continuation of my musical spirit.”

The ensemble’s seven previous Nonesuch releases with Kremer are: De Profundis (2010), Mozart: The Complete Violin Concertos (2009), The Russian Seasons (2003), Happy Birthday (2003), Enescu (2002), After Mozart (2001), Silencio (2000), and Eight Seasons (2000). The violinist’s albums on the label also include Tracing Astor (2001), El Tango (1997), Homage à Piazzolla (1996), and John Adams’ Violin Concerto (1996).


Gidon Kremer, solo violin and artistic director

Kremerata Baltica:
Violins: Eva Bindere, Sandis Steinbergs, Dzeraldas Bidva, Rasa Vosyliute-Mickuniene, Migle Diksaitiene, Sanita Zarina, Jana Ozolina, Andrejs Golikovs, Andrei Valigura, Agne Doveikaite, Migle Serapinaite, Monta Vermane, Lasma Taimina
Violas: Daniil Grishin, Ula Ulijona Zebriunaite, Vidas Vekerotas, Zita Zemovica
Cellos: Marta Sudraba, Eriks Kirsfelds, Giedre Dirvanauskaite, Peteris Cirksis
Double basses: Danielis Rubinas, Indrek Sarrap
Percussion: Andrei Pushkarev

Andrei Pushkarev, vibraphone (1, 2, 7, 9), percussion (4), marimba (9)
Dita Krenberga, flute (4, 6, 7)
Justina Gelgotaite, oboe (6, 7)
Reinut Tepp, cembalo (6, 9), piano (7)
Dzeraldas Bidva, violin (8)
Agne Doveikaite-Rubiniene, violin (8)
Daniil Grishin, viola (8)
Vidas Vekerotas, viola (8)
Giedre Dirvanauskaite, cello (8)
Peteris Cirksis, cello (8)

Produced by Helmut Mühle
Recorded February 17–20, 2011, at Latvian Radio Studios, Riga, Latvia
Recording Engineer: Varis Kurmins
Editing: Johannes Müller
Mastering: Christoph Stickel

Design by John Gall

All transcriptions and pieces (except Dedication to J.S.B.) were commissioned for the Chamber Music Connects the World festival in Kronberg, Germany, and premiered there May 19, 2010.

Executive Producer: Robert Hurwitz

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