Ravel: Chansons Madecasses, Sonata for Violin and Cello; 2 Pianos
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71355
Track Listing
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15:36
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105:34
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23:58
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33:58
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43:40
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52:54
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61:32
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74:49
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83:11
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96:32
News & Reviews
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Carnegie Hall has announced its 2021–22 concert season, sharing plans to reopen its landmark concert venue to the general public in October, and among the performers taking the esteemed hall's stages are Sō Percussion with Dawn Upshaw and Gilbert Kalish, and Kronos Quartet; as well as Youssou N'Dour. The season also features works by composers including Caroline Shaw, John Adams, Nico Muhly, Sarah Kirkland Snider, and Michael Gordon.
Pulitzer Prize–winning composer Caroline Shaw's second Nonesuch album, Narrow Sea, is out now. Shaw wrote the album's title piece, for Sō Percussion, Dawn Upshaw, and Gilbert Kalish, who perform it here: five parts, each a new setting of a text from The Sacred Harp, the 19th-century collection of shape-note hymns. Video for all five parts of the piece can be seen here. Also on the album is Sō Percussion's performance of Shaw's Taxidermy, which she wrote for the ensemble.
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About This Album
The CD of this album is available to purchase at ArkivMusic.
Mezzo-soprano Jan DeGaetani and pianist Gilbert Kalish explore lesser-known works from Maurice Ravel. The Christian Science Monitor noted that these early works “provide glimpses into the formative imagination of the composer,” and declared the performances here to be “exquisite” and “superb.”
Credits
MUSICIANS
Chansons madécasses (1926-26)
Jan DeGaetani, mezzo-soprano
Paul Dunkel, flute
Donald Anderson, cello
Gilbert Kalish, pianoSites auriculaires, for 2 painos (1897)
Paul Jacobs, piano I
Gilbert Kalish, piano IIFrontispice, for 5 hands (1918)
Paul Jacobs (with Teresa Sterne), piano I
Gilbert Kalish, piano IISonata for Violin & Cello (1920-22)
Isidore Cohen, violin
Timothy Eddy, celloPRODUCTION CREDITS
Engineering & musical supervision: Marc J. Aubort, Joanna Nickrenz (Elite Recordings, Inc.)
Mastering: Robert. C Ludwig (Masterdisk Corp.)Coordinator: Teresa Sterne
Cover art/Gauguin, Fatata te Miti (1982); reproduced courtesy of the National Gallery of Art, Washington, D.C.
Design and art direction: Paula Bisacca
More From
Mezzo-soprano Jan DeGaetani and pianist Gilbert Kalish explore lesser-known works from Maurice Ravel. The Christian Science Monitor noted that these early works “provide glimpses into the formative imagination of the composer,” and declared the performances here to be “exquisite” and “superb.”
The CD of this album is available to purchase at ArkivMusic.
Mezzo-soprano Jan DeGaetani and pianist Gilbert Kalish explore lesser-known works from Maurice Ravel. The Christian Science Monitor noted that these early works “provide glimpses into the formative imagination of the composer,” and declared the performances here to be “exquisite” and “superb.”
PRODUCTION CREDITS
Engineering & musical supervision: Marc J. Aubort, Joanna Nickrenz (Elite Recordings, Inc.)
Mastering: Robert. C Ludwig (Masterdisk Corp.)
Coordinator: Teresa Sterne
Cover art/Gauguin, Fatata te Miti (1982); reproduced courtesy of the National Gallery of Art, Washington, D.C.
Design and art direction: Paula Bisacca

71355
MUSICIANS
Chansons madécasses (1926-26)
Jan DeGaetani, mezzo-soprano
Paul Dunkel, flute
Donald Anderson, cello
Gilbert Kalish, piano
Sites auriculaires, for 2 painos (1897)
Paul Jacobs, piano I
Gilbert Kalish, piano II
Frontispice, for 5 hands (1918)
Paul Jacobs (with Teresa Sterne), piano I
Gilbert Kalish, piano II
Sonata for Violin & Cello (1920-22)
Isidore Cohen, violin
Timothy Eddy, cello