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  • Molly Tuttle & Golden Highway perform “Crooked Tree,” the title track to Tuttle’s Nonesuch Records debut. Filmed at Hartland Studios in Nashville, the video features Tuttle on guitar and vocals alongside her band of bluegrass virtuosos—mandolinist Dominick Leslie, banjoist Kyle Tuttle, fiddle player Bronwyn Keith-Hynes, and bassist Shelby Means. It was directed and edited by Michael Kessler, recorded and mixed by Ryan McFadden, and mastered by Edsel Holden.


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  • Punch Brothers perform Hamilton Camp's "Pride of Man," from their 2022 album, Hell on Church Street, at Blackbird Studios in Nashville. The record, the band’s reimagining of, and homage to, the late bluegrass great Tony Rice’s landmark solo album Church Street Blues, features a collection of songs by Bob Dylan, Gordon Lightfoot, Bill Monroe, and others. Video directed by Alex Chaloff.


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  • Cécile McLorin Salvant performs "Thunderclouds" from her Nonesuch Records debut, Ghost Song. Video directed by Matthew Edginton with animation by Salvant. "I suffer from insomnia, and so do others in my family, and in one way this song is about having to suffer in darkness," Salvant says. "It’s again celebrating something that is dark—that line, ‘Sometimes you have to gaze into a well to see the sky.’ It’s talking about looking down into the depths of a situation to truly see the beauty of it."


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  • Hurray for the Riff Raff (aka Alynda Segarra's) “JUPITER’S DANCE,” from their 2022 Nonesuch debut, LIFE ON EARTH. Segarra says “Jupiter’s Dance” is: “A song in the shape of a guardian angel. Protection prayer for us all as we live in uncertain and violent times. Manifesting blessings into reality. Posing the question that perhaps the future could be joyous as well as terrifying?” The video, directed by Segarra, is a collection of historical footage of the Bomba and Plena traditions in Puerto Rico, clips Segarra shot on a hand-held camcorder during lockdown, recording studio footage captured by Joshua Shoemaker, and visuals of outer space from NASA.


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  • Molly Tuttle & Golden Highway perform “She’ll Change,” the recently released track from Tuttle’s forthcoming Nonesuch debut. Filmed at Hartland Studios in Nashville, the video features Tuttle on guitar and vocals alongside her band of bluegrass virtuosos—mandolinist Dominick Leslie, banjoist Kyle Tuttle, fiddle player Bronwyn Keith-Hynes, and bassist Shelby Means. It was directed and edited by Michael Kessler, recorded and mixed by Ryan McFadden, and mastered by Edsel Holden.


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  • Punch Brothers perform the traditional tune "Cattle in the Cane," from their 2022 album, Hell on Church Street, at Blackbird Studios in Nashville. The record, the band’s reimagining of, and homage to, the late bluegrass great Tony Rice’s landmark solo album Church Street Blues, features a collection of songs by Bob Dylan, Gordon Lightfoot, Bill Monroe, and others. Video directed by Alex Chaloff.


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  • Hurray for the Riff Raff (aka Alynda Segarra's) “RHODODENDRON,” from their 2022 Nonesuch debut, LIFE ON EARTH. The song is about is about “finding rebellion in plant life,” says Segarra. "Being called by the natural world and seeing the life that surrounds you in a way you never have. A mind expansion. A psychedelic trip. A spiritual breakthrough. Learning to adapt, and being open to the wisdom of your landscape. Being called to fix things in your own backyard, your own community.” Video directed by Lucia Honey, conceptualized by Lucia Honey and Alynda Segarra. Dancers: Owen Ever, Zerodanza, Kate Barnett, and Kat Sotelo.


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  • Jeff Parker's "Suffolk," from his 2021 solo guitar album, Forfolks. Video directed and edited by Cauleen Smith.


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  • Cécile McLorin Salvant performs the title track from her Nonesuch Records debut, Ghost Song. Video directed by Matthew Edginton with animation by Salvant.


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  • Ben LaMar Gay's “Mestre Candeia’s Denim Hat,” from his 2021 album Open Arms to Open Us. An homage to improvisatory and rhythmic elements of the Brazilian “Partido Alto” tradition, the track sees Gay lay a Chicago-style free-jazz synth raga over a swinging, fractured march. The title is a nod to the insight and style of master sambista and partideiro Antônio Candeia Filho. Video by Andrea Rodea and Erik Mares of the Mexico City based Rhizomes Films.


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