Sun on Sand

Submitted by nonesuch on Mon, 07/15/2019 - 13:59
genre
Release Date
DescriptionExcerpt

Joshua Redman and Brooklyn Rider perform on Sun on Sand—eight compositions from a suite by composer Patrick Zimmerli—along with bassist Scott Colley and drummer Satoshi Takeishi. Each song in the suite, which premiered at London’s Wigmore Hall in 2014, represents a different expression of light. 

Description

Nonesuch released Joshua Redman and Brooklyn Rider's Sun on Sand on October 4, 2019. The album comprises eight compositions from a suite by composer Patrick Zimmerli. Each piece in the suite, which premiered at London’s Wigmore Hall in 2014, represents a different expression of light. Redman previously worked with Zimmerli when the latter created orchestral arrangements of Redman’s compositions for the 2013 Nonesuch album Walking Shadows.

Originally from New York, composer and saxophonist Patrick Zimmerli lives and works between his hometown and Paris. His music is at the crossroads of classical music and contemporary jazz. He collaborates with many international musicians, including Brad Mehldau, Brian Blade, Luciana Souza, Ethan Iverson, The Knights, and the Escher String Quartet. His music has been performed at Carnegie Hall and Town Hall in New York, Wigmore Hall in London, Salle Pleyel in Paris, Konzerthaus Großer Saal in Vienna, Sala São Paolo, and SFJAZZ in San Francisco. His previous work on Nonesuch includes Redman’s Walking Shadows and Brad Mehldau and Kevin Hays’ Modern Music (2011).

Joshua Redman’s first album on Nonesuch was the Grammy-nominated Momentum (2005). His other releases on the label include Back East, Compass, and Trios Live, all of which explore the trio format; MoodSwing (1994, re-issued); Walking Shadows (2013), his first recording to include an orchestral ensemble; The Bad Plus Joshua Redman (2015), a collaboration with the acclaimed trio; Nearness (2016), a duo album with longtime friend and collaborator Brad Mehldau; the 2018 Grammy–nominated Still Dreaming—an album inspired by his father Dewey Redman’s 1976–1987 band, Old and New Dreams; and Come What May with the Joshua Redman Quartet, featuring pianist Aaron Goldberg, bassist Reuben Rogers, and drummer Gregory Hutchinson. Redman currently tours with his trio with Rogers and Hutchinson; his quartet; Still Dreaming, with Ron Miles, Scott Colley and Brian Blade (David King on recent tours); and occasionally with the collaborative group James Farm, with Aaron Parks, Matt Penman, and Eric Harland. James Farm has two releases on Nonesuch: their 2011 self-titled album and 2014’s City Folk.

Hailed as “the future of chamber music” (Strings), Brooklyn Rider offers eclectic repertoire in performances that attract fans and draw critical acclaim from classical, world, and rock writers. A deeply collaborative and generative ensemble, Brooklyn Rider recently released The Butterfly with Irish fiddler Martin Hayes and Dreamers with Mexican jazz vocalist Magos Herrera. This past season, Brooklyn Rider debuted their Healing Modes project, which presents Beethoven’s Opus 132 string quartet alongside five new commissions by Reena Esmail, Gabriela Lena Frank, Matana Roberts, Caroline Shaw, and Du Yun. Other recent recording projects include The Fiction Issue with music by Gabriel Kahane, so many things with Swedish mezzo-soprano Anne Sofie von Otter, A Walking Fire and The Brooklyn Rider Almanac, The Impostor with banjo legend Béla Fleck, Silent City with Iranian kamancheh player Kayhan Kalhor, and the much-praised Brooklyn Rider Plays Philip Glass. The ensemble’s violinist Johnny Gandelsman launched In A Circle Records in 2008 with the release of Brooklyn Rider’s debut recording Passport, followed by Dominant Curve in 2010, Seven Steps in 2012, and Spontaneous Symbols in 2017.

ProductionCredits

PRODUCTION CREDITS
Produced by Patrick Zimmerli
Recorded by Tom Lazarus at Sear Sound, NYC, on April 29, 30, and May 1, 2015
Mixed and Engineered by Tom Lazarus at Avatar Studios, NYC
Mastered by Robert C. Ludwig, Gateway Mastering, Portland, ME

Cover design by Danielle Rambert and Christine Im
Design by Christine Im
Cover photo by A Rey / Getty Images
Group photo by David Jacobs

The music on this recording comes from “Aspects of Darkness and Light,” a suite for tenor saxophone, string quartet, bass, and percussion, which was commissioned by the Seattle Commissioning Club and premiered at Wigmore Hall, London, on April 24, 2014.

Nonesuch Selection Number

554796

ns_album_releasedate
Album Status
Artist Name
Joshua Redman
Brooklyn Rider
Patrick Zimmerli
MusicianDetails

MUSICIANS
Joshua Redman, tenor saxophone
Scott Colley, bass
Satoshi Takeishi, drums

Brooklyn Rider
Colin Jacobsen, violin
Johnny Gandelsman, violin
Nicholas Cords, viola
Eric Jacobsen, cello

Composed and arranged by Patrick Zimmerli

Cover Art
UPC/Price
Label
CD+MP3
UPC
075597946314
Label
MP3
Price
9.00
UPC
075597946376
Label
96/24 HD FLAC
Price
10.00
UPC
075597946338
  • 554796

News & Reviews

  • Congratulations to all of the Nonesuch nominees for the 65th Grammy Awards: Molly Tuttle for Best New Artist and Best Bluegrass Album for Crooked Tree with Golden Highway; The Black Keys for Best Rock Album for Dropout Boogie and Best Rock Performance for "Wild Child"; Dan Auerbach for Producer of the Year, Non-Classical; Cécile McLorin Salvant for Best Jazz Vocal Album for Ghost Song and Best Arrangement, Instrumental and Vocals for "Optimistic Voices / No Love Dying"; Joshua Redman, Brad Mehldau, Christian McBride, and Brian Blade's LongGone for Best Instrumental Album; Brad Mehldau's Jacob's Ladder for Best Contemporary Instrumental Album; Punch Brothers' Hell on Church Street for Best Folk Album; Caroline Shaw & Attacca Quartet's Evergreen for Best Chamber Music/Small Ensemble Performance; Taj Mahal & Ry Cooder's GET ON BOARD for Best Traditional Blues Album; Wilco's Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition) for Best Historical Album and Best Album Notes for Bob Mehr; and Astor Piazzolla: The American Clavé Recordings. for Best Album Notes for Fernando González. 

  • The members of the legendary original 1990s Joshua Redman Quartet—Redman, Brad Mehldau, Christian McBride, and Brian Blade—who reunited after twenty-six years for the 2020 album RoundAgain, return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival. "Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.

  • About This Album

    Nonesuch released Joshua Redman and Brooklyn Rider's Sun on Sand on October 4, 2019. The album comprises eight compositions from a suite by composer Patrick Zimmerli. Each piece in the suite, which premiered at London’s Wigmore Hall in 2014, represents a different expression of light. Redman previously worked with Zimmerli when the latter created orchestral arrangements of Redman’s compositions for the 2013 Nonesuch album Walking Shadows.

    Originally from New York, composer and saxophonist Patrick Zimmerli lives and works between his hometown and Paris. His music is at the crossroads of classical music and contemporary jazz. He collaborates with many international musicians, including Brad Mehldau, Brian Blade, Luciana Souza, Ethan Iverson, The Knights, and the Escher String Quartet. His music has been performed at Carnegie Hall and Town Hall in New York, Wigmore Hall in London, Salle Pleyel in Paris, Konzerthaus Großer Saal in Vienna, Sala São Paolo, and SFJAZZ in San Francisco. His previous work on Nonesuch includes Redman’s Walking Shadows and Brad Mehldau and Kevin Hays’ Modern Music (2011).

    Joshua Redman’s first album on Nonesuch was the Grammy-nominated Momentum (2005). His other releases on the label include Back East, Compass, and Trios Live, all of which explore the trio format; MoodSwing (1994, re-issued); Walking Shadows (2013), his first recording to include an orchestral ensemble; The Bad Plus Joshua Redman (2015), a collaboration with the acclaimed trio; Nearness (2016), a duo album with longtime friend and collaborator Brad Mehldau; the 2018 Grammy–nominated Still Dreaming—an album inspired by his father Dewey Redman’s 1976–1987 band, Old and New Dreams; and Come What May with the Joshua Redman Quartet, featuring pianist Aaron Goldberg, bassist Reuben Rogers, and drummer Gregory Hutchinson. Redman currently tours with his trio with Rogers and Hutchinson; his quartet; Still Dreaming, with Ron Miles, Scott Colley and Brian Blade (David King on recent tours); and occasionally with the collaborative group James Farm, with Aaron Parks, Matt Penman, and Eric Harland. James Farm has two releases on Nonesuch: their 2011 self-titled album and 2014’s City Folk.

    Hailed as “the future of chamber music” (Strings), Brooklyn Rider offers eclectic repertoire in performances that attract fans and draw critical acclaim from classical, world, and rock writers. A deeply collaborative and generative ensemble, Brooklyn Rider recently released The Butterfly with Irish fiddler Martin Hayes and Dreamers with Mexican jazz vocalist Magos Herrera. This past season, Brooklyn Rider debuted their Healing Modes project, which presents Beethoven’s Opus 132 string quartet alongside five new commissions by Reena Esmail, Gabriela Lena Frank, Matana Roberts, Caroline Shaw, and Du Yun. Other recent recording projects include The Fiction Issue with music by Gabriel Kahane, so many things with Swedish mezzo-soprano Anne Sofie von Otter, A Walking Fire and The Brooklyn Rider Almanac, The Impostor with banjo legend Béla Fleck, Silent City with Iranian kamancheh player Kayhan Kalhor, and the much-praised Brooklyn Rider Plays Philip Glass. The ensemble’s violinist Johnny Gandelsman launched In A Circle Records in 2008 with the release of Brooklyn Rider’s debut recording Passport, followed by Dominant Curve in 2010, Seven Steps in 2012, and Spontaneous Symbols in 2017.

    Credits

    MUSICIANS
    Joshua Redman, tenor saxophone
    Scott Colley, bass
    Satoshi Takeishi, drums

    Brooklyn Rider
    Colin Jacobsen, violin
    Johnny Gandelsman, violin
    Nicholas Cords, viola
    Eric Jacobsen, cello

    Composed and arranged by Patrick Zimmerli

    PRODUCTION CREDITS
    Produced by Patrick Zimmerli
    Recorded by Tom Lazarus at Sear Sound, NYC, on April 29, 30, and May 1, 2015
    Mixed and Engineered by Tom Lazarus at Avatar Studios, NYC
    Mastered by Robert C. Ludwig, Gateway Mastering, Portland, ME

    Cover design by Danielle Rambert and Christine Im
    Design by Christine Im
    Cover photo by A Rey / Getty Images
    Group photo by David Jacobs

    The music on this recording comes from “Aspects of Darkness and Light,” a suite for tenor saxophone, string quartet, bass, and percussion, which was commissioned by the Seattle Commissioning Club and premiered at Wigmore Hall, London, on April 24, 2014.