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  • November 17, 2021

    Jonny Greenwood is on the podcast Penderecki in Memoriam to talk with host Max Horowitz about his compositional work and his connection to that of the late Polish composer Krzysztof Penderecki, with whom Greenwood released an album on Nonesuch in 2012. "What I responded to is the rule-breaking, partly," Greenwood says of Penderecki's music. "It was seeing that just because music is written on paper, it doesn't necessarily have to fit within the confines of written limitations. And suddenly you realize, anything is possible." You can hear the conversation here.

  • October 1, 2021

    Steve Reich will publish Conversations, a new book, via HarperCollins' Hanover Square Press, on March 8, 2022. In the book, the composer speaks with collaborators, fellow composers, musicians, and visual artists influenced by his work—including Nonesuch Records Chairman Emeritus Robert Hurwitz, Jonny Greenwood, Kronos Quartet's David Harrington, Stephen Sondheim, Nico Muhly, Brian Eno, Michael Gordon, and others—to reflect on his prolific career as a composer as well as the music that inspired him and that has been inspired by him. The New York Times calls it "a surprising, enlightening series of conversations that shed new light on the music and career of 'our greatest living composer.'" The New Yorker says: "Through this series of insightful, wide-ranging conversations starting from his student days to the present pandemic, we gain a compelling glimpse into the mind of 'the most original musical thinker of our time.'"

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  • Nonesuch will release Jonny Greenwood's Golden Globe–nominated score to Paul Thomas Anderson's new feature film, Phantom Thread, digitally on January 12, 2018; the CD will be available February 9 and the vinyl LP will be available on April 21 to correspond with Record Store Day. Phantom Thread is set in the glamour of 1950s post-war London, where renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

    With Phantom Thread, Oscar-nominated filmmaker Paul Thomas Anderson paints an illuminating portrait both of an artist on a creative journey and the women who keep his world running. Phantom Thread is Anderson's eighth movie, and his second collaboration with Daniel Day-Lewis. The film's soundtrack includes eighteen compositions by Greenwood. It was recorded in London with a sixty-member string orchestra conducted by Robert Ziegler and is featured more prominently in the film than any of Greenwood's scores have been before. In addition to the Golden Globe nomination, the Phantom Thread soundtrack's many other accolades to date include the Best Score prizes from film critics' associations in Boston, Chicago, Los Angeles, Phoenix, San Francisco, Seattle, and St. Louis. Phantom Thread is available to preorder from the Nonesuch Store, along with an instant download of the album track "House of Woodcock."

    The composer spoke to Variety about the process of creating a score that reflected the film's romance and glamour: "We talked a lot about '50s music, what was popularly heard then as well as what was being written and recorded. Nelson Riddle and Glenn Gould's Bach recordings were the main references. I was interested in the kind of jazz records that toyed with incorporating big string sections; Ben Webster made some good ones." Greenwood continues, "The smaller groups, and solo players, work like close-ups [and] not necessarily to accompany [a] visual, but rather, to focus your attention on and make you feel directly engaged with the characters. The bigger orchestral things often worked best for drawing you back to see the bigger situation."

    Anderson and Greenwood's previous collaborations include the soundtrack for Academy Award–winning There Will Be Blood (2007), The Master (2012), and Inherent Vice (2014), all released by Nonesuch. Indiewire says of their collaboration: "Paul Thomas Anderson fans are well accustomed to how instrumental Jonny Greenwood's music is to the auteur's body of work. Whether it's the foreboding strings in There Will Be Blood or the discordant percussion in The Master, Greenwood's original scores expertly capture Anderson's tones. This fact is especially true in Phantom Thread, which marks the fourth collaboration between Anderson and Greenwood."

    Widely known as the guitarist for Radiohead, Jonny Greenwood is also a highly respected composer. In addition to the Anderson film soundtracks, Nonesuch also released his score for Norwegian Wood, his collaboration with Polish composer Krzysztof Penderecki, and his performance of Steve Reich's Electric Counterpoint. Most recently, the label released Junun—a collaboration between Greenwood, composer/musician Shye Ben Tzur, and a group of Indian musicians called the Rajasthan Express that was recorded in the fifteenth-century Mehrangarh Fort in Jodhpur, India. Paul Thomas Anderson came along to document the sessions. The resulting impressionistic film, also entitled Junun, debuted at the New York Film Festival, before screening at several other international festivals.

    Nonesuch also released the soundtrack for Anderson's Punch-Drunk Love—a smart pop score by composer/producer Jon Brion—in 2002. Anderson's other previous films—all of which have been highly praised—include Boogie Nights (1997) and Magnolia (1999).

Jonny Greenwood

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on May 29, 2008 - 7:06pm
Sort Name: 
Greenwood
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Biography (Excerpt): 

Nonesuch releases the vinyl edition of Jonny Greenwood's score to Paul Thomas Anderson's film There Will Be Blood, following their collaborations on Phantom Thread, The Master, and Inherent Vice. Nonesuch also released his score for Norwegian Wood; his album with Polish composer Krzysztof Penderecki; Junun, his album with Shye Ben Tzur and the Rajasthan Express; and his recording of Steve Reich's Electric Counterpoint.

Biography: 

Nonesuch will release Jonny Greenwood's Golden Globe–nominated score to Paul Thomas Anderson's new feature film, Phantom Thread, digitally on January 12, 2018; the CD will be available February 9 and the vinyl LP will be available on April 21 to correspond with Record Store Day. Phantom Thread is set in the glamour of 1950s post-war London, where renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

With Phantom Thread, Oscar-nominated filmmaker Paul Thomas Anderson paints an illuminating portrait both of an artist on a creative journey and the women who keep his world running. Phantom Thread is Anderson's eighth movie, and his second collaboration with Daniel Day-Lewis. The film's soundtrack includes eighteen compositions by Greenwood. It was recorded in London with a sixty-member string orchestra conducted by Robert Ziegler and is featured more prominently in the film than any of Greenwood's scores have been before. In addition to the Golden Globe nomination, the Phantom Thread soundtrack's many other accolades to date include the Best Score prizes from film critics' associations in Boston, Chicago, Los Angeles, Phoenix, San Francisco, Seattle, and St. Louis. Phantom Thread is available to preorder from the Nonesuch Store, along with an instant download of the album track "House of Woodcock."

The composer spoke to Variety about the process of creating a score that reflected the film's romance and glamour: "We talked a lot about '50s music, what was popularly heard then as well as what was being written and recorded. Nelson Riddle and Glenn Gould's Bach recordings were the main references. I was interested in the kind of jazz records that toyed with incorporating big string sections; Ben Webster made some good ones." Greenwood continues, "The smaller groups, and solo players, work like close-ups [and] not necessarily to accompany [a] visual, but rather, to focus your attention on and make you feel directly engaged with the characters. The bigger orchestral things often worked best for drawing you back to see the bigger situation."

Anderson and Greenwood's previous collaborations include the soundtrack for Academy Award–winning There Will Be Blood (2007), The Master (2012), and Inherent Vice (2014), all released by Nonesuch. Indiewire says of their collaboration: "Paul Thomas Anderson fans are well accustomed to how instrumental Jonny Greenwood's music is to the auteur's body of work. Whether it's the foreboding strings in There Will Be Blood or the discordant percussion in The Master, Greenwood's original scores expertly capture Anderson's tones. This fact is especially true in Phantom Thread, which marks the fourth collaboration between Anderson and Greenwood."

Widely known as the guitarist for Radiohead, Jonny Greenwood is also a highly respected composer. In addition to the Anderson film soundtracks, Nonesuch also released his score for Norwegian Wood, his collaboration with Polish composer Krzysztof Penderecki, and his performance of Steve Reich's Electric Counterpoint. Most recently, the label released Junun—a collaboration between Greenwood, composer/musician Shye Ben Tzur, and a group of Indian musicians called the Rajasthan Express that was recorded in the fifteenth-century Mehrangarh Fort in Jodhpur, India. Paul Thomas Anderson came along to document the sessions. The resulting impressionistic film, also entitled Junun, debuted at the New York Film Festival, before screening at several other international festivals.

Nonesuch also released the soundtrack for Anderson's Punch-Drunk Love—a smart pop score by composer/producer Jon Brion—in 2002. Anderson's other previous films—all of which have been highly praised—include Boogie Nights (1997) and Magnolia (1999).

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