White Moon: Songs to Morpheus
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79364
Track Listing
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12:20
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102:35
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117:14
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123:30
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27:05
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32:21
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42:05
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54:26
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62:18
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76:18
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82:25
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92:51
News & Reviews
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Polish composer Henryk Górecki's Symphony No. 3, Symphony of Sorrowful Songs, was released on Nonesuch Records 25 years ago today, April 24, 1992. Górecki had composed the piece in 1976, but it didn't appear on disc until then. The recording of the emotionally affecting piece, featuring soprano Dawn Upshaw and the London Sinfonietta led by conductor David Zinman, proved spellbinding to a diverse international audience, becoming the highest-selling album ever by a contemporary composer. "Perhaps people find something they need in this piece of music," Górecki speculated. "Somehow I hit the right note, something they were missing."
The Brooklyn Academy of Music's wide-ranging series of concerts and events Nonesuch Records at BAM: Celebrating a Label Without Labels, celebrating the 50th anniversary of Nonesuch Records, kicks off Tuesday night with the first of three consecutive nights of concerts from Philip Glass and Steve Reich plus a separate solo set from Brad Mehldau and continues through September 28. The New York Times says the series "reflects the broad curiosity and high standard of a label that has had notable successes ... with no guiding criteria other than instinct and taste." In conjunction with these events, BAMcinématek presents Nonesuch Records on Film, a salute to the label’s rich catalogue of movie soundtracks.
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About This Album
Dawn Upshaw joins music from four centuries in a collection dedicated to Morpheus, the god of Sleep. From the peaceful realm depicted by Handel and Dowland, to a world of wakefulness and the Moon favored by Schwanter and Crumb, White Moon encompasses both soothing and unsettling aspects of night and sleep.
Upshaw, previously a Grammy Award winner for her Nonesuch recital collections Knoxville: Summer of 1915 and The girl with orange lips, has become well-known for her distinctive programming, both on recording and in performance. White Moon presents a range of musical mood and style, as well as text and instrumentation. The soprano is variously paired with piano; duo guitars; and mixed wind and string ensembles to evoke a spectrum of nocturnal atmospheres.
White Moon is Upshaw’s fifth solo recording on Nonesuch.
Credits
MUSICIANS
Dawn Upshaw, sopranoMargo Garrett, piano
Sérgio and Odair Assad, guitarsEric Bartlett, electric cello
Susan Rotholz, alto flute, piccolo
David Starobin, banjo
James Baker, percussionmembers of The Orpheus Chamber Orchestra
and assisting artists
PRODUCTION CREDITS
Produced by Tommy KraskerEngineered by John McClure
Recorded June 1995 at The Hit Factory, New York City
Assistant Engineers: Carl Glanville and Drake AyenEdited and mastered by Paul Zinman at SoundByte Productions, New York City
Mixed by John McClure and Tommy Krasker at The Hit Factory, New York City
Front Cover: Ladder to the Moon by Georgia O’Keeffe, collection of the Emily Fisher Landau Trust, New York. Copyright © 1995 The Georgia O’Keeffe Foundation
Photographed by Malcolm Varon, New York City
Back cover photograph of Dawn Upshaw by Deborah FeingoldDesign by Carbone Smolan Associates
Executive Producer: Robert Hurwitz
More From
genre:
Release Date:
Friday, February 23, 1996 - 05:00
DescriptionExcerpt:
Soprano Upshaw is joined by guitarists Sérgio and Odair Assad on this beguiling set of songs addressing the themes of night, sleep, and dreams and including pieces by composers ranging from Handel to George Crumb. The Washington Post calls it "imaginatively conceived and flawlessly executed."
Description:
Dawn Upshaw joins music from four centuries in a collection dedicated to Morpheus, the god of Sleep. From the peaceful realm depicted by Handel and Dowland, to a world of wakefulness and the Moon favored by Schwanter and Crumb, White Moon encompasses both soothing and unsettling aspects of night and sleep.
Upshaw, previously a Grammy Award winner for her Nonesuch recital collections Knoxville: Summer of 1915 and The girl with orange lips, has become well-known for her distinctive programming, both on recording and in performance. White Moon presents a range of musical mood and style, as well as text and instrumentation. The soprano is variously paired with piano; duo guitars; and mixed wind and string ensembles to evoke a spectrum of nocturnal atmospheres.
White Moon is Upshaw’s fifth solo recording on Nonesuch.
ProductionCredits:
PRODUCTION CREDITS
Produced by Tommy Krasker
Engineered by John McClure
Recorded June 1995 at The Hit Factory, New York City
Assistant Engineers: Carl Glanville and Drake Ayen
Edited and mastered by Paul Zinman at SoundByte Productions, New York City
Mixed by John McClure and Tommy Krasker at The Hit Factory, New York City
Front Cover: Ladder to the Moon by Georgia O’Keeffe, collection of the Emily Fisher Landau Trust, New York. Copyright © 1995 The Georgia O’Keeffe Foundation
Photographed by Malcolm Varon, New York City
Back cover photograph of Dawn Upshaw by Deborah Feingold
Design by Carbone Smolan Associates
Executive Producer: Robert Hurwitz
Cover Art:
Nonesuch Selection Number:
79364
Number of Discs in Set:
1disc
ns_album_artistid:
115
ns_album_id:
305
ns_album_releasedate:
Thursday, February 1, 1996 - 05:00
ns_genre_1:
0
ns_genre_2:
0
Album Status:
UPC/Price:
Label:
CD+MP3
UPC:
075597936421BUN
Label:
MP3
UPC:
603497076666
Price:
9.00
Artist Name:
Dawn Upshaw
MusicianDetails:
MUSICIANS
Dawn Upshaw, soprano
Margo Garrett, piano
Sérgio and Odair Assad, guitars
Eric Bartlett, electric cello
Susan Rotholz, alto flute, piccolo
David Starobin, banjo
James Baker, percussion
members of The Orpheus Chamber Orchestra
and assisting artists
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