Double Sextet / 2x5

Submitted by nonesuch on Thu, 07/01/2010 - 17:05
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DescriptionExcerpt

"Beautifully poised throughout," says the BBC, "Double Sextet stands as arguably one of Reich’s finest works." The Pulitzer Prize–winning piece, performed here by eighth blackbird, has been cited as "among the finest pieces of our time" by the Philadelphia Inquirer. Also on the album, Bang on a Can perform 2x5, which Gramophone calls "Reich’s smartest, most sonically nourishing recording for years."

Description

Nonesuch released an album with two Steve Reich compositions—Double Sextet and 2x5—on September 14, 2010. Double Sextet—which won the Pulitzer Prize in 2009—is performed by eighth blackbird, who commissioned the piece. "Beautifully poised throughout," says the BBC, "Double Sextet stands as arguably one of Reich’s finest works." The Philadelphia Inquirer places it "among the finest pieces of our time … more than earlier Reich, it tips from exaltation to menace on a dime.” Bang on a Can perform 2x5, which premiered last summer at a velodrome in Manchester, England. The work shared a double bill with German electronic music pioneers Kraftwerk and was commissioned by MIF in association with Casa da Música (Porto).

Double Sextet comprises two identical sextets of flute, clarinet, vibraphone, piano, violin, and cello. Doubling the instrumentation was done so that, as in so many of Reich’s earlier works, two identical instruments could interlock to produce one overall pattern. The composer says, “For example, in this piece you will hear the pianos and vibes interlocking in a highly rhythmic way to drive the rest of the ensemble.” The piece can be played in two ways: with 12 musicians, or with six playing against a recording of themselves.

Reich continues, “The idea of a single player playing against a recording of themselves goes all the way back to Violin Phase of 1967. The expansion of this idea to an entire chamber ensemble playing against pre-recordings of itself begins with Different Trains (1988). By doubling an entire chamber ensemble, one creates the possibility for multiple simultaneous contrapuntal webs of identical instruments.”

In 2x5, Reich expands his palate with rock instrumentation. Scored for two sets of five instruments (hence “2x5”), this 21-minute piece calls for a total of ten musicians: four electric guitars, two pianos, two bass guitars, and two drum sets. Performers can either play the piece all-live with ten musicians or with five live musicians against a pre-recorded tape, as Bang on a Can did for the premiere on the opening night of the Manchester International Festival.

“Clearly 2x5 is not rock and roll, but uses the same instruments. It’s an example of the essential difference between ‘classical music’ and ‘popular music.’ And that essential difference is: one is notated, and the other is not notated,” Reich says. “I had to find musicians who (A), could read, and (B), had a genuine rock feeling, and there Bang on a Can excels.”

ProductionCredits

PRODUCTION CREDITS
Produced by Judith Sherman
 
Double Sextet
Recorded August 27–28, 2009, at WFMT Studio, Chicago, IL
Engineered by Bill Maylone
Editing Assistant: Jeanne Velonis
Mixed by John Kilgore, Judith Sherman, and Steve Reich at John Kilgore Sound & Recording, New York, NY

2x5
Recorded April 13 & 26, 2009, and February 4 & 26, 2010, at John Kilgore Sound & Recording
Engineered by John Kilgore
Assistant Engineers: Brien Brannigan, Eric Markert
Mixed by John Kilgore, Judith Sherman, and Steve Reich at John Kilgore Sound & Recording
Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

Design by John Gall
Cover Painting by Jasper Johns: 0 – 9, 1959, encaustic and collage on canvas, 20 1/8” x 35”, from the collection of the Peter and Irene Ludwig Foundation.
Photograph of Steve Reich by Jeffrey Herman

Executive Producer: Robert Hurwitz

This recording was made possible, in part, by support from The Aaron Copland Fund for Music Recording Program.

Double Sextet was commissioned by eighth blackbird through the support of the Carnegie Hall Corporation, the Abe Fortas Memorial Fund of the John F. Kennedy Center for the Performing Arts, Liverpool Culture Company – European Capital of Culture 2008, the Modlin Center for the Arts at the University of Richmond, Orange County Performing Arts Center, and the University of Cincinnati College-Conservatory of Music – Music 08 Festival.

2x5 was commissioned by the Manchester International Festival in association with Casa da Música (Porto).

Music published by Hendon Music Inc./Boosey & Hawkes (BMI)

Nonesuch Selection Number

524853

Number of Discs in Set
1disc
Album Status
Artist Name
Steve Reich
MusicianDetails

MUSICIANS
Double Sextet
eighth blackbird
Tim Munro, flute
Michael J. Maccaferri, clarinet
Matt Albert, violin
Nicholas Photinos, cello
Matthew Duvall, vibraphone
Lisa Kaplan, piano

2x5
Bang on a Can
Bryce Dessner, Mark Stewart, electric guitars
Robert Black, electric bass
Evan Ziporyn, piano
David Cossin, drums

Cover Art
UPC/Price
Label
CD+MP3
UPC
075597978643BUN
Label
MP3
Price
9.00
UPC
075597978636
Label
CD+MP3+Score
Price
0.00
UPC
075597978643MAN
  • 524853

News & Reviews

  • The first recording of Steve Reich’s Reich/Richter, performed by Ensemble intercontemporain and conducted by George Jackson, released in June on CD/digital, is now available on vinyl. The composition was originally written to be performed with German visual artist Gerhard Richter and Corinna Belz’s film Moving Picture (946-3). "Reminiscent of his earliest work," says the Financial Times, "it is very beautiful." You can take a look inside the vinyl in an unboxing video here.

  • Nonesuch Records releases the first recordings of Steve Reich’s Runner (2016) and Music for Ensemble and Orchestra (2018), performed by the Los Angeles Philharmonic and conducted by Susanna Mälkki, available digitally and on CD on September 30, 2022; a vinyl LP version will be released on December 2. The New York Times calls Runner “a calmly luminous orchestral piece with the pulsating, propulsive rhythms that animate much of Mr. Reich’s music.” The San Francisco Chronicle says that Music for Ensemble and Orchestra “is a beautiful and dramatically charged masterpiece, but its impact goes even further than that.” The album track Runner: I. Sixteenths can be heard here.

Buy Now

  • About This Album

    Nonesuch released an album with two Steve Reich compositions—Double Sextet and 2x5—on September 14, 2010. Double Sextet—which won the Pulitzer Prize in 2009—is performed by eighth blackbird, who commissioned the piece. "Beautifully poised throughout," says the BBC, "Double Sextet stands as arguably one of Reich’s finest works." The Philadelphia Inquirer places it "among the finest pieces of our time … more than earlier Reich, it tips from exaltation to menace on a dime.” Bang on a Can perform 2x5, which premiered last summer at a velodrome in Manchester, England. The work shared a double bill with German electronic music pioneers Kraftwerk and was commissioned by MIF in association with Casa da Música (Porto).

    Double Sextet comprises two identical sextets of flute, clarinet, vibraphone, piano, violin, and cello. Doubling the instrumentation was done so that, as in so many of Reich’s earlier works, two identical instruments could interlock to produce one overall pattern. The composer says, “For example, in this piece you will hear the pianos and vibes interlocking in a highly rhythmic way to drive the rest of the ensemble.” The piece can be played in two ways: with 12 musicians, or with six playing against a recording of themselves.

    Reich continues, “The idea of a single player playing against a recording of themselves goes all the way back to Violin Phase of 1967. The expansion of this idea to an entire chamber ensemble playing against pre-recordings of itself begins with Different Trains (1988). By doubling an entire chamber ensemble, one creates the possibility for multiple simultaneous contrapuntal webs of identical instruments.”

    In 2x5, Reich expands his palate with rock instrumentation. Scored for two sets of five instruments (hence “2x5”), this 21-minute piece calls for a total of ten musicians: four electric guitars, two pianos, two bass guitars, and two drum sets. Performers can either play the piece all-live with ten musicians or with five live musicians against a pre-recorded tape, as Bang on a Can did for the premiere on the opening night of the Manchester International Festival.

    “Clearly 2x5 is not rock and roll, but uses the same instruments. It’s an example of the essential difference between ‘classical music’ and ‘popular music.’ And that essential difference is: one is notated, and the other is not notated,” Reich says. “I had to find musicians who (A), could read, and (B), had a genuine rock feeling, and there Bang on a Can excels.”

    Credits

    MUSICIANS
    Double Sextet
    eighth blackbird
    Tim Munro, flute
    Michael J. Maccaferri, clarinet
    Matt Albert, violin
    Nicholas Photinos, cello
    Matthew Duvall, vibraphone
    Lisa Kaplan, piano

    2x5
    Bang on a Can
    Bryce Dessner, Mark Stewart, electric guitars
    Robert Black, electric bass
    Evan Ziporyn, piano
    David Cossin, drums

    PRODUCTION CREDITS
    Produced by Judith Sherman
     
    Double Sextet
    Recorded August 27–28, 2009, at WFMT Studio, Chicago, IL
    Engineered by Bill Maylone
    Editing Assistant: Jeanne Velonis
    Mixed by John Kilgore, Judith Sherman, and Steve Reich at John Kilgore Sound & Recording, New York, NY

    2x5
    Recorded April 13 & 26, 2009, and February 4 & 26, 2010, at John Kilgore Sound & Recording
    Engineered by John Kilgore
    Assistant Engineers: Brien Brannigan, Eric Markert
    Mixed by John Kilgore, Judith Sherman, and Steve Reich at John Kilgore Sound & Recording
    Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

    Design by John Gall
    Cover Painting by Jasper Johns: 0 – 9, 1959, encaustic and collage on canvas, 20 1/8” x 35”, from the collection of the Peter and Irene Ludwig Foundation.
    Photograph of Steve Reich by Jeffrey Herman

    Executive Producer: Robert Hurwitz

    This recording was made possible, in part, by support from The Aaron Copland Fund for Music Recording Program.

    Double Sextet was commissioned by eighth blackbird through the support of the Carnegie Hall Corporation, the Abe Fortas Memorial Fund of the John F. Kennedy Center for the Performing Arts, Liverpool Culture Company – European Capital of Culture 2008, the Modlin Center for the Arts at the University of Richmond, Orange County Performing Arts Center, and the University of Cincinnati College-Conservatory of Music – Music 08 Festival.

    2x5 was commissioned by the Manchester International Festival in association with Casa da Música (Porto).

    Music published by Hendon Music Inc./Boosey & Hawkes (BMI)

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