On Après Fauré, Brad Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor, along with four of Mehldau’s compositions that Fauré inspired presented in a group, bookended by two sections featuring the French composer’s works.
Brad Mehldau’s Après Fauré was released May 10, 2024, on Nonesuch Records. On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau’s four compositions that Fauré inspired are presented in a group, bookended by two sections featuring the French composer’s work.
Discussing the Après Fauré album in his note, Mehldau says: “If the sublime foreshadows our mortality, this music might communicate the austerity of death—Fauré’s as it approached him, but also the apprehension of our own. We find a kinship with the composer finally, in the form of a question that he tossed off into the future, to us. I have composed four pieces to accompany Fauré’s music here, to share the way I have engaged with Fauré’s question, with you, the listener.”
Here is a scrolling score of “Après Fauré: Prelude”:
“This format is similar to my After Bach project,” he continues. “The connections are less overt, but Fauré’s harmonic imprint is on all four. There is also a textural influence, in terms of how he presented his musical material pianistically—he exploited the instrument’s sonority masterfully, as an expressive means. So, for example, in my first ‘Prelude,’ melody is welded to a continuous arpeggiation, both part of it and hovering above it; in my ‘Nocturne,’ it is possible to hear the harkening chordal approach in the opening of Fauré’s No. 12.”
Brad Mehldau’s Nonesuch debut was the 2004 solo disc Live in Tokyo. His subsequent nineteen releases on the label include six records with his trio as well as collaborative and solo albums. His most recent releases are a solo album he recorded during COVID-19 lockdown, Suite: April 2020; Jacob’s Ladder (2022), which featured music that reflects on scripture and the search for God through music and was inspired by the prog rock Mehldau loved as a young adolescent; and Your Mother Should Know: Brad Mehldau Plays The Beatles (2023), a live solo album featuring the pianist and composer’s interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison. Mehldau’s memoir, Formation: Building a Personal Canon, Part I, also was published in 2023, offering a rare look inside the mind of an artist at the top of his field, in his own words.
PRODUCTION CREDITS
Recorded June 19-21, 2023 at Mechanics Hall, Worcester, MA
Engineered, mixed, and mastered by Tom Lazarus
Additional mixing by John Davis
Piano technician: Barbara Renner
Design: Evan Gaffney
Cover photograph: Ivan Bastien / Stocksy
Brad Mehldau photographed by Sofie Knijff
MUSICIANS
Brad Mehldau, piano