Après Fauré

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On Après Fauré, Brad Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor, along with four of Mehldau’s compositions that Fauré inspired presented in a group, bookended by two sections featuring the French composer’s works.

Description

Brad Mehldau’s Après Fauré was released May 10, 2024, on Nonesuch Records. On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau’s four compositions that Fauré inspired are presented in a group, bookended by two sections featuring the French composer’s work.

Discussing the Après Fauré album in his note, Mehldau says: “If the sublime foreshadows our mortality, this music might communicate the austerity of death—Fauré’s as it approached him, but also the apprehension of our own. We find a kinship with the composer finally, in the form of a question that he tossed off into the future, to us. I have composed four pieces to accompany Fauré’s music here, to share the way I have engaged with Fauré’s question, with you, the listener.”

Here is a scrolling score of “Après Fauré: Prelude”:

“This format is similar to my After Bach project,” he continues. “The connections are less overt, but Fauré’s harmonic imprint is on all four. There is also a textural influence, in terms of how he presented his musical material pianistically—he exploited the instrument’s sonority masterfully, as an expressive means. So, for example, in my first ‘Prelude,’ melody is welded to a continuous arpeggiation, both part of it and hovering above it; in my ‘Nocturne,’ it is possible to hear the harkening chordal approach in the opening of Fauré’s No. 12.”

Brad Mehldau’s Nonesuch debut was the 2004 solo disc Live in Tokyo. His subsequent nineteen releases on the label include six records with his trio as well as collaborative and solo albums. His most recent releases are a solo album he recorded during COVID-19 lockdown, Suite: April 2020; Jacob’s Ladder (2022), which featured music that reflects on scripture and the search for God through music and was inspired by the prog rock Mehldau loved as a young adolescent; and Your Mother Should Know: Brad Mehldau Plays The Beatles (2023), a live solo album featuring the pianist and composer’s interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison. Mehldau’s memoir, Formation: Building a Personal Canon, Part I, also was published in 2023, offering a rare look inside the mind of an artist at the top of his field, in his own words. 

ProductionCredits

PRODUCTION CREDITS
Recorded June 19-21, 2023 at Mechanics Hall, Worcester, MA
Engineered, mixed, and mastered by Tom Lazarus
Additional mixing by John Davis
Piano technician: Barbara Renner

Design: Evan Gaffney
Cover photograph: Ivan Bastien / Stocksy
Brad Mehldau photographed by Sofie Knijff

Album Status
Artist Name
Brad Mehldau
MusicianDetails

MUSICIANS
Brad Mehldau, piano

reissues?
new-release
Cover Art
UPC/Price
Label
CD+MP3
Price
13.00
UPC
075597900897
Slug
apres-faure-cd-mp3-bundle
Label
96/24 HD FLAC
Price
10.00
UPC
075597900873
Slug
apres-faure-hd-flac-album-96khz-24bit
Label
MP3
Price
9.00
UPC
075597900866
Slug
apres-faure-mp3-album

News & Reviews

  • Congratulations to all of the Nonesuch nominees for the 68th Grammy Awards: Molly Tuttle for Best Americana Album for So Long Little Miss Sunshine and Best Americana Performance for the album track "That's Gonna Leave a Mark," Alarm Will Sound for Best Chamber Music/Small Ensemble Performance for Donnacha Dennehy's Land of Winter, Donnacha Dennehy for Best Contemporary Classical Composition for Land of Winter, Rhiannon Giddens and Justin Robinson for Best Folk Album for What Did the Blackbird Say to the Crow, Ambrose Akinmusire for Best Alternative Jazz Album for honey from a winter stone, Brad Mehldau for Alternative Jazz Album for Ride into the Sun, and Bob Mehr for Best Album Notes for Wilco's A Ghost Is Born (20th Anniversary Deluxe Edition).

  • Pianist and composer Brad Mehldau’s Ride into the Sun—a songbook record of music by the late singer, songwriter, and guitarist Elliott Smith—is out now. It features performances by singer/guitarist Daniel Rossen of Grizzly Bear, singer/mandolinist Chris Thile, bassists Felix Moseholm and John Davis, drummer Matt Chamberlain, and a chamber orchestra led by Dan Coleman. The album's ten Elliott Smith songs are complemented by four Mehldau compositions inspired by him and interpretations of Big Star’s “Thirteen,” which Smith also covered, and “Sunday” by Nick Drake, whom Mehldau sees "in some ways as sort of Smith’s visionary grandfather.” "A stunning collection," raves Uncut. “A magnificent new record, which beautifully reimagines songs by Elliott Smith," says Record Collector. "A potent example of Mehldau’s ability to transport the listener to another world."

  • About This Album

    Brad Mehldau’s Après Fauré was released May 10, 2024, on Nonesuch Records. On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau’s four compositions that Fauré inspired are presented in a group, bookended by two sections featuring the French composer’s work.

    Discussing the Après Fauré album in his note, Mehldau says: “If the sublime foreshadows our mortality, this music might communicate the austerity of death—Fauré’s as it approached him, but also the apprehension of our own. We find a kinship with the composer finally, in the form of a question that he tossed off into the future, to us. I have composed four pieces to accompany Fauré’s music here, to share the way I have engaged with Fauré’s question, with you, the listener.”

    Here is a scrolling score of “Après Fauré: Prelude”:

    “This format is similar to my After Bach project,” he continues. “The connections are less overt, but Fauré’s harmonic imprint is on all four. There is also a textural influence, in terms of how he presented his musical material pianistically—he exploited the instrument’s sonority masterfully, as an expressive means. So, for example, in my first ‘Prelude,’ melody is welded to a continuous arpeggiation, both part of it and hovering above it; in my ‘Nocturne,’ it is possible to hear the harkening chordal approach in the opening of Fauré’s No. 12.”

    Brad Mehldau’s Nonesuch debut was the 2004 solo disc Live in Tokyo. His subsequent nineteen releases on the label include six records with his trio as well as collaborative and solo albums. His most recent releases are a solo album he recorded during COVID-19 lockdown, Suite: April 2020; Jacob’s Ladder (2022), which featured music that reflects on scripture and the search for God through music and was inspired by the prog rock Mehldau loved as a young adolescent; and Your Mother Should Know: Brad Mehldau Plays The Beatles (2023), a live solo album featuring the pianist and composer’s interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison. Mehldau’s memoir, Formation: Building a Personal Canon, Part I, also was published in 2023, offering a rare look inside the mind of an artist at the top of his field, in his own words. 

    Credits

    MUSICIANS
    Brad Mehldau, piano

    PRODUCTION CREDITS
    Recorded June 19-21, 2023 at Mechanics Hall, Worcester, MA
    Engineered, mixed, and mastered by Tom Lazarus
    Additional mixing by John Davis
    Piano technician: Barbara Renner

    Design: Evan Gaffney
    Cover photograph: Ivan Bastien / Stocksy
    Brad Mehldau photographed by Sofie Knijff

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