Après Fauré

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On Après Fauré, Brad Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor, along with four of Mehldau’s compositions that Fauré inspired presented in a group, bookended by two sections featuring the French composer’s works.

Description

Brad Mehldau’s Après Fauré was released May 10, 2024, on Nonesuch Records. On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau’s four compositions that Fauré inspired are presented in a group, bookended by two sections featuring the French composer’s work.

Discussing the Après Fauré album in his note, Mehldau says: “If the sublime foreshadows our mortality, this music might communicate the austerity of death—Fauré’s as it approached him, but also the apprehension of our own. We find a kinship with the composer finally, in the form of a question that he tossed off into the future, to us. I have composed four pieces to accompany Fauré’s music here, to share the way I have engaged with Fauré’s question, with you, the listener.”

Here is a scrolling score of “Après Fauré: Prelude”:

“This format is similar to my After Bach project,” he continues. “The connections are less overt, but Fauré’s harmonic imprint is on all four. There is also a textural influence, in terms of how he presented his musical material pianistically—he exploited the instrument’s sonority masterfully, as an expressive means. So, for example, in my first ‘Prelude,’ melody is welded to a continuous arpeggiation, both part of it and hovering above it; in my ‘Nocturne,’ it is possible to hear the harkening chordal approach in the opening of Fauré’s No. 12.”

Brad Mehldau’s Nonesuch debut was the 2004 solo disc Live in Tokyo. His subsequent nineteen releases on the label include six records with his trio as well as collaborative and solo albums. His most recent releases are a solo album he recorded during COVID-19 lockdown, Suite: April 2020; Jacob’s Ladder (2022), which featured music that reflects on scripture and the search for God through music and was inspired by the prog rock Mehldau loved as a young adolescent; and Your Mother Should Know: Brad Mehldau Plays The Beatles (2023), a live solo album featuring the pianist and composer’s interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison. Mehldau’s memoir, Formation: Building a Personal Canon, Part I, also was published in 2023, offering a rare look inside the mind of an artist at the top of his field, in his own words. 

ProductionCredits

PRODUCTION CREDITS
Recorded June 19-21, 2023 at Mechanics Hall, Worcester, MA
Engineered, mixed, and mastered by Tom Lazarus
Additional mixing by John Davis
Piano technician: Barbara Renner

Design: Evan Gaffney
Cover photograph: Ivan Bastien / Stocksy
Brad Mehldau photographed by Sofie Knijff

Album Status
Artist Name
Brad Mehldau
MusicianDetails

MUSICIANS
Brad Mehldau, piano

reissues?
new-release
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UPC/Price
Label
CD+MP3
Price
13.00
UPC
075597900897
Slug
apres-faure-cd-mp3-bundle
Label
96/24 HD FLAC
Price
10.00
UPC
075597900873
Slug
apres-faure-hd-flac-album-96khz-24bit
Label
MP3
Price
9.00
UPC
075597900866
Slug
apres-faure-mp3-album

News & Reviews

  • Brad Mehldau's recent concert at Elbphilharmonie in Hamburg with the Frankfurt Radio Big Band conducted and with arrangements by its composer-in-residence Darcy James Argue, can now be seen on ARTE. "Brad Mehldau ranks among the most significant jazz pianists of our time," says ARTE. "One of the most influential pianists of recent decades, Mehldau has garnered a following extending far beyond the jazz world." Argue, whom ARTE says "possesses the ability to propel big-band music into uncharted territory," has has been nominated for the JJA Jazz Award for Arranger of the Year; his arrangements can be heard on Cécile McLorin Salvant's forthcoming orchestral album, With Every Breath I Take.

  • Brad Mehldau has announced four live performances of music from Ride into the Sun, his 2025 songbook record of music by Elliott Smith, this summer: three in California in late August, in San Diego, Los Angeles, and Oakland, followed by the Groton Hill Music Center in Massachusetts on September 2. All four performances include singer/mandolinist Chris Thile, bassist John Davis, and drummer Matt Chamberlain, who perform on the album, plus singer/guitarist Blake Mills and a chamber orchestra led by Dan Coleman, reprising his album role, here with USC Thornton Chamber Virtuosi in California and A Far Cry chamber orchestra in Groton.

  • About This Album

    Brad Mehldau’s Après Fauré was released May 10, 2024, on Nonesuch Records. On Après Fauré, Mehldau performs four nocturnes, from a thirty-seven-year span of Gabriel Fauré’s career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau’s four compositions that Fauré inspired are presented in a group, bookended by two sections featuring the French composer’s work.

    Discussing the Après Fauré album in his note, Mehldau says: “If the sublime foreshadows our mortality, this music might communicate the austerity of death—Fauré’s as it approached him, but also the apprehension of our own. We find a kinship with the composer finally, in the form of a question that he tossed off into the future, to us. I have composed four pieces to accompany Fauré’s music here, to share the way I have engaged with Fauré’s question, with you, the listener.”

    Here is a scrolling score of “Après Fauré: Prelude”:

    “This format is similar to my After Bach project,” he continues. “The connections are less overt, but Fauré’s harmonic imprint is on all four. There is also a textural influence, in terms of how he presented his musical material pianistically—he exploited the instrument’s sonority masterfully, as an expressive means. So, for example, in my first ‘Prelude,’ melody is welded to a continuous arpeggiation, both part of it and hovering above it; in my ‘Nocturne,’ it is possible to hear the harkening chordal approach in the opening of Fauré’s No. 12.”

    Brad Mehldau’s Nonesuch debut was the 2004 solo disc Live in Tokyo. His subsequent nineteen releases on the label include six records with his trio as well as collaborative and solo albums. His most recent releases are a solo album he recorded during COVID-19 lockdown, Suite: April 2020; Jacob’s Ladder (2022), which featured music that reflects on scripture and the search for God through music and was inspired by the prog rock Mehldau loved as a young adolescent; and Your Mother Should Know: Brad Mehldau Plays The Beatles (2023), a live solo album featuring the pianist and composer’s interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison. Mehldau’s memoir, Formation: Building a Personal Canon, Part I, also was published in 2023, offering a rare look inside the mind of an artist at the top of his field, in his own words. 

    Credits

    MUSICIANS
    Brad Mehldau, piano

    PRODUCTION CREDITS
    Recorded June 19-21, 2023 at Mechanics Hall, Worcester, MA
    Engineered, mixed, and mastered by Tom Lazarus
    Additional mixing by John Davis
    Piano technician: Barbara Renner

    Design: Evan Gaffney
    Cover photograph: Ivan Bastien / Stocksy
    Brad Mehldau photographed by Sofie Knijff

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