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Live in Tokyo

  • 79853

News & Reviews

  • The members of the original Joshua Redman Quartet—Redman, Brad Mehldau, Christian McBride, and Brian Blade—who reunite for the upcoming album RoundAgain, met up for a conversation about the project, their first recording together since 1994’s MoodSwing. They shared stories from their long history together while at the Falcon in upstate New York for a performance last fall. You can watch the conversation here, along with previously released performances of two RoundAgain tracks from the concert.

  • While sheltering at home with his family during the COVID-19 pandemic this spring, pianist and composer Brad Mehldau wrote twelve new songs about what he was experiencing; he was able to record them safely in a studio, together with interpretations of three tunes that mean a great deal to him personally. The resulting album, Suite: April 2020, is available now as a limited-edition deluxe 180-gram vinyl LP. One thousand numbered and signed copies are available for $100 exclusively from the Nonesuch Store, Bandcamp, and Discogs; a minimum of $90 from each sale will be donated to the Jazz Foundation of America’s COVID-19 Musician’s Emergency Fund (after distribution fees). Suite: April 2020 is also available digitally today, with CD and standard vinyl editions due September 18; a portion of their sales also will benefit JFA’s Fund. A video for the album track “remembering before all this,” with an introduction by Mehldau, is available here.

  • About This Album

    Brad Mehldau recently was described by the Washington Post as “one of his generation’s most gifted and thoughtful pianists.” On his Nonesuch debut, Brad Mehldau Live in Tokyo, he interprets material from artists as varied as George and Ira Gershwin, Thelonius Monk, Nick Drake, and Radiohead. The record, which was recorded during a recent solo performance in Japan, will be released on September 14, 2004.

    Mehldau first came to the attention of jazz audiences in the early 1990s as a member of saxophonist Joshua Redman’s quartet. He soon embarked on a recording career of his own, releasing ten critically acclaimed albums on Warner Bros. during the last decade. Included among them are five volumes of his Art of the Trio series with bassist Larry Grenadier and drummer Jorge Rossy; a classically inspired solo studio disc, Elegiac Cycle; and Largo, an experimental outing with producer Jon Brion (Aimee Mann, Fiona Apple) that introduced electronic and subtle pop elements into Mehldau’s approach. His most recent trio record, Anything Goes—which the New York Times called “the best Mehldau record yet”—was released in early 2004. Mehldau currently is working on a piece commissioned by Carnegie Hall for voice and piano, to be performed in the spring of 2005 with soprano Renee Fleming.

    Speaking of this recording and his new label, Mehldau said, I’m very happy and excited about my new relationship with Nonesuch Records. I’ve been a great fan of so many recordings from Nonesuch over the years—Dawn Upshaw’s lieder recitals, Richard Goode’s Beethoven Sonata Cycle, Bill Frisell’s recordings, or Steve Reich’s music, just to name a few. It’s a real honor to be associated with such a level of integrity. From the first time I met Bob Hurwitz and talked with him, it struck me that he is first and foremost concerned with the musical quality of the recordings he is involved with, and everything else is secondary. Many other people in the music business may preach a ‘music first’ philosophy, but the team at Nonesuch is actually practicing that philosophy”

    Nonesuch President Robert Hurwitz added, “I have greatly admired Brad from a distance for years; when the opportunity arose for a chance to work with him, we immediately jumped at it. It is one thing to be a great pianist, another to be an original, and yet another to be a visionary. To be all three at once is the rarest of events. We feel Brad is this rare of a musician, and we are privileged to be working with him at Nonesuch.”

    Credits

    MUSICIANS
    Brad Mehldau, piano

    PRODUCTION CREDITS
    Produced by Brad Mehldau
    Recorded live in concert February 15, 2003, Sumida Triphony Hall, Tokyo
    Engineer: Yoshihito Saegusa
    Mastered by Greg Calbi at Sterling Sound, New York City

    Design by Barbara deWilde
    Photographs of Brad Mehldau by Michael Wilson
    Back cover (Cherry Blossom) and panel photograph (Pole) by Ye Rin Mok

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on May 29, 2008 - 7:14pm
genre: 
Release Date: 
Tuesday, September 14, 2004 - 04:00
DescriptionExcerpt: 

Mehldau interprets Gershwin, Monk, Nick Drake, and Radiohead. The Philadelphia Inquirer declares, “Mehldau shows more than awesome technique on this heartfelt romp ... He dives deep like Keith Jarrett and comes out in unexpected places like an explorer.”

Description: 

Brad Mehldau recently was described by the Washington Post as “one of his generation’s most gifted and thoughtful pianists.” On his Nonesuch debut, Brad Mehldau Live in Tokyo, he interprets material from artists as varied as George and Ira Gershwin, Thelonius Monk, Nick Drake, and Radiohead. The record, which was recorded during a recent solo performance in Japan, will be released on September 14, 2004.

Mehldau first came to the attention of jazz audiences in the early 1990s as a member of saxophonist Joshua Redman’s quartet. He soon embarked on a recording career of his own, releasing ten critically acclaimed albums on Warner Bros. during the last decade. Included among them are five volumes of his Art of the Trio series with bassist Larry Grenadier and drummer Jorge Rossy; a classically inspired solo studio disc, Elegiac Cycle; and Largo, an experimental outing with producer Jon Brion (Aimee Mann, Fiona Apple) that introduced electronic and subtle pop elements into Mehldau’s approach. His most recent trio record, Anything Goes—which the New York Times called “the best Mehldau record yet”—was released in early 2004. Mehldau currently is working on a piece commissioned by Carnegie Hall for voice and piano, to be performed in the spring of 2005 with soprano Renee Fleming.

Speaking of this recording and his new label, Mehldau said, I’m very happy and excited about my new relationship with Nonesuch Records. I’ve been a great fan of so many recordings from Nonesuch over the years—Dawn Upshaw’s lieder recitals, Richard Goode’s Beethoven Sonata Cycle, Bill Frisell’s recordings, or Steve Reich’s music, just to name a few. It’s a real honor to be associated with such a level of integrity. From the first time I met Bob Hurwitz and talked with him, it struck me that he is first and foremost concerned with the musical quality of the recordings he is involved with, and everything else is secondary. Many other people in the music business may preach a ‘music first’ philosophy, but the team at Nonesuch is actually practicing that philosophy”

Nonesuch President Robert Hurwitz added, “I have greatly admired Brad from a distance for years; when the opportunity arose for a chance to work with him, we immediately jumped at it. It is one thing to be a great pianist, another to be an original, and yet another to be a visionary. To be all three at once is the rarest of events. We feel Brad is this rare of a musician, and we are privileged to be working with him at Nonesuch.”

ProductionCredits: 

PRODUCTION CREDITS
Produced by Brad Mehldau
Recorded live in concert February 15, 2003, Sumida Triphony Hall, Tokyo
Engineer: Yoshihito Saegusa
Mastered by Greg Calbi at Sterling Sound, New York City

Design by Barbara deWilde
Photographs of Brad Mehldau by Michael Wilson
Back cover (Cherry Blossom) and panel photograph (Pole) by Ye Rin Mok

Cover Art: 
Nonesuch Selection Number: 

79853

Number of Discs in Set: 
1disc
ns_album_artistid: 
206
ns_album_id: 
563
ns_album_releasedate: 
Tuesday, September 14, 2004 - 04:00
ns_genre_1: 
0
ns_genre_2: 
0
Album Status: 
UPC/Price: 
Label: 
CD+MP3
UPC: 
075597985320BUN
Price: 
11.00
Label: 
MP3
UPC: 
075597985368
Price: 
9.00
Artist Name: 
Brad Mehldau
MusicianDetails: 

MUSICIANS
Brad Mehldau, piano

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