Love Sublime (with Renée Fleming)

Submitted by nonesuch on Thu, 05/29/2008 - 19:14
genre
Release Date
DescriptionExcerpt

This Mehldau-composed, Carnegie Hall–commissioned song cycle ponders Rainer Marie Rilke’s early poetry. The New York Times says, "it succeeds handsomely as a showcase for Ms. Fleming, and as an example of Mr. Mehldau's deft calibration of pretense and personality."

Description

Love Sublime originated as a commission from the Carnegie Hall Corporation, composed expressly for Fleming—along with Mehldau—to perform at Zankel Hall, where it was premiered in May 2005. Most of the songs draw their texts from two collections of poems: The Blue Estuaries by Louise Bogan and The Book of Hours: Love Poems to God by Rainer Maria Rilke. The text of the title track, “Love Sublime,” was written by the Dutch singer/lyricist Fleurine.

“It was a great pleasure to work with Renee," said Mehldau. "I wrote the music, but she brought it to life."

ProductionCredits

PRODUCTION CREDITS
Produced by Steven Epstein
Recorded January 10–11, 2006, at SUNY Purchase Performing Arts Center, Purchase, NY
Engineered by Todd Whitelock
Assistant Engineer: Jim Yates
Additional Engineering: Richard King
Stage Manager: Andrew Ryder
Mixed by Todd Whitelock at Sony Music Studios, New York, NY
Mastered by Todd Whitelock and Steven Epstein at Sony Music Studios
Executive Producer: Robert Hurwitz

Music by Brad Mehldau; text by Rainer Maria Rilke (1-7), Louise Bogan (8-10), Fleurine (11)

Design by Barbara de Wilde
Photography by Michael Wilson

Nonesuch Selection Number

79952

Number of Discs in Set
1disc
ns_album_artistid
206
ns_album_id
625
ns_album_releasedate
ns_genre_1
0
ns_genre_2
0
Album Status
Artist Name
Brad Mehldau
MusicianDetails

MUSICIANS
Brad Mehldau, piano
Renée Fleming, vocals

Cover Art
UPC/Price
Label
CD+MP3
UPC
075597995220BUN
Label
MP3
Price
8.00
UPC
075597995268
  • 79952

News & Reviews

  • The members of the legendary original 1990s Joshua Redman Quartet—Redman, Brad Mehldau, Christian McBride, and Brian Blade—who reunited after twenty-six years for the 2020 album RoundAgain, return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival. "Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.

  • The New York Philharmonic has announced the lineups for the first two installments of The 65th Street Session, a NY Phil presentation curated by Chris Thile, its 2022–23 Creative Partner, in the Wu Tsai Theater of Lincoln Center’s David Geffen Hall: Thile with Brad Mehldau and Tune-Yards on October 11 and with Punch Brothers, Watchhouse, and Sarah Jarosz, as part of their American Acoustic Tour, on December 6. Fan pre-sale is on now with code 65THSTREET. General on-sale begins September 13. Lineups and ticket info for the final two performances, February 14 and March 28, 2023, will be announced at a later date.

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  • About This Album

    Love Sublime originated as a commission from the Carnegie Hall Corporation, composed expressly for Fleming—along with Mehldau—to perform at Zankel Hall, where it was premiered in May 2005. Most of the songs draw their texts from two collections of poems: The Blue Estuaries by Louise Bogan and The Book of Hours: Love Poems to God by Rainer Maria Rilke. The text of the title track, “Love Sublime,” was written by the Dutch singer/lyricist Fleurine.

    “It was a great pleasure to work with Renee," said Mehldau. "I wrote the music, but she brought it to life."

    Credits

    MUSICIANS
    Brad Mehldau, piano
    Renée Fleming, vocals

    PRODUCTION CREDITS
    Produced by Steven Epstein
    Recorded January 10–11, 2006, at SUNY Purchase Performing Arts Center, Purchase, NY
    Engineered by Todd Whitelock
    Assistant Engineer: Jim Yates
    Additional Engineering: Richard King
    Stage Manager: Andrew Ryder
    Mixed by Todd Whitelock at Sony Music Studios, New York, NY
    Mastered by Todd Whitelock and Steven Epstein at Sony Music Studios
    Executive Producer: Robert Hurwitz

    Music by Brad Mehldau; text by Rainer Maria Rilke (1-7), Louise Bogan (8-10), Fleurine (11)

    Design by Barbara de Wilde
    Photography by Michael Wilson

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