Skip directly to content

Bill Frisell with Dave Holland and Elvin Jones

  • Bill Frisell with Dave Holland and Elvin Jones
    by

  • 79624

Track Listing

News & Reviews

  • Ahead of the long-awaited world premiere of Omar, the opera composed by Rhiannon Giddens and Michael Abels, at the Spoleto Festival USA in Charleston, SC, next Friday, Giddens has released her own recording of the song “Julie’s Aria” from the opera. The recording was made by Giddens with guitarist Bill Frisell and her frequent collaborator Francesco Turrisi. Omar is based on the life and autobiography of enslaved Muslim scholar Omar Ibn Said, who was forcefully brought to Charleston from Africa in 1807. “My work as a whole is about excavating and shining a light on pieces of history that not only need to be seen and heard," Giddens says, "but that can also add to the conversation about what’s going on now. This is a story that hasn’t been represented in the operatic world—or in any world.” Omar will also be performed by LA Opera, Lyric Opera of Chicago, Boston Lyric Opera, San Francisco Opera, and Carolina Performing Arts at the University of North Carolina Chapel Hill.

  • Cornetist, composer, and educator Ron Miles died at his home in Denver, Colorado, on Tuesday, March 8, due to complications from polycythemia vera, a rare blood disorder, at the age 58. He can be heard on several Nonesuch recordings, performing with Joshua Redman on the 2018 Grammy-nominated album Still Dreaming and with Bill Frisell on History, Mystery (2008), Blues Dream (2001), and Quartet (1996).

Buy Now

  • About This Album

    For his 15th Nonesuch release, Bill Frisell has teamed up with two of the most revered figures in contemporary jazz, bassist Dave Holland and drummer Elvin Jones, for the first time on record. An impromptu meeting of these three unique voices resulted in instant musical chemistry, as they revisited—and often transformed—Frisell’s compositions and a pair of standards.

    According to Frisell, co-producer Michael Shrieve—a former member of Santana and a highly creative drummer with whom Frisell has worked—first suggested playing with Jones. “Michael has known Elvin since he was a little kid,” Frisell explains, “and is currently writing a book about him. Out of the blue he told me that I should play with Elvin. I had met Elvin once, about 15 years ago, but I never thought I’d get a chance to play with him.”

    Seeing that Shrieve was perfectly serious about the suggestion, Frisell and co-producer Lee Townsend quickly decided on the right bassist for the project. “I had played a little bit with Dave,” Frisell says, “and we’d talked about doing more work together. And Dave had worked with Elvin, so I thought he might be able to tie it all together. The whole thing was like a dream, to be able to play with these guys.”

    Each of Frisell’s collaborators on the eponymously titled release can rightfully claim the tag “legendary.” British-born bassist Dave Holland was a mainstay in Miles Davis’s bands immediately prior to and during the Bitches Brew era, and also worked in more avant-garde settings with Chick Corea and Anthony Braxton. In recent years Holland has become one of the most celebrated composers and bandleaders in jazz.

    Born in Pontiac and raised in Detroit as part of an enormously gifted musical family, Elvin Jones became one of the most popular and influential drummers in jazz history through his work in the John Coltrane Quartet. He, too, has been a celebrated bandleader, and numerous younger musicians— including Nicholas Payton, Javon Jackson, and Ravi Coltrane—have received their bandstand seasoning as members of his Jazz Machine.

    In selecting the tunes for the session, Frisell and Townsend picked some of his most enduring compositions, which were then transformed by the band in the studio. “I wanted to bring Dave and Elvin into my world,” Frisell said. “Strange Meeting,” originally a martial tango, is recast here as a breezy bossa nova. Bluesier material and a folk ballad by Stephen Foster, “Hard Times,” were also chosen because Frisell had always heard the blues in Jones’s playing. “I wasn’t sure how he would react,” Frisell says, “but Elvin got really excited about this stuff—he said that it took him back to the music he used to listen to as a kid in Detroit, like Big Bill Broonzy. And selfishly, if someone has a tune, who wouldn’t want to hear what it would sound like if Elvin Jones played it?”

    Credits

    MUSICIANS
    Bill Frisell, electric and acoustic guitars, loops
    Dave Holland, bass
    Elvin Jones, drums

    PRODUCTION CREDITS
    Produced by Lee Townsend and Michael Shrieve
    Recorded at Avatar Studios, New York City and Different Fur Recording, San Francisco
    Recording Engineers: Joe Ferla, Adam Muñoz and Rory Romano
    Mixed at Different Fur Recording, San Francisco
    Mixing Engineer: Joe Ferla
    Edited by Adam Muñoz
    Mastered by Greg Calbi at Sterling Sound, New York City

    All compositions by Bill Frisell (Friz-Tone Music/BMI) except "Moon River" by Henry Mancini (Famous Music Corporation/ASCAP) and "Hard Times" by Stephen Foster

    Design by 27.12 design, ltd.
    Art by Jim Woodring

More From

nonesuch's picture
on May 29, 2008 - 7:14pm
genre: 
Release Date: 
Tuesday, October 2, 2001 - 04:00
DescriptionExcerpt: 

Jazz greats Dave Holland (bass) and Elvin Jones (drums) join the guitarist-composer for this set of Frisell originals, plus a pair of standards. They complement “the guitarist's offbeat charm and unerring taste,” says Billboard, “with their muscular authority.”

Description: 

For his 15th Nonesuch release, Bill Frisell has teamed up with two of the most revered figures in contemporary jazz, bassist Dave Holland and drummer Elvin Jones, for the first time on record. An impromptu meeting of these three unique voices resulted in instant musical chemistry, as they revisited—and often transformed—Frisell’s compositions and a pair of standards.

According to Frisell, co-producer Michael Shrieve—a former member of Santana and a highly creative drummer with whom Frisell has worked—first suggested playing with Jones. “Michael has known Elvin since he was a little kid,” Frisell explains, “and is currently writing a book about him. Out of the blue he told me that I should play with Elvin. I had met Elvin once, about 15 years ago, but I never thought I’d get a chance to play with him.”

Seeing that Shrieve was perfectly serious about the suggestion, Frisell and co-producer Lee Townsend quickly decided on the right bassist for the project. “I had played a little bit with Dave,” Frisell says, “and we’d talked about doing more work together. And Dave had worked with Elvin, so I thought he might be able to tie it all together. The whole thing was like a dream, to be able to play with these guys.”

Each of Frisell’s collaborators on the eponymously titled release can rightfully claim the tag “legendary.” British-born bassist Dave Holland was a mainstay in Miles Davis’s bands immediately prior to and during the Bitches Brew era, and also worked in more avant-garde settings with Chick Corea and Anthony Braxton. In recent years Holland has become one of the most celebrated composers and bandleaders in jazz.

Born in Pontiac and raised in Detroit as part of an enormously gifted musical family, Elvin Jones became one of the most popular and influential drummers in jazz history through his work in the John Coltrane Quartet. He, too, has been a celebrated bandleader, and numerous younger musicians— including Nicholas Payton, Javon Jackson, and Ravi Coltrane—have received their bandstand seasoning as members of his Jazz Machine.

In selecting the tunes for the session, Frisell and Townsend picked some of his most enduring compositions, which were then transformed by the band in the studio. “I wanted to bring Dave and Elvin into my world,” Frisell said. “Strange Meeting,” originally a martial tango, is recast here as a breezy bossa nova. Bluesier material and a folk ballad by Stephen Foster, “Hard Times,” were also chosen because Frisell had always heard the blues in Jones’s playing. “I wasn’t sure how he would react,” Frisell says, “but Elvin got really excited about this stuff—he said that it took him back to the music he used to listen to as a kid in Detroit, like Big Bill Broonzy. And selfishly, if someone has a tune, who wouldn’t want to hear what it would sound like if Elvin Jones played it?”

ProductionCredits: 

PRODUCTION CREDITS
Produced by Lee Townsend and Michael Shrieve
Recorded at Avatar Studios, New York City and Different Fur Recording, San Francisco
Recording Engineers: Joe Ferla, Adam Muñoz and Rory Romano
Mixed at Different Fur Recording, San Francisco
Mixing Engineer: Joe Ferla
Edited by Adam Muñoz
Mastered by Greg Calbi at Sterling Sound, New York City

All compositions by Bill Frisell (Friz-Tone Music/BMI) except "Moon River" by Henry Mancini (Famous Music Corporation/ASCAP) and "Hard Times" by Stephen Foster

Design by 27.12 design, ltd.
Art by Jim Woodring

Cover Art: 
Nonesuch Selection Number: 

79624

Number of Discs in Set: 
1disc
ns_album_artistid: 
38
ns_album_id: 
437
ns_album_releasedate: 
Tuesday, October 2, 2001 - 04:00
ns_genre_1: 
0
ns_genre_2: 
0
Album Status: 
UPC/Price: 
Label: 
CD+MP3
UPC: 
075597962420BUN
Label: 
MP3
UPC: 
075597962468
Price: 
9.00
Artist Name: 
Bill Frisell
MusicianDetails: 

MUSICIANS
Bill Frisell, electric and acoustic guitars, loops
Dave Holland, bass
Elvin Jones, drums

[{"parent":{"title":"Get on the list !","body":" Get exclusive information about NONESUCH tour dates, video premieres and special announcements ","field_newsletter_id":"14075483","field_label_list_id":"6389157","field_display_rates":"-1","field_preview_mode":"false","field_lbox_height":"","field_lbox_width":"","field_toaster_timeout":"16000","field_toaster_position":"From Bottom","field_turnkey_height":"800"}}]

Performs On