Nashville
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79415
Track Listing
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15:05
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104:22
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115:28
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124:15
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133:32
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142:00
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24:27
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34:51
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43:59
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56:03
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63:09
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73:31
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86:50
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95:22
News & Reviews
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Cornetist, composer, and educator Ron Miles died at his home in Denver, Colorado, on Tuesday, March 8, due to complications from polycythemia vera, a rare blood disorder, at the age 58. He can be heard on several Nonesuch recordings, performing with Joshua Redman on the 2018 Grammy-nominated album Still Dreaming and with Bill Frisell on History, Mystery (2008), Blues Dream (2001), and Quartet (1996).
Happy International Jazz Day! Looking for a soundtrack to celebrate? Check out the Nonesuch: Jazz playlist on Spotify and Apple Music here, featuring new and classic songs from Brad Mehldau, Joshua Redman, Tigran Hamasyan, Pat Metheny, Bill Frisell, Allen Toussaint, James Farm, Rokia Traoré, Joni Mitchell, and others. And to hear new tracks as they’re added with music from new and upcoming releases, subscribe to the playlist today.
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About This Album
Bill Frisell’s Nashville evokes a distinct American regional flavor and marks an entirely new chapter in a career that the forward-thinking musical community has applauded for its innovation and diversity. In natural succession to recordings like This Land and Have a Little Faith, Nashville provides a deeper look into Bill Frisell’s long-standing fascination with Americana. As with his previous Nonesuch recording, Quartet, it is a departure from the traditional jazz quartet, both in its instrumentation and repertoire.
Recorded in the country-music capital of the world with some of this country’s finest musicians, Nashville features Adam Steffey (mandolin) and Ron Block (banjo), of Alison Krauss’s band Union Station; Jerry Douglas (dobro), widely known for his work with artists ranging from Jerry Garcia to Hank Williams, Jr.; and Viktor Krauss (bass), a veteran of Lyle Lovett’s band. Frisell originals and a few covers make up this record, including Neil Young’s “One of These Days” and Skeeter Davis’s 1963 hit “The End of the World,” both sung by Robin Holcomb.
Frisell is commonly called the most inventive guitarist at work in the world, and this is nowhere more evident than on Nashville, a recording that represents a genuine synthesis from an artist who has said, “It sure is nice to move around and hear the music from a different perspective.”
Credits
MUSICIANS
Bill Frisell, guitar (1-14)
Viktor Krauss, bass (1-14)
Jerry Douglas, dobro (1-6, 9, 10, 12)
Ron Block, banjo (2, 6, 8, 11, 13, 14), acoustic guitar, (3, 7)
Adam Steffey, mandolin (2, 3, 6-8, 11, 13, 14)
Robin Holcomb, vocals (3, 6, 13)
Pat Bergeson, harmonica (2, 8)PRODUCTION CREDITS
Produced by Wayne Horvitz
Recorded and mixed September 1995 and October-November 1996 at Sound Emporium, Nashville, TN
Engineered by Roger Moutenot
Assistant Engineer: Jason Lehning
Mastered by Greg Calbi at Masterdisk, New York, NY
Associate Producer: David Bither
All compositions by Bill Frisell except track 3 by Neil Young, track 6 by Hazel Dickens, and track 13 by Arthur Kent / Sylvia Dee
Design by Barbara deWilde
Cover Photograph by Kevin Ellsworth
More From
Bill Frisell ventures to Nashville to explore Americana with a supporting cast of Music City greats, including dobro virtuoso Jerry Douglas and bassist Viktor Krauss, and guest vocals from Robin Holcomb. "Comprising acoustic instrumental folk tunes with unpredictable stylistic accents," L.A. Weekly declared, “Nashville boasts a dreamy, seductive grandeur."
Bill Frisell’s Nashville evokes a distinct American regional flavor and marks an entirely new chapter in a career that the forward-thinking musical community has applauded for its innovation and diversity. In natural succession to recordings like This Land and Have a Little Faith, Nashville provides a deeper look into Bill Frisell’s long-standing fascination with Americana. As with his previous Nonesuch recording, Quartet, it is a departure from the traditional jazz quartet, both in its instrumentation and repertoire.
Recorded in the country-music capital of the world with some of this country’s finest musicians, Nashville features Adam Steffey (mandolin) and Ron Block (banjo), of Alison Krauss’s band Union Station; Jerry Douglas (dobro), widely known for his work with artists ranging from Jerry Garcia to Hank Williams, Jr.; and Viktor Krauss (bass), a veteran of Lyle Lovett’s band. Frisell originals and a few covers make up this record, including Neil Young’s “One of These Days” and Skeeter Davis’s 1963 hit “The End of the World,” both sung by Robin Holcomb.
Frisell is commonly called the most inventive guitarist at work in the world, and this is nowhere more evident than on Nashville, a recording that represents a genuine synthesis from an artist who has said, “It sure is nice to move around and hear the music from a different perspective.”
PRODUCTION CREDITS
Produced by Wayne Horvitz
Recorded and mixed September 1995 and October-November 1996 at Sound Emporium, Nashville, TN
Engineered by Roger Moutenot
Assistant Engineer: Jason Lehning
Mastered by Greg Calbi at Masterdisk, New York, NY
Associate Producer: David Bither
All compositions by Bill Frisell except track 3 by Neil Young, track 6 by Hazel Dickens, and track 13 by Arthur Kent / Sylvia Dee
Design by Barbara deWilde
Cover Photograph by Kevin Ellsworth

79415
MUSICIANS
Bill Frisell, guitar (1-14)
Viktor Krauss, bass (1-14)
Jerry Douglas, dobro (1-6, 9, 10, 12)
Ron Block, banjo (2, 6, 8, 11, 13, 14), acoustic guitar, (3, 7)
Adam Steffey, mandolin (2, 3, 6-8, 11, 13, 14)
Robin Holcomb, vocals (3, 6, 13)
Pat Bergeson, harmonica (2, 8)