The Dharma at Big Sur / My Father Knew Charles Ives

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John Adams calls these orchestral works "musical autobiography," evoking his East Coast past and West Coast present. The Wall Street Journal calls Dharma "a heartbreakingly beautiful work." My Father, says the New York Times, "lovingly recalls the composer's childhood home." 

Description

In September 2006, Nonesuch Records released The Dharma at Big Sur, which comprises the 2003 title piece by Pulitzer Prize–winning composer John Adams, as well as My Father Knew Charles Ives, also from 2003. Both pieces are performed by London’s BBC Symphony Orchestra and conducted by Adams.

The Dharma at Big Sur, composed for the opening of Los Angeles’s Frank Gehry–designed Disney Hall, features electric violinist Tracy Silverman. “When I was asked by Esa-Pekka Salonen to compose a special piece for the opening," says the composer, "I immediately began searching my mind for an image, either verbal or pictorial, that could summon up the feelings of being an emigrant to the Pacific Coast—as I am, and as are so many who’ve made the journey here, both physically and spiritually. Coming upon the California coast, the Western shelf drops off violently, often from dizzying heights, as it does at Big Sur, the stretch of coastal precipice midway between Santa Cruz and Santa Barbara.”

Each part of The Dharma at Big Sur is dedicated to a West Coast composer who had been both a friend and an inspiration to Adams: Lou Harrison and Terry Riley, respectively. The first part, “A New Day,” is an homage to Harrison, who lived not far from Big Sur and who was the first significant American to compose in other tuning systems. According to the composer, it is a “long rhapsodic reverie for the solo violin, an endless melody that soars above the stillness of an orchestral drone with its quietly pulsating gongs and harps and distant brass chords, until the solo violin juggles a jazz-infused melody that gradually expands in scope and tessitura for the second part, ‘Sri Moonshine,’ a tip of the hat to Terry Riley, not only the composer of In C and A Rainbow in Curved Air, but also a master of Indian raga singing.”

Adams says of My Father Knew Charles Ives,

Carl Adams, my Massachusetts-born father, did not in fact know Ives. But for a few years and only a little distance to the north, the two Yankees might well have met, and it’s not unlikely that they would have become good friends. Both were businessmen by day and artists by night. I imagine them exchanging a wry comment in front of the town post office, or, rake in hand, lending each other some help after the first October frost.

My Father Knew Charles Ives is musical autobiography, an homage and encomium to a composer whose influence on me has been huge. Here are three more "places" in New England. My "Concord," however, is Concord, New Hampshire, 80 miles to the north of the Concord of Ives’s epic piano sonata. And my "Mountain" must also include the beloved West Coast Sierras of my adult life. "The Lake" is a summer nocturne. Over the gently lapping sounds of the water distant lights glimmer and mosquitoes hover. Far across the water the distant sound of a dance band floats off the dance hall pavilion, the Winnipesaukee Gardens. It was here that my father, playing clarinet in a visiting swing band, met my mother in the summer of 1935. I still have a picture of him sitting with the band, Ed Murphy’s Orchestra, wearing white shoes and holding his clarinet in a relaxed pose.

ProductionCredits

PRODUCTION CREDITS
Produced by Martin Sauer
The Dharma at Big Sur was recorded August 23, 2004, at Abbey Road Studios, London, and April 8, 2006, at Skywalker Ranch, San Francisco, CA
Engineers: Tobias Lehmann (London) and Mark Willsher (SF)
Edited and Mixed by René Möller at teldex Studio, Berlin, and Marie Ebbing and Mark Willsher at Skywalker Ranch
My Father Knew Charles Ives was recorded by René Möller, January 27, 2005, at Walthamstow Town Hall, London
Edited and Mixed by René Möller at teldex Studio
Engineered by Tobias Lehmann

Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

Design by Evan Gaffney
Cover photograph: Shell Rock and Arrangement by Edward Weston; Collection Center for Creative Photography © 1981 Arizona Board of Regents

Executive Producer: Robert Hurwitz

Nonesuch Selection Number

79857

Number of Discs in Set
1disc
ns_album_artistid
2
ns_album_id
643
ns_album_releasedate
ns_genre_1
0
ns_genre_2
0
Album Status
Artist Name
John Adams
MusicianDetails

MUSICIANS
The Dharma at Big Sur
Tracy Silverman, electric violin
BBC Symphony Orchestra
John Adams, conductor

My Father Knew Charles Ives
BBC Symphony Orchestra
Trumpet solos by Bill Houghton
John Adams, conductor

Cover Art
UPC/Price
Label
MP3
Price
9.00
UPC
075597985764
  • The Dharma at Big Sur / My Father Knew Charles Ives
    by

  • 79857

News & Reviews

  • "Right from the start, the very first notes sound almost like a pickaxe going against rock and then against that the singing has a certain quality that I think has that same simplicity of affect," composer John Adams says of his 2017 opera, Girls of the Golden West, in a new Boosey & Hawkes video marking the work's recently released first recording. "All of that comes together in this opera in a way that I think only opera can actually address, because it addresses you on an intellectual level, but it also fundamentally touches you on an emotional level." You can see what else he had to say here.

  • "The winner of five Grammy Awards and the Pulitzer Prize for Music, John Adams is one of America's greatest and most performed living composers," BBC Radio 4's This Cultural Life host John Wilson says of his guest. They talk about Adams' life, work, and the influence of Leonard Bernstein, Duke Ellington, Steve Reich, Charles Dickens, the state of California, and more. You can hear their conversation here.

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  • About This Album

    In September 2006, Nonesuch Records released The Dharma at Big Sur, which comprises the 2003 title piece by Pulitzer Prize–winning composer John Adams, as well as My Father Knew Charles Ives, also from 2003. Both pieces are performed by London’s BBC Symphony Orchestra and conducted by Adams.

    The Dharma at Big Sur, composed for the opening of Los Angeles’s Frank Gehry–designed Disney Hall, features electric violinist Tracy Silverman. “When I was asked by Esa-Pekka Salonen to compose a special piece for the opening," says the composer, "I immediately began searching my mind for an image, either verbal or pictorial, that could summon up the feelings of being an emigrant to the Pacific Coast—as I am, and as are so many who’ve made the journey here, both physically and spiritually. Coming upon the California coast, the Western shelf drops off violently, often from dizzying heights, as it does at Big Sur, the stretch of coastal precipice midway between Santa Cruz and Santa Barbara.”

    Each part of The Dharma at Big Sur is dedicated to a West Coast composer who had been both a friend and an inspiration to Adams: Lou Harrison and Terry Riley, respectively. The first part, “A New Day,” is an homage to Harrison, who lived not far from Big Sur and who was the first significant American to compose in other tuning systems. According to the composer, it is a “long rhapsodic reverie for the solo violin, an endless melody that soars above the stillness of an orchestral drone with its quietly pulsating gongs and harps and distant brass chords, until the solo violin juggles a jazz-infused melody that gradually expands in scope and tessitura for the second part, ‘Sri Moonshine,’ a tip of the hat to Terry Riley, not only the composer of In C and A Rainbow in Curved Air, but also a master of Indian raga singing.”

    Adams says of My Father Knew Charles Ives,

    Carl Adams, my Massachusetts-born father, did not in fact know Ives. But for a few years and only a little distance to the north, the two Yankees might well have met, and it’s not unlikely that they would have become good friends. Both were businessmen by day and artists by night. I imagine them exchanging a wry comment in front of the town post office, or, rake in hand, lending each other some help after the first October frost.

    My Father Knew Charles Ives is musical autobiography, an homage and encomium to a composer whose influence on me has been huge. Here are three more "places" in New England. My "Concord," however, is Concord, New Hampshire, 80 miles to the north of the Concord of Ives’s epic piano sonata. And my "Mountain" must also include the beloved West Coast Sierras of my adult life. "The Lake" is a summer nocturne. Over the gently lapping sounds of the water distant lights glimmer and mosquitoes hover. Far across the water the distant sound of a dance band floats off the dance hall pavilion, the Winnipesaukee Gardens. It was here that my father, playing clarinet in a visiting swing band, met my mother in the summer of 1935. I still have a picture of him sitting with the band, Ed Murphy’s Orchestra, wearing white shoes and holding his clarinet in a relaxed pose.

    Credits

    MUSICIANS
    The Dharma at Big Sur
    Tracy Silverman, electric violin
    BBC Symphony Orchestra
    John Adams, conductor

    My Father Knew Charles Ives
    BBC Symphony Orchestra
    Trumpet solos by Bill Houghton
    John Adams, conductor

    PRODUCTION CREDITS
    Produced by Martin Sauer
    The Dharma at Big Sur was recorded August 23, 2004, at Abbey Road Studios, London, and April 8, 2006, at Skywalker Ranch, San Francisco, CA
    Engineers: Tobias Lehmann (London) and Mark Willsher (SF)
    Edited and Mixed by René Möller at teldex Studio, Berlin, and Marie Ebbing and Mark Willsher at Skywalker Ranch
    My Father Knew Charles Ives was recorded by René Möller, January 27, 2005, at Walthamstow Town Hall, London
    Edited and Mixed by René Möller at teldex Studio
    Engineered by Tobias Lehmann

    Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME

    Design by Evan Gaffney
    Cover photograph: Shell Rock and Arrangement by Edward Weston; Collection Center for Creative Photography © 1981 Arizona Board of Regents

    Executive Producer: Robert Hurwitz

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