Fearful Symmetries / The Wound-Dresser
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79218
News & Reviews
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John Adams, the 2021 Music Director and conductor for the Ojai Music Festival, has announced featured artists for the 75th festival, June 10–13, 2021, including composer/pianist Timo Andres, who returns to Ojai to give the first live public performance of I Still Play, and Attacca Quartet, which makes its Ojai debut performing works by Caroline Shaw and others. Adams will conduct two concerts with works by Steve Reich, among others; his own work will be on programs by the LA Phil New Music Group and pianist Víkingur Ólafsson.
We Are Who We Are, a new series from Luca Guadagnino, the director of Call Me By Your Name and I Am Love, premieres on HBO and HBO Max tonight. As with many of Guadagnino's projects, the new show features several recordings by composer John Adams, starting with a selection from his 1995 song play I Was Looking At the Ceiling and Then I Saw the Sky on tonight's episode, and more in the weeks ahead.
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About This Album
The CD of this album is available to purchase at ArkivMusic.
The Wound-Dresser, for baritone voice and orchestra, employs Walt Whitman’s poetry. The New York Times calls it “a triumphant, near-perfectly proportioned work of art” that “builds to an overwhelming emotional climax.” Fearful Symmetries has attracted many well-known choreographers.
Credits
MUSICIANS
Orchestra of St. Luke's
John Adams, conductor
Sanford Sylvan, baritone (1)
Naoko Tanaka, violin (1)
Chris Gekker, trumpet (1)PRODUCTION CREDITS
Recorded November 1988 (Fearful Symmetries) and August 1989 (The Wound-Dresser) at Manhattan Center Studios, New York
Engineer: Paul Zinman
Assistant Engineer: Nelson Wong
Mixing Engineer: Everett Porter
Art Direction and Design by Frank Olinsky, Manhattan Design
Cover Photo by Matthew Brady, courtesy of the Library of Congress
Executive Producer: Robert Hurwitz
More From
The Wound-Dresser, for baritone voice and orchestra, employs Walt Whitman’s poetry. The New York Times calls it “a triumphant, near-perfectly proportioned work of art” that “builds to an overwhelming emotional climax.” Fearful Symmetries has attracted many well-known choreographers.
The CD of this album is available to purchase at ArkivMusic.
The Wound-Dresser, for baritone voice and orchestra, employs Walt Whitman’s poetry. The New York Times calls it “a triumphant, near-perfectly proportioned work of art” that “builds to an overwhelming emotional climax.” Fearful Symmetries has attracted many well-known choreographers.
PRODUCTION CREDITS
Recorded November 1988 (Fearful Symmetries) and August 1989 (The Wound-Dresser) at Manhattan Center Studios, New York
Engineer: Paul Zinman
Assistant Engineer: Nelson Wong
Mixing Engineer: Everett Porter
Art Direction and Design by Frank Olinsky, Manhattan Design
Cover Photo by Matthew Brady, courtesy of the Library of Congress
Executive Producer: Robert Hurwitz

79218
MUSICIANS
Orchestra of St. Luke's
John Adams, conductor
Sanford Sylvan, baritone (1)
Naoko Tanaka, violin (1)
Chris Gekker, trumpet (1)