The Wound-Dresser, for baritone voice and orchestra, employs Walt Whitman’s poetry. The New York Times calls it “a triumphant, near-perfectly proportioned work of art” that “builds to an overwhelming emotional climax.” Fearful Symmetries has attracted many well-known choreographers.
The CD of this album is available to purchase at ArkivMusic.
The Wound-Dresser, for baritone voice and orchestra, employs Walt Whitman’s poetry. The New York Times calls it “a triumphant, near-perfectly proportioned work of art” that “builds to an overwhelming emotional climax.” Fearful Symmetries has attracted many well-known choreographers.
PRODUCTION CREDITS
Recorded November 1988 (Fearful Symmetries) and August 1989 (The Wound-Dresser) at Manhattan Center Studios, New York
Engineer: Paul Zinman
Assistant Engineer: Nelson Wong
Mixing Engineer: Everett Porter
Art Direction and Design by Frank Olinsky, Manhattan Design
Cover Photo by Matthew Brady, courtesy of the Library of Congress
Executive Producer: Robert Hurwitz
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MUSICIANS
Orchestra of St. Luke's
John Adams, conductor
Sanford Sylvan, baritone (1)
Naoko Tanaka, violin (1)
Chris Gekker, trumpet (1)
