Naive and Sentimental Music

Submitted by nonesuch on Thu, 05/29/2008 - 19:14
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Release Date
DescriptionExcerpt

This ambitious work was provoked by German poet Friedrich Schiller’s essay on conscious vs. unconscious impulses in art and is dedicated to composer-conductor Esa-Pekka Salonen, who leads the Los Angeles Philharmonic on this recording. The Los Angeles Times calls it “compelling, original, and assured ... Adams’s most ambitious orchestral score.” The San Francisco Chronicle includes it among the best orchestral compositions of the past 50 years, calling it a "bracing and beautiful essay, part philosophical treatise and part Dickensian adventure."

Description

John Adams’s Naive and Sentimental Music, an orchestral work of nearly 50 minutes, is his most ambitious symphonic work to date. Premiered and recorded by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen, to whom the piece is dedicated, the work has subsequently been performed to great critical acclaim in New York, Chicago, Boston, and Cleveland, and throughout Europe. 

Taking its title from the German poet Friedrich Schiller, Adams's Naive and Sentimental Music has been called “ultimately personal, intimate … an epic in which individual stories peek through the onrush of history” (Los Angeles Times) and “a maximal tour de force that proves how far [Adams] has moved from his minimalist roots” (Chicago Tribune). The San Francisco Chronicle includes it among the best orchestral compositions of the past 50 years, calling it a "bracing and beautiful essay, part philosophical treatise and part Dickensian adventure." The piece also takes its lead from the Schiller work, which examines the relationship between two different artistic personalities, one that creates in an un-self-conscious way, and one that tends to analyze itself as it creates. Adams has articulated his attempt to let the former aspect of his own nature “play freely” in this new work.

Following on the heels of a three-day, eight-concert retrospective of Adams’s music at the BBC Festival in London earlier in 2002, which showcased nearly all of his most significant works, Naive and Sentimental Music came at a time of an unprecedented degree of recognition for the composer both in the US and Europe.

ProductionCredits

PRODUCTION CREDITS
Produced by Martin Sauer
Recorded October 25-26, 1999 at the Dorothy Chandler Pavilion, Los Angeles, CA
Engineered by Richard King
Assistant Engineers: Mark Betts and Todd Whitelock
Edited, mixed and mastered at Sony Music Studios, New York, NY
Edited by Todd Whitelock
Mixed by Martin Sauer and Richard King
Esa-Pekka Salonen and the Los Angeles Philharmonic appear courtesy of Sony Classical.

Naive and Sentimental Music was commissioned by the Los Angeles Philharmonic, the Ensemble Modern Orchestra, the Vancouver Symphony and the Sydney Symphony.

Design by Evan Gaffney Design
Cover photograph: Untitled (Overhanging Rock, Glacier Point, Yosemite), c. 1883 by Gustavus Fagersteen, courtesy of Oakland Museum of California, Gift of the Women’s Board

Executive Producer: Robert Hurwitz

Nonesuch Selection Number

79636

Number of Discs in Set
1disc
ns_album_artistid
2
ns_album_id
470
ns_album_releasedate
ns_genre_1
0
ns_genre_2
0
Album Status
Artist Name
John Adams
Los Angeles Philharmonic
MusicianDetails

MUSICIANS
Los Angeles Philharmonic
Esa-Pekka Salonen, conductor

Cover Art
UPC/Price
Label
CD+MP3
Price
0.00
UPC
075597963625BUN
Label
MP3
Price
9.00
UPC
075597963663
  • 79636

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  • About This Album

    John Adams’s Naive and Sentimental Music, an orchestral work of nearly 50 minutes, is his most ambitious symphonic work to date. Premiered and recorded by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen, to whom the piece is dedicated, the work has subsequently been performed to great critical acclaim in New York, Chicago, Boston, and Cleveland, and throughout Europe. 

    Taking its title from the German poet Friedrich Schiller, Adams's Naive and Sentimental Music has been called “ultimately personal, intimate … an epic in which individual stories peek through the onrush of history” (Los Angeles Times) and “a maximal tour de force that proves how far [Adams] has moved from his minimalist roots” (Chicago Tribune). The San Francisco Chronicle includes it among the best orchestral compositions of the past 50 years, calling it a "bracing and beautiful essay, part philosophical treatise and part Dickensian adventure." The piece also takes its lead from the Schiller work, which examines the relationship between two different artistic personalities, one that creates in an un-self-conscious way, and one that tends to analyze itself as it creates. Adams has articulated his attempt to let the former aspect of his own nature “play freely” in this new work.

    Following on the heels of a three-day, eight-concert retrospective of Adams’s music at the BBC Festival in London earlier in 2002, which showcased nearly all of his most significant works, Naive and Sentimental Music came at a time of an unprecedented degree of recognition for the composer both in the US and Europe.

    Credits

    MUSICIANS
    Los Angeles Philharmonic
    Esa-Pekka Salonen, conductor

    PRODUCTION CREDITS
    Produced by Martin Sauer
    Recorded October 25-26, 1999 at the Dorothy Chandler Pavilion, Los Angeles, CA
    Engineered by Richard King
    Assistant Engineers: Mark Betts and Todd Whitelock
    Edited, mixed and mastered at Sony Music Studios, New York, NY
    Edited by Todd Whitelock
    Mixed by Martin Sauer and Richard King
    Esa-Pekka Salonen and the Los Angeles Philharmonic appear courtesy of Sony Classical.

    Naive and Sentimental Music was commissioned by the Los Angeles Philharmonic, the Ensemble Modern Orchestra, the Vancouver Symphony and the Sydney Symphony.

    Design by Evan Gaffney Design
    Cover photograph: Untitled (Overhanging Rock, Glacier Point, Yosemite), c. 1883 by Gustavus Fagersteen, courtesy of Oakland Museum of California, Gift of the Women’s Board

    Executive Producer: Robert Hurwitz

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