Track ListingClick tracks with speaker icon to listen
|1||Pannonia Boundless (Aleksandra Vrebalov)||6:08|
|2||Cancão Verdes Anos (Carlos Paredes)||3:03|
|3||Aaj Ki Raat (Rahul Dev Burman)||4:50|
|4||La Muerte Chiquita (Enrique Rangel)||4:03|
|5||Turceasca (Sapo Perapaskero)||7:28|
|6||Gloomy Sunday (Rezsö Seress)||3:25|
|7||Cortejo Fúnebre en el Monte Diable (Terry Riley)||7:06|
|8||Responso (Aníbal Troilo)||4:39|
|9||Romance No. 1 (Carlos Paredes)||4:04|
|10||Gallop of a Thousan Horses (Kayhan Kalhor)||4:41|
|11||Ecstasy (Ali Jihad Racy)||8:33|
|12||Misirlou Twist (Nicholas Roubanis)||4:20|
News & Reviews
- Monday, August 12, 2013
Kronos Quartet helped close out the opening day of the Outside Lands festival in San Francisco's Golden Gate Park on Friday night with a flourish: first performing with The National (pictured here with Bob Weir, who joined for a song), then returning to the stage for the closing act, Sir Paul McCartney, for his encore, a performance of "Yesterday." Rolling Stone reports the performance "moved virtually every single person in the field, including security guards and food vendors." Watch it here.
- Wednesday, July 24, 2013
Lincoln Center Out of Doors Kicks Off with Kronos at 40, Five-Day Kronos Quartet "Festival Within a Festival"
The 2013 Lincoln Center Out of Doors festival gets under way today, and featured among the festival's 100 free performances taking place across the plazas of New York's Lincoln Center this summer are the events of Kronos at 40, curated in collaboration with Kronos Quartet to mark its 40th anniversary. This "festival within a festival" unfolds during the first five days of the larger festival and includes 28 concerts and events with daily appearances by Kronos plus performances by other artists. Check out the complete schedule of events and watch an interview with Kronos Quartet's David Harrington here.
About this Album
Much of the color and variety that has infused the long career of Kronos Quartet is the result of collaborations with composers from more than 50 countries. Unquestionably the most globally minded ensemble of its kind, the Quartet is familiar with an astonishing number of musical traditions and master players. These explorations have resulted in some of their most striking projects, particularly Pieces of Africa, which achieved the unprecedented distinction of being # 1 on the World and Classical charts simultaneously.
Kronos Caravan is inspired by that part of the world once known as “Pannonia”—the territory that connects northeastern Europe with the Mediterranean and the Orient. This crossroads of peoples and cultures is the starting point for a collection of arrangements and compositions that includes Portuguese fados; an Indian film theme; a Romanian Gypsy theme, featuring Taraf de Haïdouks; tunes from Iran, Hungary, and the Arab world; and a ritual elegy by composer Terry Riley. Also included is a version of the Lebanese-derived Misirlou Twist by Richard Monsour (better known as Dick Dale) and a Mexican piece written originally for Café Tacuba.
The natural energy and verve that Kronos brings to this material is enhanced by an assortment of superior instrumentalists including Zakir Hussain, Ali Jihad Racy, Kayhan Kalhor, and others.
One unifying force that serves to bring some of these seemingly disparate musical elements together is the work of Argentinean composer Osvaldo Golijov, who arranged much of the material on this album. Golijov, whom the New York Times describes as “a musical alchemist (who) conjures up new worlds,” has enjoyed a longstanding relationship with Kronos, highlighted by recordings of two of his works for Nonesuch: K’vakarat (1994) for Night Prayers, and The Dreams and Prayers of Isaac the Blind (1995), released as a single in 1997.
Golijov’s search for a meaningful integration of widely different musical sources has lead to work with a diverse group of performers. In commenting on Golijov’s involvement with Kronos Caravan, David Harrington said, “Osvaldo Golijov has the remarkable ability to bring musicians together through his work. We needed a voice—a compositional voice—that provided coherence. I think he is the perfect collaborator in an idea like this because he instinctively understands the relationship between Terry Riley’s piece and Misirlou Twist. He is Kronos’s Gil Evans.”
David Harrington, violin
John Sherba, violin
Hank Dutt, viola
Jennifer Culp, cello
Zakir Hussain, tabla (3)
Taraf de Haïdouks (5): Anghel “Caliu” Gheorghe, Constantin “Costică” Lautaru, violin; Ionel “Ioniţă” Manole, Marin “Marius” Manole, accordion; Ion “Ionică” Tanase, cymbalum; Viorel Vlad, double bass
Kayhan Kalhor, kamancheh (10)
Ziya Tabassian, tombak (10)
Ali Jihad Racy, nay (11)
Souhail Kaspar, tar (11)
Martyn Jones, drums (12)
Produced by Judith Sherman
Recorded March–September 1999 at Skywalker Sound, Nicasio, Calif.
Engineer: Craig Silvey
Assistant engineer: Bob Levy
Editing assistance: Jeanne Velonis, Tom Luekins
Mastered by Judith Sherman and the Kronos Quartet at SoundByte Productions, New York City
Recorded May 1999 at Saarländischer Rundfunk, Funkhaus Halberg, Großer Sendesaal, Saarbrücken, Germany
Engineers: Rolf Schnellback, Saarländischer Rundfunk, and Kees de Visser, Galaxy Classics, Mol, Belgium
La Muerte Chiquita:
Produced by Gustavo Santaolalla
Session co-producer: Judith Sherman
Associate producer: Aníbal Kerpel
Engineer: Craig Silvey
Cortejo Fúnebre en el Monte Diablo:
Backing track made by Terry Riley from playback samples created on an Ensoniq TS12. The sequencing engine used was Emagics Logic
Tracks 2-6, 8, 9, and 12 arranged by Osvaldo Golijov
Art Direction and Design by Frank Olinsky
Cover: Tapestry by Alighiero E. Boetti and Mimmo Paladino, courtesy of Archivio Alighiero Boetti and Mimmo Paladino. Photographed by Mimmo Capone, courtesy of Galleria d’arte contemporanea Emilio Mazzoli.
Executive Producer: Robert Hurwitz