Track Listing
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- Tuesday, February 7, 2012
Los Angeles Philharmonic 2012–13 Season to Feature New Staged Production of John Adams Oratorio
The Los Angeles Philharmonic has announced its 2012–13 season, which will feature the fully staged version of John Adams's oratorio The Gospel According to the Other Mary, directed by Peter Sellars and conducted by the Philharmonic's Music Director Gustavo Dudamel. The project will be taken on an international tour, with performances in London, Lucerne, Paris, and New York. Adams, who is the orchestra's Creative Chair, continues to oversee its popular Green Umbrella new-music series and will conduct two of the series' concerts in Los Angeles.
- Monday, January 30, 2012
Carnegie Hall Announces 2012–2013 Season, Featuring Performances, Works by Several Nonesuch Artists
Carnegie Hall has announced its 2012–13 season, and featured among the performers taking the esteemed hall's stages are a number of artists familiar to readers of the Nonesuch Journal, including Kronos Quartet, Richard Goode, Dawn Upshaw, and Alarm Will Sound, as well as world and New York premiere performances of works by Steve Reich, Timothy Andres, and Donnacha Dennehy. In addition, John Adams will lead a Professional Training Workshop for emerging talents through Carnegie Hall's Weill Music Institute.
About this Album
Gnarly Buttons is the puckish title for John Adams 1996 concerto offered here in its first recording. Written for the British clarinet soloist Michael Collins, he performs it here with the London Sinfonietta, conducted by John Adams. The work’s instrumentation underscores the vernacular roots of the music: a string ensemble is augmented by banjo, mandolin, guitar, trombone, two low double reeds, piano, and two keyboards playing a variety of sampled sounds including accordion, clarinet—and cow.
Also premiered on this new recording is a set of 11 short pieces for string quartet, entitled John’s Book of Alleged Dances, written for and performed by Kronos Quartet. Alleged Dances also references folk elements such as the Western hoe-down and a Protestant hymn-tune. Several of the dances combine sampled rhythm tracks with live strings, and project a freewheeling imagination that is mirrored in the movement titles, like “Dogjam,” “Rag the Bone,” “Stubble Crotchet,” and “Alligator Escalator.”
Credits
MUSICIANS
John’s Book of Alleged Dances
Kronos Quartet:
David Harrington, violin
John Sherba, violin
Hank Dutt, viola
Joan Jeanrenaud, cello
Gnarly Buttons
London Sinfonietta:
John Adams, conductor
Michael Collins, clarinet
Gareth Hulse, English horn
John Orford, bassoon
David Purser, trombone
Rebecca Hirsch, violin
Joan Atherton, violin
Roger chase, viola
Christopher van Kampen, cello
Lynda Houghton, double bass
Steve Smith, banjo, mandolin, guitar
Shelagh Sutherland, sampler/piano
David Maric, sampler/piano
PRODUCTION CREDITS
Gnarly Buttons
Produced by Philip Waldway
Recorded July 1997 at Air Studios (Lyndhurst), London, England
Engineered by Geoff Foster
Edited and mixed At Galaxy Classics, Mol, Belgium
Engineered by Kees de Visser
John’s Book of Alleged Dances
Produced by Judith Sherman
Recorded August 1995 (Toot Nipple) and August 1996 at Skywalker Sound, Nicasio, CA
Recording Engineer: Craig Silvey
Assistant Engineer: John Klepko, Chris Haynes (Toot Nipple)
Editing Assistant: Jeanne Velonis
Electronic tapes prepared by Mark Grey
Mastered by Paul Zinman at SoundByte Productions, New York City
Design by John Gall
Cover photograph courtesy of Valerie Schaff/Graphistock
Executive Producer: Robert Hurwitz
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The Dharma at Big Sur / My Father Knew Charles Ives
September 26, 2006 -
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