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  • Boston Globe: John Adams "Hallelujah Junction" Offers Guide to Artistic Success with Integrity

    The Met premiere production of John Adams's opera Doctor Atomic concluded last Thursday; this weekend, the Atlanta Symphony will give a staged production of the piece. Tonight, the composer is at Harvard to lead a performance of The Wound-Dresser, followed by a discussion. The Boston Globe talks with the composer about this "particularly rich time" in his life, as "one of America's busiest and most original composers" and features a review of Adams's memoir, Hallelujah Junction, that concludes: "[T]his is a book that any aspiring artist, in any medium, should read as a kind of how-to guide to achieving artistic success without losing integrity, something that seems to many young artists today nearly impossible. In fact, it is a book for anyone who wants to create something—including a self."

  • Independent (UK): John Adams's "Engaging" Memoir Shows Composer's "Rare Precision"

    John Adams's memoir, Hallelujah Junction, is now available in the UK. The Independent calls it "engaging" and says that like Adams's musical work of the same name, the book "radiates a calm, Californian confidence, letting its ideas unfold at a gentle pace." The parallels continue: "Adams's unique touch finds its literary analogue in a style of rare precision." The composer "here emerges as a storyteller."

About this Album

The New York Times praised the “freewheeling violin and piano work” of Adams’s “traveling music.” The Oakland Tribune says the other piano-based pieces collected here “thrillingly exhibit the kinetic rhythmic excitement that always placed Adams above the so-called minimalists.”

Credits

MUSICIANS
Leila Josefowicz, violin (1-3)
John Novacek, piano (1-3)
Nicolas Hodges, piano (4-8)
Rolf Hind, piano (4-6, 9-11)

PRODUCTION CREDITS
Produced by Judith Sherman
Road Movies recorded September 2, 2002, at the American Academy of Arts and Letters, New York City
Engineered by Judith Sherman
Assistant Engineers: Hsi-Ling Chang
Editing assistant: Jeanne Velonis
All other pieces recorded July 28-29, 2003, at Lyndhurst Hall, Air Studios, London
Engineered by Geoff Foster
Assistant Engineers: Chris Barrett
Mastered by Judith Sherman
Piano Rental: Mary Schwendeman (New York) / Steinway & Sons (London)
Leila Josefowicz appears courtesy of Philips Classics.

Design by John Gall
Cover photograph by Deborah O’Grady

Executive Producer: Robert Hurwitz

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