Track Listing
Click tracks with speaker icon to listen| 1 | I. Naive and Sentimental Music | 18:10 |
| 2 | II. Mother of the Man | 15:09 |
| 3 | III. Chain to the Rhythm | 11:00 |
News & Reviews
- Tuesday, March 9, 2010
Times (UK): Four Stars for John Adams/LSO's "Extraordinarily Compelling" UK Premiere of "Doctor Atomic Symphony"
John Adams and the London Symphony Orchestra gave the UK premiere of his Doctor Atomic Symphony at Barbican Hall Sunday; they perform the European premiere of his City Noir Thursday. The Times (UK) gives Sunday's "extraordinarily compelling" performance four stars, exclaiming that, with Doctor Atomic Symphony, Adams "has created a truly explosive 25-minute piece in which the listener is rocked by a sense of the compacted moral and physical turbulence of the original opera." The Evening Standard gives it four stars as well, calling it "Adams at his heart-on-sleeve best."
- Friday, March 5, 2010
John Adams to Lead LSO in UK Premieres of "Doctor Atomic Symphony" and "City Noir" at the Barbican
John Adams returns to the Barbican in London this weekend for John Adams Focus. He introduces a screening of the film Wonders Are Many: The Making of Doctor Atomic, followed by the UK premiere of Doctor Atomic Symphony, with the composer leading the London Symphony Orchestra. Next week, Adams will lead the LSO in the European premiere of City Noir, which, he writes in the Times, is "an imaginary film score, a musical study in cinematic colours and jazz-inflected energy."
About this Album
John Adams’s Naive and Sentimental Music, an orchestral work of nearly 50 minutes, is his most ambitious symphonic work to date. Premiered and recorded by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen, to whom the piece is dedicated, the work has subsequently been performed to great critical acclaim in New York, Chicago, Boston, and Cleveland, and throughout Europe.
Taking its title from the German poet Friedrich Schiller, Adams's Naive and Sentimental Music has been called “ultimately personal, intimate … an epic in which individual stories peek through the onrush of history” (Los Angeles Times) and “a maximal tour de force that proves how far [Adams] has moved from his minimalist roots” (Chicago Tribune). The piece also takes its lead from the Schiller work, which examines the relationship between two different artistic personalities, one that creates in an un-self-conscious way, and one that tends to analyze itself as it creates. Adams has articulated his attempt to let the former aspect of his own nature “play freely” in this new work.
Following on the heels of a three-day, eight-concert retrospective of Adams’s music at the BBC Festival in London earlier in 2002, which showcased nearly all of his most significant works, Naive and Sentimental Music came at a time of an unprecedented degree of recognition for the composer both in the US and Europe.
Credits
MUSICIANS
Los Angeles Philharmonic
Esa-Pekka Salonen, conductor
PRODUCTION CREDITS
Produced by Martin Sauer
Recorded October 25-26, 1999 at the Dorothy Chandler Pavilion, Los Angeles, CA
Engineered by Richard King
Assistant Engineers: Mark Betts and Todd Whitelock
Edited, mixed and mastered at Sony Music Studios, New York, NY
Edited by Todd Whitelock
Mixed by Martin Sauer and Richard King
Esa-Pekka Salonen and the Los Angeles Philharmonic appear courtesy of Sony Classical.
Naive and Sentimental Music was commissioned by the Los Angeles Philharmonic, the Ensemble Modern Orchestra, the Vancouver Symphony and the Sydney Symphony.
Design by Evan Gaffney Design
Cover photograph: Untitled (Overhanging Rock, Glacier Point, Yosemite), c. 1883 by Gustavus Fagersteen, courtesy of Oakland Museum of California, Gift of the Women’s Board
Executive Producer: Robert Hurwitz






















