Track Listing
Click tracks with speaker icon to listen| 1 | I. Naive and Sentimental Music | 18:10 |
| 2 | II. Mother of the Man | 15:09 |
| 3 | III. Chain to the Rhythm | 11:00 |
News & Reviews
- Monday, January 30, 2012
Carnegie Hall Announces 2012–2013 Season, Featuring Performances, Works by Several Nonesuch Artists
Carnegie Hall has announced its 2012–13 season, and featured among the performers taking the esteemed hall's stages are a number of artists familiar to readers of the Nonesuch Journal, including Kronos Quartet, Richard Goode, Dawn Upshaw, and Alarm Will Sound, as well as world and New York premiere performances of works by Steve Reich, Timothy Andres, and Donnacha Dennehy. In addition, John Adams will lead a Professional Training Workshop for emerging talents through Carnegie Hall's Weill Music Institute.
- Wednesday, August 31, 2011
John Adams's "Nixon in China" Met Opera Premiere, Conducted by Adams, Screens Free in NYC's Lincoln Center Plaza
The Metropolitan Opera's premiere production of John Adams's Nixon in China, conducted by the composer and staged by director Peter Sellars in their Met debuts, will be given a free screening in Lincoln Center Plaza in New York City tonight at 7:45 PM as part of the Met's third-annual free Summer HD Festival. Seating for the Met's Summer HD Festival is on a first-come, first-served basis and no tickets are required; more than 3,000 seats will be available.
About this Album
John Adams’s Naive and Sentimental Music, an orchestral work of nearly 50 minutes, is his most ambitious symphonic work to date. Premiered and recorded by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen, to whom the piece is dedicated, the work has subsequently been performed to great critical acclaim in New York, Chicago, Boston, and Cleveland, and throughout Europe.
Taking its title from the German poet Friedrich Schiller, Adams's Naive and Sentimental Music has been called “ultimately personal, intimate … an epic in which individual stories peek through the onrush of history” (Los Angeles Times) and “a maximal tour de force that proves how far [Adams] has moved from his minimalist roots” (Chicago Tribune). The San Francisco Chronicle includes it among the best orchestral compositions of the past 50 years, calling it a "bracing and beautiful essay, part philosophical treatise and part Dickensian adventure." The piece also takes its lead from the Schiller work, which examines the relationship between two different artistic personalities, one that creates in an un-self-conscious way, and one that tends to analyze itself as it creates. Adams has articulated his attempt to let the former aspect of his own nature “play freely” in this new work.
Following on the heels of a three-day, eight-concert retrospective of Adams’s music at the BBC Festival in London earlier in 2002, which showcased nearly all of his most significant works, Naive and Sentimental Music came at a time of an unprecedented degree of recognition for the composer both in the US and Europe.
Credits
MUSICIANS
Los Angeles Philharmonic
Esa-Pekka Salonen, conductor
PRODUCTION CREDITS
Produced by Martin Sauer
Recorded October 25-26, 1999 at the Dorothy Chandler Pavilion, Los Angeles, CA
Engineered by Richard King
Assistant Engineers: Mark Betts and Todd Whitelock
Edited, mixed and mastered at Sony Music Studios, New York, NY
Edited by Todd Whitelock
Mixed by Martin Sauer and Richard King
Esa-Pekka Salonen and the Los Angeles Philharmonic appear courtesy of Sony Classical.
Naive and Sentimental Music was commissioned by the Los Angeles Philharmonic, the Ensemble Modern Orchestra, the Vancouver Symphony and the Sydney Symphony.
Design by Evan Gaffney Design
Cover photograph: Untitled (Overhanging Rock, Glacier Point, Yosemite), c. 1883 by Gustavus Fagersteen, courtesy of Oakland Museum of California, Gift of the Women’s Board
Executive Producer: Robert Hurwitz


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