News & Reviews
- Monday, September 23, 2013
John Adams's Saxophone Concerto Given US Premiere by Baltimore Symphony Orchestra: "Ecstatic Ride" (Baltimore Sun)
John Adams’s Saxophone Concerto received its US premiere over the weekend, with Marin Alsop conducting the Baltimore Symphony Orchestra and saxophonist Timothy McAllister, for whom the "virtuosic piece" (Washington Post) was written. The Baltimore Sun says "the score deftly fuses classical and jazz elements to create a cohesive, arresting experience ... Adams, whose style has evolved over the decades from pristine minimalism to a kind of post-Mahler richness of thematic ideas and orchestral textures, has created here a kinetic, ecstatic ride that achieves giddy heights along the way." McAllister performs the Saxophone Concerto with the St. Louis Symphony Orchestra on October 5 and 6.
- Wednesday, August 21, 2013
John Adams makes his first-ever Australian concert appearances with programs titled Adams Conducts Adams in Sydney and Melbourne. Marking his Sydney Opera House debut as conductor, Adams leads the Sydney Symphony Orchestra and saxophonist Timothy McAllister in the world premiere of his Saxophone Concerto on Thursday and Friday. Also on the program are Adams’s Violin Concerto performed by Leila Josefowicz and works by Beethoven and Respighi. Adams heads next to Melbourne to conduct the Melbourne Symphony Orchestra in an all-Adams program at Hamer Hall August 29 and 31 featuring the Australian premiere of City Noir and performances of his Violin Concerto and Short Ride in a Fast Machine.
About this Album
Nonesuch released John Adams’s Son of Chamber Symphony / String Quartet on May 31, 2011. Son of Chamber Symphony (2007) is performed by the International Contemporary Ensemble (ICE), led by the composer, and Adams’s String Quartet (2008) is performed by the St. Lawrence String Quartet, the ensemble for which the piece was written. This is the first recording of both works.
“As you might imagine, Son of Chamber Symphony is closely related to Chamber Symphony,” Adams recently explained in an interview for the London Sinfonietta. “The two are very similar in instrumentation: 15 players—a large chamber group, or a very small orchestra—which means everybody gets to be a soloist in one way or another. It gave me an opportunity to do the kind of challenging virtuoso writing that I would never attempt with a large orchestra. The new chamber symphony also has the same buoyant quality [as the original].” The piece was co-commissioned by the San Francisco Ballet for a new work by choreographer Mark Morris, entitled Joyride, which premiered in 2008.
String Quartet is Adams’ second full-sized work for that combination of instruments. His first, 1994’s John’s Book of Alleged Dances (Nonesuch, 1998), is a set of 11 short pieces written for Kronos Quartet. Hearing the St. Lawrence String Quartet perform that work inspired Adams to compose String Quartet for them, which led to its world premiere at The Juilliard School in 2009. Since then, the group has performed the work more than 50 times throughout North America, Europe, and New Zealand, including a critically acclaimed performance at Carnegie Hall’s Zankel Hall in March 2011. The Philadelphia Inquirer said of one of those concerts, “The piece is a knockout. Thanks to the St. Lawrence telepathic sense of ensemble, so was the performance.”
With a flexible roster of 33 leading instrumentalists performing in forces ranging from solos to large ensembles, the International Contemporary Ensemble (ICE) functions as performer, presenter, and educator, advancing the music of our time and pursuing groundbreaking strategies for audience engagement. Since its founding in 2001, ICE has premiered more than 500 compositions, the bulk of them by emerging composers, in venues ranging from New York’s Lincoln Center and Chicago’s Museum of Contemporary Art to galleries, bars, clubs, and schools around the world.
Established in 1989, the St. Lawrence String Quartet (SLSQ) has developed a reputation as a world-class chamber ensemble. The quartet performs more than 120 concerts annually worldwide and calls Stanford University, where the group is ensemble-in-residence, home. The SLSQ is committed to the great, established quartet literature and also champions new works by composers like John Adams, Osvaldo Golijov, Eziquiel Vinao, and Jonathan Berger. The quartet comprises founding members Lesley Robertson (viola) and Geoff Nuttall (violin); cellist Christopher Costanza, who joined the group in 2003; and violinist Scott St. John, who joined in 2006.
Son of Chamber Symphony was commissioned by Stanford Lively Arts in honor of the Bonnie J. Addario Lung Cancer Foundation during Lung Cancer Awareness Month, November 2007, with generous support from Van and Eddi Van Auken, and by The Carnegie Hall Corporation, and made possible in part by The Swanson Foundation in honor of San Francisco Ballet’s 75th Anniversary. It was choreographed as Joyride for the San Francisco Ballet by Mark Morris. Its world premiere was November 30, 2007, by Alarm Will Sound (Alan Pierson, conductor), at Dinkelspiel Auditorium, Stanford University. Son of Chamber Symphony is dedicated to Ara Guzelimian.
String Quartet was commissioned by The Juilliard School (with generous support of the trust of Francis Goelet), Stanford Lively Arts, Stanford University, and The Banff Centre. Its world premiere was January 29, 2009, by the St. Lawrence String Quartet, at the Juilliard School. String Quartet is dedicated to Joseph Polisi.
Son of Chamber Symphony
International Contemporary Ensemble
John Adams, conductor
Claire Chase, executive director
Eric Lamb, flute, piccolo
Nicholas Masterson, oboe
Joshua Rubin, clarinet
Campbell MacDonald, bass clarinet
Rebekah Heller, bassoon
David Byrd, horn
Gareth Flowers, trumpet
David Nelson, trombone
Cory Smythe, piano, celesta
Nathan Davis, Ian Antonio, percussion
David Bowlin, Jennifer Curtis, violin
Maiya Papach, viola
Kivie Cahn-Lipman, cello
Scott Dixon, bass
St. Lawrence String Quartet
Geoff Nuttall, violin
Scott St. John, violin
Lesley Robertson, viola
Christopher Costanza, cello
Produced by Judith Sherman
Son of Chamber Symphony
Recorded September 14 & 15, 2010, at Sear Sound, New York, NY
Engineered by John Kilgore
Assistant Engineers: Chris Allen, Ted Tuthill, and Tom Gloady
Production & Editing Assistant: Jeanne Velonis
Keyboard Technician: Brian Mohr
Mixed at John Kilgore Sound by John Kilgore, Judith Sherman, and John Adams
Recorded October 4–6, 2009, Rolston Recital Hall, The Banff Centre, Alberta, Canada
Engineered by John D. S. Adams
Assistant Engineer: Shelley Uprichard
Editing Assistant: Jeanne Velonis
Produced and recorded using the facilities of the Music & Sound Program
Mastered by Robert C. Ludwig at Gateway Mastering Studio, Portland, ME
Design by John Gall
Photography by Deborah O’Grady
Executive Producer: Robert Hurwitz