News & Reviews
- Monday, August 12, 2013
Kronos Quartet helped close out the opening day of the Outside Lands festival in San Francisco's Golden Gate Park on Friday night with a flourish: first performing with The National (pictured here with Bob Weir, who joined for a song), then returning to the stage for the closing act, Sir Paul McCartney, for his encore, a performance of "Yesterday." Rolling Stone reports the performance "moved virtually every single person in the field, including security guards and food vendors." Watch it here.
- Wednesday, July 24, 2013
Lincoln Center Out of Doors Kicks Off with Kronos at 40, Five-Day Kronos Quartet "Festival Within a Festival"
The 2013 Lincoln Center Out of Doors festival gets under way today, and featured among the festival's 100 free performances taking place across the plazas of New York's Lincoln Center this summer are the events of Kronos at 40, curated in collaboration with Kronos Quartet to mark its 40th anniversary. This "festival within a festival" unfolds during the first five days of the larger festival and includes 28 concerts and events with daily appearances by Kronos plus performances by other artists. Check out the complete schedule of events and watch an interview with Kronos Quartet's David Harrington here.
About this Album
“The Cusp of Magic, with its lullabies and entrancing Chinese songs and sweet disposition, brims with joy.” —Los Angeles Times
Nonesuch Records releases the latest Kronos Quartet album, comprising the debut recording of Terry Riley’s six-movement piece, The Cusp of Magic. Commissioned by Kronos on the occasion of their longtime friend and collaborator Riley’s 70th birthday, the piece features the Quartet joined by Wu Man on pipa (a Chinese plucked string instrument, similar to a lute) and vocals, with all musicians also playing a variety of percussion instruments, toys, and noisemakers. The Quartet premiered The Cusp of Magic in 2005, and the piece was performed at Carnegie Hall as part of Kronos’ 2006 Live Mix series.Kronos Artistic Director and Violinist David Harrington says, “No composer has been as much a part of Kronos as Terry Riley. We first met at Mills College in 1978, and he has written 23 works for us so far. We knew Terry was turning 70 in 2005, and it seemed like a perfect time to commission another new piece from him. I was sure he would spend the time and take the care needed to bring his knowledge of the pipa up to the point where he could write an amazing work, and over a period of more than a year, he learned about the instrument from Wu Man.
“One day I was talking with him and he said he wanted this piece to be ‘magical.’ My granddaughter Emily was an infant at the time. We had little toys and noisemakers around the house, which we would play as I carried her around. Of all the experiences I’ve had, that is the most magical. ‘Why don’t you just come over, and we’ll play some of Emily’s toys?’ I said. So he brought over his computer and recording equipment, and we played all of her toys while she was taking a nap.”Riley adds, “In this work, the different timbre and resonance of the Chinese pipa and the Western string quartet highlight the crossover regions of cultural reference, so that the Western musical themes might be projected with an Eastern accent and vice-versa. My plan was to make these regions seamless so that the listener is carried between worlds without an awareness of how he/she ends up there.”
Previous recordings of Terry Riley’s work on Nonesuch include Salome Dances for Peace (Kronos, 1989), Cadenza on the Night Plain and G Song on 25 Years (Kronos, 1998), and Requiem for Adam (Kronos, 2001).Kronos dedicates this recording of The Cusp of Magic to the memory of Hamza El Din, who was introduced to them by Terry Riley. Hamza’s gentle, pioneering work connected music and musicians in countless ways.
David Harrington, violin
John Sherba, violin
Hank Dutt, viola
Jeffrey Zeigler, cello
Wu Man, pipa
Elisabeth Commanday, vocals (5)
Produced by Judith Sherman
Recorded August 7-12, 2006, at Skywalker Sound, Nicasio, CA
Engineered by Scott Fraser
Assistant engineer: Dann Thompson
For track 5: Elisabeth Commanday vocals recorded August 8, 2007, at The Plant, Sausalito, CA; Engineered by Scott Fraser
Electronic music compiled and mixed by David Dvorin
Mixed by Judith Sherman and David Harrington
Editing and mixing assistant: Jeanne Velonis
Mastered by Robert Ludwig, Gateway Mastering & DVD, Portland, ME
Executive Producer: Robert Hurwitz
Art direction and design by Frank Olinsky
Cover: Yellow Road (detail), by Dean Chamberlain
Published by Ancient Word Music (BMI)
Terry Riley's The Cusp of Magic was written and commissioned for the Kronos Quartet and Wu Man as part of a national series of works from Meet the Composer Commissioning Music/USA, made possible by the National Endowment for the Arts, The Helen F. Whitaker Fund, and the Target Foundation. Major support was generously provided by The Wallace Alexander Gerbode Foundation, with additional funds from The Margaret E. Lyon Trust.