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News & Reviews
- Monday, September 23, 2013
John Adams's Saxophone Concerto Given US Premiere by Baltimore Symphony Orchestra: "Ecstatic Ride" (Baltimore Sun)
John Adams’s Saxophone Concerto received its US premiere over the weekend, with Marin Alsop conducting the Baltimore Symphony Orchestra and saxophonist Timothy McAllister, for whom the "virtuosic piece" (Washington Post) was written. The Baltimore Sun says "the score deftly fuses classical and jazz elements to create a cohesive, arresting experience ... Adams, whose style has evolved over the decades from pristine minimalism to a kind of post-Mahler richness of thematic ideas and orchestral textures, has created here a kinetic, ecstatic ride that achieves giddy heights along the way." McAllister performs the Saxophone Concerto with the St. Louis Symphony Orchestra on October 5 and 6.
- Wednesday, August 21, 2013
John Adams makes his first-ever Australian concert appearances with programs titled Adams Conducts Adams in Sydney and Melbourne. Marking his Sydney Opera House debut as conductor, Adams leads the Sydney Symphony Orchestra and saxophonist Timothy McAllister in the world premiere of his Saxophone Concerto on Thursday and Friday. Also on the program are Adams’s Violin Concerto performed by Leila Josefowicz and works by Beethoven and Respighi. Adams heads next to Melbourne to conduct the Melbourne Symphony Orchestra in an all-Adams program at Hamer Hall August 29 and 31 featuring the Australian premiere of City Noir and performances of his Violin Concerto and Short Ride in a Fast Machine.
About this Album
In September 2006, Nonesuch Records released The Dharma at Big Sur, which comprises the 2003 title piece by Pulitzer Prize–winning composer John Adams, as well as My Father Knew Charles Ives, also from 2003. Both pieces are performed by London’s BBC Symphony Orchestra and conducted by Adams.
The Dharma at Big Sur, composed for the opening of Los Angeles’s Frank Gehry–designed Disney Hall, features electric violinist Tracy Silverman. “When I was asked by Esa-Pekka Salonen to compose a special piece for the opening," says the composer, "I immediately began searching my mind for an image, either verbal or pictorial, that could summon up the feelings of being an emigrant to the Pacific Coast—as I am, and as are so many who’ve made the journey here, both physically and spiritually. Coming upon the California coast, the Western shelf drops off violently, often from dizzying heights, as it does at Big Sur, the stretch of coastal precipice midway between Santa Cruz and Santa Barbara.”
Each part of The Dharma at Big Sur is dedicated to a West Coast composer who had been both a friend and an inspiration to Adams: Lou Harrison and Terry Riley, respectively. The first part, “A New Day,” is an homage to Harrison, who lived not far from Big Sur and who was the first significant American to compose in other tuning systems. According to the composer, it is a “long rhapsodic reverie for the solo violin, an endless melody that soars above the stillness of an orchestral drone with its quietly pulsating gongs and harps and distant brass chords, until the solo violin juggles a jazz-infused melody that gradually expands in scope and tessitura for the second part, ‘Sri Moonshine,’ a tip of the hat to Terry Riley, not only the composer of In C and A Rainbow in Curved Air, but also a master of Indian raga singing.”
Adams says of My Father Knew Charles Ives,
Carl Adams, my Massachusetts-born father, did not in fact know Ives. But for a few years and only a little distance to the north, the two Yankees might well have met, and it’s not unlikely that they would have become good friends. Both were businessmen by day and artists by night. I imagine them exchanging a wry comment in front of the town post office, or, rake in hand, lending each other some help after the first October frost.
My Father Knew Charles Ives is musical autobiography, an homage and encomium to a composer whose influence on me has been huge. Here are three more "places" in New England. My "Concord," however, is Concord, New Hampshire, 80 miles to the north of the Concord of Ives’s epic piano sonata. And my "Mountain" must also include the beloved West Coast Sierras of my adult life. "The Lake" is a summer nocturne. Over the gently lapping sounds of the water distant lights glimmer and mosquitoes hover. Far across the water the distant sound of a dance band floats off the dance hall pavilion, the Winnipesaukee Gardens. It was here that my father, playing clarinet in a visiting swing band, met my mother in the summer of 1935. I still have a picture of him sitting with the band, Ed Murphy’s Orchestra, wearing white shoes and holding his clarinet in a relaxed pose.
The Dharma at Big Sur
Tracy Silverman, electric violin
BBC Symphony Orchestra
John Adams, conductor
My Father Knew Charles Ives
BBC Symphony Orchestra
Trumpet solos by Bill Houghton
John Adams, conductor
Produced by Martin Sauer
The Dharma at Big Sur was recorded August 23, 2004, at Abbey Road Studios, London, and April 8, 2006, at Skywalker Ranch, San Francisco, CA
Engineers: Tobias Lehmann (London) and Mark Willsher (SF)
Edited and Mixed by René Möller at teldex Studio, Berlin, and Marie Ebbing and Mark Willsher at Skywalker Ranch
My Father Knew Charles Ives was recorded by René Möller, January 27, 2005, at Walthamstow Town Hall, London
Edited and Mixed by René Möller at teldex Studio
Engineered by Tobias Lehmann
Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland, ME
Design by Evan Gaffney
Cover photograph: Shell Rock and Arrangement by Edward Weston; Collection Center for Creative Photography © 1981 Arizona Board of Regents
Executive Producer: Robert Hurwitz