The members of the legendary original 1990s Joshua Redman Quartet—Redman, Brad Mehldau, Christian McBride, and Brian Blade—who reunited after twenty-six years for the 2020 album RoundAgain, return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival. "Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.
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The members of the legendary original 1990s Joshua Redman Quartet—Joshua Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years after their 1994 debut album, MoodSwing, for 2020’s RoundAgain; they return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance of the MoodSwing track “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival.
"Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.
"These two releases [RoundAgain and LongGone] pose the question of whether there has ever been such a reunion of elevated pedigree in the jazz oeuvre," says Glide magazine: "John Coltrane’s come-and-go with Miles Davis’ in the Sixties comes to mind, but this four-way regrouping would appear to be a phenomenon unto itself." “T record is very much akin to the occasion wherein old friends meet up again after a prolonged interval apart and … find out that the traits that first brought them together not only remain in plentiful supply but have grown all the more abiding with the passage of time.”
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
“Musicians with a scary level of talent playing into the moment,” says the New York Times. “The blend of outside influences into a consensual jazz language, the polyrhythmic play, the scholarly bravado: All those things felt fresh for these musicians in the 1990s ... There’s something undeniable—consoling, even—about hearing them remain true to it today.”
Redman says of his first group as a bandleader, which was together for approximately a year and a half: “I realized almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.”
Joshua Redman, Brad Mehldau, Christian McBride & Brian Blade Return with 'LongGone,' Out Now on Nonesuch
The members of the legendary original 1990s Joshua Redman Quartet—Joshua Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years after their 1994 debut album, MoodSwing, for 2020’s RoundAgain; they return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance of the MoodSwing track “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival.
"Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.
"These two releases [RoundAgain and LongGone] pose the question of whether there has ever been such a reunion of elevated pedigree in the jazz oeuvre," says Glide magazine: "John Coltrane’s come-and-go with Miles Davis’ in the Sixties comes to mind, but this four-way regrouping would appear to be a phenomenon unto itself." “T record is very much akin to the occasion wherein old friends meet up again after a prolonged interval apart and … find out that the traits that first brought them together not only remain in plentiful supply but have grown all the more abiding with the passage of time.”
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
“Musicians with a scary level of talent playing into the moment,” says the New York Times. “The blend of outside influences into a consensual jazz language, the polyrhythmic play, the scholarly bravado: All those things felt fresh for these musicians in the 1990s ... There’s something undeniable—consoling, even—about hearing them remain true to it today.”
Redman says of his first group as a bandleader, which was together for approximately a year and a half: “I realized almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.”
Joshua Redman, Brad Mehldau, Christian McBride & Brian Blade Return with 'LongGone,' Out Now on Nonesuch
The members of the legendary original 1990s Joshua Redman Quartet—Joshua Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years after their 1994 debut album, MoodSwing, for 2020’s RoundAgain; they return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance of the MoodSwing track “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival.
"Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.
"These two releases [RoundAgain and LongGone] pose the question of whether there has ever been such a reunion of elevated pedigree in the jazz oeuvre," says Glide magazine: "John Coltrane’s come-and-go with Miles Davis’ in the Sixties comes to mind, but this four-way regrouping would appear to be a phenomenon unto itself." “T record is very much akin to the occasion wherein old friends meet up again after a prolonged interval apart and … find out that the traits that first brought them together not only remain in plentiful supply but have grown all the more abiding with the passage of time.”
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
“Musicians with a scary level of talent playing into the moment,” says the New York Times. “The blend of outside influences into a consensual jazz language, the polyrhythmic play, the scholarly bravado: All those things felt fresh for these musicians in the 1990s ... There’s something undeniable—consoling, even—about hearing them remain true to it today.”
Redman says of his first group as a bandleader, which was together for approximately a year and a half: “I realized almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.”
Grammy-winning singer, songwriter, and virtuoso guitarist Molly Tuttle releases So Long Little Miss Sunshine (Acoustic), a companion EP to her acclaimed Grammy-nominated album So Long Little Miss Sunshine, September 4. It was recorded with touring bandmates Vanessa McGowan and Mary Meyer and produced by Steve Berns. The EP strips back five standout tracks from the album and places Tuttle's voice, intricate guitar playing, and songwriting front and center. The intimate recordings offer a fresh perspective on some of the album's most personal songs. You can hear "Rosalee" now.
Natalie Merchant has shared two new tracks from the upcoming album Cabinet of Wonder: "The Queen of Hearts" and "Humpty Dumpty." You can watch the videos here. Cabinet of Wonder is a digital collection of seventeen songs and accompanying videos from the acclaimed singer-songwriter’s collaboration with the Chicago Symphony Orchestra (CSO) and Chicago Children’s Theatre (CCT) due August 21 on Nonesuch. The songs reimagine Mother Goose and her rhymes for a new generation of young children through modern interpretations of the classic children’s canon and three originals by Merchant—performed by Merchant, musicians from the CSO and special guests—in orchestral arrangements by Megan Gould.