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The members of the legendary original 1990s Joshua Redman Quartet—Redman, Brad Mehldau, Christian McBride, and Brian Blade—who reunited after twenty-six years for the 2020 album RoundAgain, return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival. "Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.
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The members of the legendary original 1990s Joshua Redman Quartet—Joshua Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years after their 1994 debut album, MoodSwing, for 2020’s RoundAgain; they return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance of the MoodSwing track “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival.
"Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.
"These two releases [RoundAgain and LongGone] pose the question of whether there has ever been such a reunion of elevated pedigree in the jazz oeuvre," says Glide magazine: "John Coltrane’s come-and-go with Miles Davis’ in the Sixties comes to mind, but this four-way regrouping would appear to be a phenomenon unto itself." “T record is very much akin to the occasion wherein old friends meet up again after a prolonged interval apart and … find out that the traits that first brought them together not only remain in plentiful supply but have grown all the more abiding with the passage of time.”
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
“Musicians with a scary level of talent playing into the moment,” says the New York Times. “The blend of outside influences into a consensual jazz language, the polyrhythmic play, the scholarly bravado: All those things felt fresh for these musicians in the 1990s ... There’s something undeniable—consoling, even—about hearing them remain true to it today.”
Redman says of his first group as a bandleader, which was together for approximately a year and a half: “I realized almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.”
Joshua Redman, Brad Mehldau, Christian McBride & Brian Blade Return with 'LongGone,' Out Now on Nonesuch
The members of the legendary original 1990s Joshua Redman Quartet—Joshua Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years after their 1994 debut album, MoodSwing, for 2020’s RoundAgain; they return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance of the MoodSwing track “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival.
"Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.
"These two releases [RoundAgain and LongGone] pose the question of whether there has ever been such a reunion of elevated pedigree in the jazz oeuvre," says Glide magazine: "John Coltrane’s come-and-go with Miles Davis’ in the Sixties comes to mind, but this four-way regrouping would appear to be a phenomenon unto itself." “T record is very much akin to the occasion wherein old friends meet up again after a prolonged interval apart and … find out that the traits that first brought them together not only remain in plentiful supply but have grown all the more abiding with the passage of time.”
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
“Musicians with a scary level of talent playing into the moment,” says the New York Times. “The blend of outside influences into a consensual jazz language, the polyrhythmic play, the scholarly bravado: All those things felt fresh for these musicians in the 1990s ... There’s something undeniable—consoling, even—about hearing them remain true to it today.”
Redman says of his first group as a bandleader, which was together for approximately a year and a half: “I realized almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.”
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Joshua Redman, Brad Mehldau, Christian McBride & Brian Blade Return with 'LongGone,' Out Now on Nonesuch
The members of the legendary original 1990s Joshua Redman Quartet—Joshua Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunited after twenty-six years after their 1994 debut album, MoodSwing, for 2020’s RoundAgain; they return now with LongGone, out now. The new album features original Redman compositions from the RoundAgain recording sessions, plus a live performance of the MoodSwing track “Rejoice,” captured by SFJAZZ at the San Francisco Jazz Festival.
"Musical soulmates reunite to stunning effect," the Guardian exclaims, naming LongGone its Jazz Album of the Month.
"These two releases [RoundAgain and LongGone] pose the question of whether there has ever been such a reunion of elevated pedigree in the jazz oeuvre," says Glide magazine: "John Coltrane’s come-and-go with Miles Davis’ in the Sixties comes to mind, but this four-way regrouping would appear to be a phenomenon unto itself." “T record is very much akin to the occasion wherein old friends meet up again after a prolonged interval apart and … find out that the traits that first brought them together not only remain in plentiful supply but have grown all the more abiding with the passage of time.”
RoundAgain, the group’s first recording since 1994’s MoodSwing, debuted at No. 1 on the Current Traditional Jazz Albums chart in the US and at No. 1 on the Jazz & Blues chart in the UK. The album received two Grammy nominations. NPR called it “a flawless effort,” stating that the four musicians have “only gotten better in that time” and are each “at the very top of his game now.”
“Musicians with a scary level of talent playing into the moment,” says the New York Times. “The blend of outside influences into a consensual jazz language, the polyrhythmic play, the scholarly bravado: All those things felt fresh for these musicians in the 1990s ... There’s something undeniable—consoling, even—about hearing them remain true to it today.”
Redman says of his first group as a bandleader, which was together for approximately a year and a half: “I realized almost immediately that this band wouldn’t stay together for very long. They were without a doubt, for our generation, among the most accomplished and innovative on their respective instruments. I knew better than anyone else just how incredibly lucky I was to have even that short time with them.”
Caroline Shaw’s Evergreen, featuring Shaw and Attacca Quartet, is out now. Evergreen is five original works by Shaw: three pieces written for string quartet—Three Essays, Blueprint, and The Evergreen—and two songs written for string quartet and voice. It also includes an interpretation of a twelfth century French poem, which the Quartet performs with Shaw on vocals. Shaw and Attacca Quartet perform from Evergreen at Public Records in Brooklyn this Tuesday, September 27. You can take a quick look inside the album here.
Makaya McCraven's new album, In These Times, is out now on International Anthem / Nonesuch / XL. It is the album McCraven’s been trying to make since he started making records, an appropriately career-defining body of work. The eleven-song suite was created over seven-plus years, as McCraven strived to fuse odd-meter compositions from his working songbook with orchestral, large-ensemble arrangements and the edit-heavy “organic beat music” he’s honed over the years. With contributions from over a dozen musicians and creative partners from his tight-knit circle of collaborators—including Jeff Parker, Junius Paul, Brandee Younger, Joel Ross, and Marquis Hill—In These Times highlights McCraven’s gift for collapsing space, destroying borders, and blending past, present, and future into poly-textural arrangements of post-genre, jazz-rooted 21st-century folk music.
