Skip directly to content
Browse by:
  • Monday, June 8, 2009
    Nonesuch to Release John Adams’s "Doctor Atomic" Symphony, July 28

    Nonesuch releases Pulitzer Prize–winning composer John Adams’s Doctor Atomic Symphony on July 28, 2009. A purely instrumental work, the piece is drawn from Adams’s opera Doctor Atomic. Also on the album is Adams’ 2001 piece, Guide to Strange Places. This is the premiere recording of both works. David Robertson conducts the Saint Louis Symphony Orchestra on this recording, which is his first CD with the ensemble.

    "An adaptation of several extended sections [of the Doctor Atomic opera]," wrote the New York Times of the piece, "the score invites you to hear the music—driving passages with pounding timpani, quizzically restrained lyrical flights, bursts of skittish fanfares—on its own terms, apart from its dramatic context."

    Doctor Atomic Symphony’s three movements include music from the opera’s overture; the Act II “panic” music; the “military matters” sections from Act I; and an orchestral setting of Robert Oppenheimer’s signature “Batter My Heart” aria that closes Act I of the opera. Creating a symphony from a three-hour opera proved to be no small task, as Adams told the St. Louis Post-Dispatch: “It was like being a filmmaker, with cans and cans of footage I’d shot, and I had to edit it in a meaningful way.”

    Doctor Atomic is the fifth work for the stage that Adams and his longtime collaborator Peter Sellars created. The opera concerns the final hours leading up to the first atomic bomb explosion at the Alamagordo test site in New Mexico in July of 1945. The focal characters are the physicist and Manhattan Project director, Dr. J. Robert Oppenheimer; his wife Kitty; Edward Teller; and General Leslie Groves, the US Army commander of the project. It has been critically praised by, among others, The New Yorker, which called its score “not only ominous score also uncommonly beautiful. Scene after scene glows with strange energy,” and the New York Times, which called the score, “Mr. Adams’s most complex and masterly music.”

    Guide to Strange Places
    was inspired by a book Adams found in Provence: Guide noir de la Provence mystérieuse (A Black Guide to Mysterious Provence). He says, “It was one of those typically French guides—minutely detailed and bristling with information and odd facts about the area. In this location there was a strange geological formation; in another, unusual climatic occurrences; somewhere else a horrific historical event had taken place or perhaps a miracle had been witnessed. A chapter was dedicated to paysages insolites—or ‘strange places.’ Each classification came with its own special identifying icon. It set my imagination off.” Adams continues, “In a sense, all of my pieces are travel pieces, often through paysages insolites—it’s the way I experience musical form.”

    The Los Angeles Times said of the work, which was completed in early September 2001, “What begins as bright, chirping birdsong ends with frightening bass drum thuds and unresolved growls in the brass ... [I]t sounded as if Adams had presciently found the strange places we all discover after our complacency is shattered.”

    ---

    This article was revised on July 20, 2009, to reflect the following correction: The release date for John Adams's Doctor Atomic Symphony, originally slated for July 21, was subsequently moved to one week later, July 28.

    Journal Articles:Album Release

Enjoy This Post?

Share This Post

Nonesuch to Release John Adams’s "Doctor Atomic" Symphony, July 28

Browse by:
nonesuch's picture
on June 8, 2009 - 1:04pm
Article Type: 
Publish date: 
Monday, June 8, 2009 - 16:00
Excerpt: 

Nonesuch releases Pulitzer Prize–winning composer John Adams’s Doctor Atomic Symphony on July 28, 2009. A purely instrumental work, the piece is drawn from Adams’s opera Doctor Atomic. David Robertson conducts the Saint Louis Symphony Orchestra on this recording. Said the New York Times: "[T]he score invites you to hear the music—driving passages with pounding timpani, quizzically restrained lyrical flights, bursts of skittish fanfares—on its own terms, apart from its dramatic context." Also on the album is Adams’ 2001 piece, Guide to Strange Places.

Copy: 

Nonesuch releases Pulitzer Prize–winning composer John Adams’s Doctor Atomic Symphony on July 28, 2009. A purely instrumental work, the piece is drawn from Adams’s opera Doctor Atomic. Also on the album is Adams’ 2001 piece, Guide to Strange Places. This is the premiere recording of both works. David Robertson conducts the Saint Louis Symphony Orchestra on this recording, which is his first CD with the ensemble.

"An adaptation of several extended sections [of the Doctor Atomic opera]," wrote the New York Times of the piece, "the score invites you to hear the music—driving passages with pounding timpani, quizzically restrained lyrical flights, bursts of skittish fanfares—on its own terms, apart from its dramatic context."

Doctor Atomic Symphony’s three movements include music from the opera’s overture; the Act II “panic” music; the “military matters” sections from Act I; and an orchestral setting of Robert Oppenheimer’s signature “Batter My Heart” aria that closes Act I of the opera. Creating a symphony from a three-hour opera proved to be no small task, as Adams told the St. Louis Post-Dispatch: “It was like being a filmmaker, with cans and cans of footage I’d shot, and I had to edit it in a meaningful way.”

Doctor Atomic is the fifth work for the stage that Adams and his longtime collaborator Peter Sellars created. The opera concerns the final hours leading up to the first atomic bomb explosion at the Alamagordo test site in New Mexico in July of 1945. The focal characters are the physicist and Manhattan Project director, Dr. J. Robert Oppenheimer; his wife Kitty; Edward Teller; and General Leslie Groves, the US Army commander of the project. It has been critically praised by, among others, The New Yorker, which called its score “not only ominous score also uncommonly beautiful. Scene after scene glows with strange energy,” and the New York Times, which called the score, “Mr. Adams’s most complex and masterly music.”

Guide to Strange Places
was inspired by a book Adams found in Provence: Guide noir de la Provence mystérieuse (A Black Guide to Mysterious Provence). He says, “It was one of those typically French guides—minutely detailed and bristling with information and odd facts about the area. In this location there was a strange geological formation; in another, unusual climatic occurrences; somewhere else a horrific historical event had taken place or perhaps a miracle had been witnessed. A chapter was dedicated to paysages insolites—or ‘strange places.’ Each classification came with its own special identifying icon. It set my imagination off.” Adams continues, “In a sense, all of my pieces are travel pieces, often through paysages insolites—it’s the way I experience musical form.”

The Los Angeles Times said of the work, which was completed in early September 2001, “What begins as bright, chirping birdsong ends with frightening bass drum thuds and unresolved growls in the brass ... [I]t sounded as if Adams had presciently found the strange places we all discover after our complacency is shattered.”

---

This article was revised on July 20, 2009, to reflect the following correction: The release date for John Adams's Doctor Atomic Symphony, originally slated for July 21, was subsequently moved to one week later, July 28.

featuredimage: 
John Adams "Doctor Atomic" Symphony [cover]

Related Posts

  • Wednesday, October 9, 2019
    Wednesday, October 9, 2019

    The first worldwide vinyl release of Sam Phillips's critically acclaimed 2001 Nonesuch debut album, Fan Dance, is due on Valentine's Day 2020, as the latest fan-selected title on Run Out Groove. Remastered and pressed on 180-gram vinyl, the remastered LP comes in an old-school tip-on style jacket with booklet, limited and individually numbered. It is available to pre-order via Run Out Groove and the Nonesuch Store until November 7, and then pressed and numbered to a limited quantity based on total orders. The Boston Globe calls it "a stunning work of intimacy and emotional range."

    Journal Topics: Album ReleaseArtist News
  • Friday, October 4, 2019
    Friday, October 4, 2019

    ¡Spangled!—a collaboration between Guatemalan-born singer-songwriter Gaby Moreno and American musician, songwriter, arranger, and producer Van Dyke Parks—is out now. The ten-song set spans more than a century, including a bolero from Panama, a bossa nova from Brazil, a song by Moreno, Trinidadian songwriter David Rudder's "The Immigrants," and an elegiac ballad from the Southwest US: Ry Cooder, John Hiatt, and Jim Dickinson’s “Across the Borderline,” performed with Cooder and Jackson Browne.

    Journal Topics: Album ReleaseArtist News
[{"parent":{"title":"Get on the list !","body":" Get exclusive information about NONESUCH tour dates, video premieres and special announcements ","field_newsletter_id":"14075483","field_label_list_id":"6389157","field_display_rates":"-1","field_preview_mode":"false","field_lbox_height":"","field_lbox_width":"","field_toaster_timeout":"16000","field_toaster_position":"From Bottom","field_turnkey_height":"800"}}]

Performs On