Skip directly to content
Browse by:
  • Thursday, April 12, 2018
    Olivia Chaney's New Album, "Shelter," Produced by Thomas Bartlett, Due June 15 on Nonesuch

    London-based singer, songwriter, and multi-instrumentalist Olivia Chaney follows her 2015 Nonesuch debut, The Longest River, with Shelter, due June 15, 2018, on Nonesuch Records. The album was produced by Thomas Bartlett (David Byrne, Nico Muhly, The Magnetic Fields, Sufjan Stevens, The National, St. Vincent, Father John Misty, et al.) and features eight original songs, along with Chaney's interpretations of Purcell's "O Solitude" and Frank Harford and Tex Ritter's "Long Time Gone," first recorded by the Everly Brothers.

    Shelter is available to pre-order at iTunes and the Nonesuch Store, where the album track "IOU" may be downloaded instantly; Nonesuch Store pre-orders also come with a limited-edition autographed print. "IOU" also may be streamed via Spotify and Apple Music, and a video of "IOU" may be seen below via YouTube. Chaney—who kicks off a tour of Europe as special guest of Alela Diane at Union Chapel in London tonight—performs album launch shows at both at Hoxton Hall in London on June 19 and National Sawdust in Brooklyn on July 31. Tour details at nonesuch.com/on-tour.

    Chaney describes her time writing songs for Shelter: "I had been on the road a lot and was struggling with the grit and loneliness of urban life. I think I'd been questioning what home, belonging, a sense of purpose, and my own culture even meant. I'd been craving wilderness and a return to essentials for a long time. Then, while touring in the US, I realized the place I needed was already in my life. It was ancient, barely habitable, and remote.

    "Thus a crumbling eighteenth-century cottage in the austere but magical hills of the North Yorkshire Moors—a family retreat since my teens, with no electricity or plumbing, where the only water comes from a spring—became the home for my work on Shelter," she continues. "We brought out an Arts and Crafts Bechstein piano and an old wood burner to the house; and as summer's end turned to autumn's shorter, colder days, the room with the upright and stove fueled my stay."

    Chaney says of working with Thomas Bartlett, "His close affiliation with such a varied and acclaimed group of artists was of enormous importance. His taste and sphere of understanding were as diverse as mine. He prioritized my compositions' meaning and lyricism, rather than jumping on the bandwagon of noisy popularity. I wanted a recording as intimate as the songs and their form. The only other musicians are Thomas and Jordan Hunt, my longtime collaborator who adds strings on select songs. It's just the three of us playing every sound you hear, using our instrumental and compositional craft, and Thomas' musician-producer's ear extraordinaire."

    Born in Florence, Italy, Chaney grew up in Oxford, England, in a household whose intellectual and artistic engagement was complemented by an expansive musical soundscape. This included Billie Holiday, Mozart operas, Sandy Denny, Prince, Tracy Chapman, Bert Jansch, Michael Jackson, and Joni Mitchell. She studied at London's Royal Academy of Music, where she took in everything the conservatory had to offer. Her curiosity led her further afield, from Ligeti to West African pop, Edith Piaf to Laurie Anderson, Mary Margaret O'Hara to Lorraine Hunt Lieberson, Sonic Youth to Sappho, Kate Bush to old-time country music—all while finding her own voice.

    The range of artists she's shared a stage with includes Robert Plant, Zero 7, the Labeque Sisters, Martin and Eliza Carthy, and Kronos Quartet, with whom she also recorded two songs for the 2017 Nonesuch album Folk Songs. Most recently she fronted a Grammy-nominated album, The Queen of Hearts, forming a new outfit, Offa Rex, with The Decemberists. The Guardian's review of that album said that "Chaney has a magical voice, full of heft, soul and sunlight," and fRoots said, "Chaney has never sounded better," while the Arts Desk said it was her "voice, with its clarity, power and emotional weight, that carries Offa Rex to the heights." The Financial Times added that "Chaney's singing makes 'Willie O' Winsbury' one of the best versions ever."

    You can watch Olivia Chaney's performance of Nick Drake's "River Man" at last week's BBC Radio 2 Folk Awards here.

    Journal Articles:Album ReleaseArtist News

Enjoy This Post?

Share This Post

Olivia Chaney's New Album, "Shelter," Produced by Thomas Bartlett, Due June 15 on Nonesuch

Browse by:
nonesuch's picture
on April 12, 2018 - 9:30am
Article Type: 
Publish date: 
Thursday, April 12, 2018 - 09:30
Excerpt: 

Olivia Chaney follows her 2015 Nonesuch debut, The Longest River, with Shelter, due June 15, 2018, on Nonesuch. The album, produced by Thomas Bartlett, is eight original songs plus Chaney's takes on Purcell's "O Solitude" and Frank Harford & Tex Ritter's "Long Time Gone," first recorded by the Everly Brothers. Pre-order to download the track "IOU" now and get an exclusive autographed print. Watch the "IOU" video here.

Copy: 

London-based singer, songwriter, and multi-instrumentalist Olivia Chaney follows her 2015 Nonesuch debut, The Longest River, with Shelter, due June 15, 2018, on Nonesuch Records. The album was produced by Thomas Bartlett (David Byrne, Nico Muhly, The Magnetic Fields, Sufjan Stevens, The National, St. Vincent, Father John Misty, et al.) and features eight original songs, along with Chaney's interpretations of Purcell's "O Solitude" and Frank Harford and Tex Ritter's "Long Time Gone," first recorded by the Everly Brothers.

Shelter is available to pre-order at iTunes and the Nonesuch Store, where the album track "IOU" may be downloaded instantly; Nonesuch Store pre-orders also come with a limited-edition autographed print. "IOU" also may be streamed via Spotify and Apple Music, and a video of "IOU" may be seen below via YouTube. Chaney—who kicks off a tour of Europe as special guest of Alela Diane at Union Chapel in London tonight—performs album launch shows at both at Hoxton Hall in London on June 19 and National Sawdust in Brooklyn on July 31. Tour details at nonesuch.com/on-tour.

Chaney describes her time writing songs for Shelter: "I had been on the road a lot and was struggling with the grit and loneliness of urban life. I think I'd been questioning what home, belonging, a sense of purpose, and my own culture even meant. I'd been craving wilderness and a return to essentials for a long time. Then, while touring in the US, I realized the place I needed was already in my life. It was ancient, barely habitable, and remote.

"Thus a crumbling eighteenth-century cottage in the austere but magical hills of the North Yorkshire Moors—a family retreat since my teens, with no electricity or plumbing, where the only water comes from a spring—became the home for my work on Shelter," she continues. "We brought out an Arts and Crafts Bechstein piano and an old wood burner to the house; and as summer's end turned to autumn's shorter, colder days, the room with the upright and stove fueled my stay."

Chaney says of working with Thomas Bartlett, "His close affiliation with such a varied and acclaimed group of artists was of enormous importance. His taste and sphere of understanding were as diverse as mine. He prioritized my compositions' meaning and lyricism, rather than jumping on the bandwagon of noisy popularity. I wanted a recording as intimate as the songs and their form. The only other musicians are Thomas and Jordan Hunt, my longtime collaborator who adds strings on select songs. It's just the three of us playing every sound you hear, using our instrumental and compositional craft, and Thomas' musician-producer's ear extraordinaire."

Born in Florence, Italy, Chaney grew up in Oxford, England, in a household whose intellectual and artistic engagement was complemented by an expansive musical soundscape. This included Billie Holiday, Mozart operas, Sandy Denny, Prince, Tracy Chapman, Bert Jansch, Michael Jackson, and Joni Mitchell. She studied at London's Royal Academy of Music, where she took in everything the conservatory had to offer. Her curiosity led her further afield, from Ligeti to West African pop, Edith Piaf to Laurie Anderson, Mary Margaret O'Hara to Lorraine Hunt Lieberson, Sonic Youth to Sappho, Kate Bush to old-time country music—all while finding her own voice.

The range of artists she's shared a stage with includes Robert Plant, Zero 7, the Labeque Sisters, Martin and Eliza Carthy, and Kronos Quartet, with whom she also recorded two songs for the 2017 Nonesuch album Folk Songs. Most recently she fronted a Grammy-nominated album, The Queen of Hearts, forming a new outfit, Offa Rex, with The Decemberists. The Guardian's review of that album said that "Chaney has a magical voice, full of heft, soul and sunlight," and fRoots said, "Chaney has never sounded better," while the Arts Desk said it was her "voice, with its clarity, power and emotional weight, that carries Offa Rex to the heights." The Financial Times added that "Chaney's singing makes 'Willie O' Winsbury' one of the best versions ever."

You can watch Olivia Chaney's performance of Nick Drake's "River Man" at last week's BBC Radio 2 Folk Awards here.

featuredimage: 
Olivia Chaney: "Shelter" [cover]

Related Posts

  • Wednesday, January 13, 2021
    Wednesday, January 13, 2021

    Lake Street Dive's new album, Obviously, will be released March 12 on Nonesuch. The album was produced by Mike Elizondo, a songwriting collaborator for Dr. Dre, Eminem, and 50 Cent and record producer for Fiona Apple and Mary J. Blige, among others. "Mike encouraged us to make bolder arrangement choices, take those chances and try those things," says bassist Bridget Kearney. "The record really is a success in what we set out to do: continue to challenge ourselves, continue to grow, and do things we’ve never done before." A new single, “Nobody’s Stopping You Now,” is out now, as is the previously released track "Making Do"; you can watch videos for both here. Nonesuch Store pre-orders also include a limited-edition, autographed print while supplies last.

    Journal Topics: Album ReleaseArtist NewsVideo
  • Thursday, January 7, 2021
    Thursday, January 7, 2021

    Vagabon has teamed up with Courtney Barnett for a cover inspired by Karen Dalton's version of "Reason to Believe," which was originally written and recorded by Tim Hardin in 1965 and covered by a wide range of artists since. After discovering Dalton's version, "I became obsessed," says Vagabon's Lætitia Tamko, "and so a few days after discovering it, I was encouraged to record a cover of it in my garage." Barnett adds "I'm a huge fan of Vagabon and Karen Dalton so this was a dream. They both have a voice that absolutely knocks the wind out of me." Vagabon has announced a livestream on January 29; tickets are available now.

    Journal Topics: Album ReleaseArtist NewsVideo
[{"parent":{"title":"Get on the list !","body":" Get exclusive information about NONESUCH tour dates, video premieres and special announcements ","field_newsletter_id":"14075483","field_label_list_id":"6389157","field_display_rates":"-1","field_preview_mode":"false","field_lbox_height":"","field_lbox_width":"","field_toaster_timeout":"16000","field_toaster_position":"From Bottom","field_turnkey_height":"800"}}]

Performs On